Cyborg anno 2087 - Metà uomo, metà macchina... programmato per uccidere

Yesterday, I saw the last of the three "Rings" movies. Ho-hum. CGI is great. So is a good book. CGI of a good book is, however, just eye-candy. "Cyborg" is a movie that, lacking money and computer graphics, was forced to tell a story. Michael Rennie (you know him as "Klaatu") is a man/machine from the future, come back to correct a few mistakes. His "high" tech looks a bit like your grand-dad's ham radio did about the same time this movie was made, but so what? Garth (Rennie) isn't here to show us ray guns or cell phones. (Who knows? Maybe his gizmos are all camouflaged to resemble '60s-era devices.) What he is here for is to undo the damage of some bad decisions (many of which will remind you of "The Terminator's" SkyNet, but you decide yourself if there's a connection).

Alas for Garth, if he succeeds, it may have dire consequences for him personally. That fact gives him a poignant nobility that many films, then and now, could use, but lack. Time-travel stories often rely on that kind of wrinkle for their drama, and I think that's an inherent weakness of the time-travel sub-genre: they all tend to ask the same question. Still, this one asks it well and Rennie's skillful performance leaves you exquisitely uncertain of just what the Right Thing to Do would be, in such a situation as his character finds himself.

Yeah, "Rings" was great. But so was this, and they don't make 'em like this one anymore.

A cyborg from the future is sent back to the 1960s.

60s Outer Limits, 60s The Invaders and 60s Irwin Allen all rolled into one!

The plot has shades of a couple of Limits episodes, the lack of fancy hardware gives it a touch of QM's The Invaders and the general presentation/casting reminds me of Irwin Allen.

Michael Rennie is here, but don't expect The Day The Earth Stood Still 2 - you will not get that!

The DVD picture quality is fine and, despite some slow moments, I generally had a ball with Cyborg 2087. However, I viewed it as a blast of the 60s, younger viewers who only want science fiction thrills might find it all a bit too old school?

I saw this flick as a 10:15 pm, Sat. night presentation on a local Chicago TV station. It was presented as a World Premier movie, not just a television premier. This was a minor trend in the mid/late 1960s TV world, preceding made for cable stuff. (A technology of the future.) It may have been regional, but, I recall several movies of the ilk. Probably, theatrical films that were deemed not worthy of standard distribution. Sold to TV as part of standard film 'packages'. Other titles include Dimension 5 with Jeffrey Hunter, and, a few that I can't recall. Anyway, this is not a review, complaint, or thanks. Just some info.

From the titular year, a cyborg called Garth A7 (Michael Rennie) is sent back in time to 1966 in order to stop an event that will lead to the subjugation of humanity. Garth A7 enlists the help of humans, while two super-soldiers from 2087 arrive to eliminate him.

The idea of a time-traveling cyborg, sent by a group of freedom fighters to stop a scientist from developing an advanced technology, is familiar indeed! James Cameron simply must have seen this movie. Even the scene when Garth A7 shows a scientist the proof that he's a machine is extremely reminiscent of a similar revelation in Cameron's T2! Of course, this film had neither the astronomical budget, nor the advantage of a Cameron to direct it. In spite of this, CYBORG 2087 is a lot of fun to watch, and deserves to be rediscovered...

The term, cyborg, meaning cybernetic organism, relates to a human enhanced with mechanical parts, often robotic in nature.

Thus gave us the first glimpse into this genre. Albeit low budget (I mean, instrumentation from the future labeled with Dymo Label Maker Tapes?) and featuring actors who were at their peak not just a few short years before, including Michael Rennie, Klaatu from "The Day The Earth Stood Still" or "The Keeper" from "Lost In Space", or Warren Stevens, Doc Ostrow from "Forbidden Planet ("Monsters! Monsters from the ID!") and throwing the tem-oral twist of alternative time lines, this cyborg pre-dated "The Six Million Dollar Man" (and Martin Cadin's novel it was based on, "Cyborg"), the Jean Claude Van Damme dystopic future wasteland adventure, even Star Trek: The Next Generation's most relentless enemies, the Borg (sounds Swedish!...sorry. I couldn't resist).

Add to that the obvious Terminator references (and people still forget about Harlan Ellison's own legal action against Cameron due to similarities in his Outer Limits scripts "Demon With the Glass Hand" and "Soldier") and you have a low-budget oddity that hasn't made the rounds in the post-midnight TV info-mercial circuit in years, being swept aside by other B-Movie kings like the Band Brothers' Full Moon Productions or Bert I. Gordon's & Brian Yuzna's Lovecraft micro-epics.