VALUTAZIONE IMDb
5,4/10
1476
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFu Manchu blackmails several industrialists and scientists into helping him construct a super-weapon by kidnapping their daughters and wives.Fu Manchu blackmails several industrialists and scientists into helping him construct a super-weapon by kidnapping their daughters and wives.Fu Manchu blackmails several industrialists and scientists into helping him construct a super-weapon by kidnapping their daughters and wives.
- Regia
- Sceneggiatura
- Star
Howard Marion-Crawford
- Doctor Petrie
- (as Howard Marion Crawford)
Joseph Fürst
- Otto Lentz
- (as Joseph Furst)
Salmaan Peerzada
- Abdul
- (as Salmaan Peer)
Ric Young
- Control Assistant
- (as Eric Young)
Francesca Tu
- Lotus
- (as Poulet Tu)
Sally Sheridan
- Shiva
- (as Danni Sheridan)
Recensioni in evidenza
Surviving his cataclysmic demise at the end of Don Sharp's The Face Of Fu Manchu (1965), Christopher Lee dons the stick-on Eastern eyelids a second time, utterly and entertainingly unconvincing as Sax Rohmer's villain-to-end-all villains. With his daughter and resident henchmen led by Burt Kwouk (Kato in the Pink Panther series), Fu is now blackmailing the world's top scientists to create a doomsday device by kidnapping their daughters. Douglas Wilmer replaces The Face Of Fu Manchu's Nigel Green as Neyland Smith, Fu Manchu's lantern-jawed arch nemesis from Scotland Yard, and battles all manner of Cartoon oriental stereotypes before rescuing the reluctant harem from the firey finale. Lee utters the immortal words `The world shall hear from me again!", thus ensuring a further three sequels (Vengeance..., Castle... and Blood Of Fu Manchu, all released in 1968) for producer Harry Allen Towers - the last two in the series helmed by Spain's infamous hack Jess Franco (whose filmic Midas Touch could grind the Star Wars series to a halt!).
If you recall, Lee's vicious Oriental supervillain was blown to smithereens at the end of the first entry in this series, THE FACE OF FU MANCHU. However, he's back in the best of health in this, the first sequel, with no explanation of how he escaped! THE BRIDES OF FU MANCHU has almost exactly the same structure as the first film: the characters are introduced; minor characters are killed off; there are lots of fights; Fu Manchu develops a new weapon. People are even strangled with Tibetan Prayer Scarves again! This is definitely one of those popcorn films. While satisfying on a purely visual level, after watching it you realise that there isn't any real substance underneath. THE BRIDES OF FU MANCHU does such a good job of being entertaining though, that you can't really criticise it. All of the ingredients are there, including numerous fights, car chases, enemy bases, kidnappings and radio messages, so there's something for everyone, whether you're an adventure fan or a simple thrill seeker. The spy, crime and adventure genres intermingle so seamlessly that you don't even realise it most of the time.
There are lots of things worth watching the film for, almost too many for me to point out (but of course I'll have a go). You've got some classic '60s machinery with flashing lights which doesn't do anything; you've got women in low cut revealing dresses; you've got a cast of extras including soldiers from the foreign legion; there's the tea-drinking British hero who dresses up as a prototype Indiana Jones; some satisfying explosions and lots and lots of fight scenes.
These fights are just as good as the ones in the first film, with men fighting for hours but not getting a single scratch or ruffled hair! I love these cheesy kind of fights and there's a lot to enjoy in these bits. Also, how can you not love a film where the heroes cooperate with the BBC to fight the yellow peril? At the end of the film there are even some genuinely exciting moments. There's a varied cast all going through their paces in this film. Christopher Lee is the rather wooden Fu Manchu, given little to do except be a face behind the evil this time around, but he's still fun and looks great in the role. Tsai Chin is wonderfully sinister and evil as his daughter. Douglas Wilmer plays Nayland Smith this time around, he's no Nigel Green but he's adequate enough in a square-jawed hero type of way. Burt Kwouk has a small role as an unlucky assistant, while familiar face Rupert Davies (DRACULA HAS RISEN FROM THE GRAVE), also appears playing a Frenchman, complete with comedy French accent! A pleasing alternative to the James Bond series, the Fu Manchu films are always entertaining, even if they are bad. This one is strictly average, but it's enjoyable and I had a lot of fun with it, as you can probably guess from reading the above. Lee's final words are "the world shall hear from me again", and guess what, he was right, appearing in the follow year's THE VENGEANCE OF FU MANCHU.
There are lots of things worth watching the film for, almost too many for me to point out (but of course I'll have a go). You've got some classic '60s machinery with flashing lights which doesn't do anything; you've got women in low cut revealing dresses; you've got a cast of extras including soldiers from the foreign legion; there's the tea-drinking British hero who dresses up as a prototype Indiana Jones; some satisfying explosions and lots and lots of fight scenes.
These fights are just as good as the ones in the first film, with men fighting for hours but not getting a single scratch or ruffled hair! I love these cheesy kind of fights and there's a lot to enjoy in these bits. Also, how can you not love a film where the heroes cooperate with the BBC to fight the yellow peril? At the end of the film there are even some genuinely exciting moments. There's a varied cast all going through their paces in this film. Christopher Lee is the rather wooden Fu Manchu, given little to do except be a face behind the evil this time around, but he's still fun and looks great in the role. Tsai Chin is wonderfully sinister and evil as his daughter. Douglas Wilmer plays Nayland Smith this time around, he's no Nigel Green but he's adequate enough in a square-jawed hero type of way. Burt Kwouk has a small role as an unlucky assistant, while familiar face Rupert Davies (DRACULA HAS RISEN FROM THE GRAVE), also appears playing a Frenchman, complete with comedy French accent! A pleasing alternative to the James Bond series, the Fu Manchu films are always entertaining, even if they are bad. This one is strictly average, but it's enjoyable and I had a lot of fun with it, as you can probably guess from reading the above. Lee's final words are "the world shall hear from me again", and guess what, he was right, appearing in the follow year's THE VENGEANCE OF FU MANCHU.
The nefarious Fu Manchu is bent on world domination, and he has built a heinous gizmo in the Atlas Mountains of French Morocco which will bring the world's governments to heel. His contrivance is able to transmit massive energy charges in the form of soundwaves. In order to handle the technology, Fu Manchu needs western scientific experts, and he acquires these men by the fiendish ploy of kidnapping their daughters (all beautiful 20-somethings) and threatening to chuck the girls into his ghoulish snakepit. Unfortunately for the Chinese arch-villain, Assistant Commissioner Nayland Smith of Scotland Yard is on the case ....
If the 'Fu' films which came after this one were considerably worse in quality, then they must have been execrable. This dire effort is difficult to watch, and two reviews would not be sufficient space to list all the improbabilities and nonsense contained herein. Portentous music and mock-heroic acting by Douglas Wilmer (Nayland Smith) and Christopher Lee (Fu) sit uneasily with cheap fibreglass sets and weak stunt choreography.
Nayland Smith and his sidekick Dr. Petrie are obviously meant to be Holmes-Watson imitations. The film is set in some vague period of the early 20th century, with Edwardian touches (uniforms of jailers and nurses, telephone handsets) but with aircraft and automobiles of later periods. Marie Lenz (Marie Versini) dresses like a 60's girl, with her short skirts and mink coat. The captive girls and Fu's daughter Lin Tang (Tsai Chin) sport the ultimate in 60's lacquered coiffure, which seems to stay in place no matter how they are chained to pillars, held over snakepits or roughed up by Fu's guards. One of the girls has a very exposed black bra, hardly an Edwardian garment.
When Marie and Franz are attacked near the Tower of London, Fu's men obligingly come at Franz one at a time, rather than overwhelming him - a curious behaviour trait repeated elsewhere in the film. Marie is a nurse, but she attends the ballet in a mink coat and sits in the royal box.
"They live only to serve me," says Fu of the beautiful girls whom he can hypnotise with a glance. So why does he chain them to pillars? Petrie has a suspiciously modern-looking wireless set in his home, and an even more suspiciously convenient uncle at the BBC. Nayland Smith laughably orders 'three carloads' of police officers to accompany him to Limehouse, and makes a personal call to the Home Secretary on a whim. Worse follows.
Bert Kwouk, the ever-present British-Chinese actor, plays Feng, Fu Manchu's reliable technical boffin. Feng is worried about the power loads that Fu is demanding, because they might start a 'chain reaction' (an electro-magnetic chain reaction? huh?) Nobody even attempts to explain how the millions of tons of equipment found its way to Morocco and got assembled without the knowledge of the French authorities. Why do the men in the sham police vehicle drive to the scene in Fu costumes, and put on police uniforms once they are in situ?
At the end, the ominous voice of Fu Manchu tells us that we will hear from him again. That is the most dreadful moment in the film - the threat of a sequel.
If the 'Fu' films which came after this one were considerably worse in quality, then they must have been execrable. This dire effort is difficult to watch, and two reviews would not be sufficient space to list all the improbabilities and nonsense contained herein. Portentous music and mock-heroic acting by Douglas Wilmer (Nayland Smith) and Christopher Lee (Fu) sit uneasily with cheap fibreglass sets and weak stunt choreography.
Nayland Smith and his sidekick Dr. Petrie are obviously meant to be Holmes-Watson imitations. The film is set in some vague period of the early 20th century, with Edwardian touches (uniforms of jailers and nurses, telephone handsets) but with aircraft and automobiles of later periods. Marie Lenz (Marie Versini) dresses like a 60's girl, with her short skirts and mink coat. The captive girls and Fu's daughter Lin Tang (Tsai Chin) sport the ultimate in 60's lacquered coiffure, which seems to stay in place no matter how they are chained to pillars, held over snakepits or roughed up by Fu's guards. One of the girls has a very exposed black bra, hardly an Edwardian garment.
When Marie and Franz are attacked near the Tower of London, Fu's men obligingly come at Franz one at a time, rather than overwhelming him - a curious behaviour trait repeated elsewhere in the film. Marie is a nurse, but she attends the ballet in a mink coat and sits in the royal box.
"They live only to serve me," says Fu of the beautiful girls whom he can hypnotise with a glance. So why does he chain them to pillars? Petrie has a suspiciously modern-looking wireless set in his home, and an even more suspiciously convenient uncle at the BBC. Nayland Smith laughably orders 'three carloads' of police officers to accompany him to Limehouse, and makes a personal call to the Home Secretary on a whim. Worse follows.
Bert Kwouk, the ever-present British-Chinese actor, plays Feng, Fu Manchu's reliable technical boffin. Feng is worried about the power loads that Fu is demanding, because they might start a 'chain reaction' (an electro-magnetic chain reaction? huh?) Nobody even attempts to explain how the millions of tons of equipment found its way to Morocco and got assembled without the knowledge of the French authorities. Why do the men in the sham police vehicle drive to the scene in Fu costumes, and put on police uniforms once they are in situ?
At the end, the ominous voice of Fu Manchu tells us that we will hear from him again. That is the most dreadful moment in the film - the threat of a sequel.
Sequel to "The Face of Fu Manchu", "Brides..." is even better if you look movies just to be entertained. It's the kind of silly, funny, absurd, kinky time capsule movie that never loses his charm. Of curse, plot holes and mistakes are a plenty (it's in the 20's but girls looks very 60's) but Lee's terrific performance and a good cast full of familiar faces (even Pink Panther's Cato is here!) helps to sustain interest. Nayland Smith and Dr. Petrie are a later version of Sherlock Holmes and Dr. Watson, but Fu Manchu is the main character here, cruel, sadistic and totally evil, probably the best villain ever, sadly forgotten today due to his racial connotations. The franchise will continue on three more films, but "Face..." and "Brides..." (both directed by Don Sharp) are the real thing. By the way, the 5 films are available now in a box set released in Spain by Manga Films (region 2), but beware: the last 2 movies (by Jesus Franco) are in Spanish without subtitles.
"The Brides of Fu Manchu" is the second of five Fu Manchu movies produced by Harry Alan Towers and starring Christopher Lee.The film is definitely the most entertaining of all the Fu Manchu films.The production values are top notch and the film is well-directed and acted.This time Fu Manchu wants to conquer the world("In a few moments,the entire world will capitulate to me.This is the destiny of Fu Manchu."-Fu Manchu).Fu Manchu's new evil plan is to send explosive energy via sound waves to small receivers placed in various cities throughout the world.It's up to Nayland Smith(Douglas Wilmer)to stop him...Anyway I enjoyed this film and you should too,if you like British horror/crime cinema.All the actresses starring in it are beautiful,especially Tsai Chin,the evil daughter of Fu Manchu.Fu Manchu returns a year later in "The Vengeance of Fu Manchu"(1967).
Lo sapevi?
- QuizChristopher Lee (Dr. Fu Manchu), Tsai Chin (Lin Tang) and Howard Marion-Crawford (Dr. Petrie) are the only actors to appear in all five "Fu Manchu" films.
- BlooperAll the Brides, including the 2 leading women, were dressed and coiffed strictly in 1966 styles, which worked against the period flavor of the piece.
- Curiosità sui creditiFinal entry in the opening credits cast list is 'The Brides of Fu Manchu'.
- Versioni alternativeWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'U' rating (with cuts). All cuts were waived in 1991 when the film was granted a 'U' certificate for home video.
- ConnessioniEdited into Il castello di Fu Manchu (1969)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Brides of Fu Manchu?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- The Brides of Fu Manchu
- Luoghi delle riprese
- Bray Studios, Down Place, Oakley Green, Berkshire, Inghilterra, Regno Unito(studio: made at Bray Studios, England)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 34min(94 min)
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti