The Black Cat

Considering the terrible sound quality and balance of the production values, two stars is a generous rating for this student film. How it got into release at drive-ins is beyond my comprehension. It is strictly amatuer hour. The direction is terrible, and the dialogue has nothing to do with Poe. The plot of the film has nothing to do with the classic of 1935, other than having a black cat in the movie.

The only good thing in the film is the axe murder of the airhead blond. It was the first thing that ever entered her mind in 20 odd years. Spare yourself the time to watch this piece of garbage.

I saw this movie when it was first released; at this time, almost 35 years ago. I was all of 11 years old and found it horrifying. It is the only movie I have ever seen where I had to leave the theater during certain scenes. I doubt now that I would be that scared, but I have nevery forgotten this move. I have never seen it since that time. I cannot find it on video, nor can I even find a review of it in any of the ubiquitous movie-review catalogs. It's as if this movie never existed. If anyone knows anything at all about this movie, I would appreciate very much hearing from you.

Greetings And Salutations, and welcome to my review of The Black Cat. Before we get into it, here are my ratings:

Story - 1.25 Direction - 1.25 Pace - 1.25 Acting - 0.75 Enjoyment - 1.00

TOTAL - 5.50

This version of the Edgar Allan Poe classic is not the best. However, nor is it the worst. And it even has some original concepts.

The writer and director, Harold Hoffman, gives the audience a passable and enjoyable horror flick. I appreciated the fact he made the villain a writer of the macabre: A slight nod to Poe, respect for that. But this writer is not so successful, and his money is just enough to keep him and his wife in the family home. He begins to work more and more. As he works at night, his wife is upset at not seeing too much of him. Slowly he starts to turn to drink. With the drink comes his cold callousness towards his pets, the black cat in particular, who he mains by plucking out its eye. The newly developed violence is one of the original concepts I mentioned. It shows the writer's slow change into an uncaring, brutal, dispassionate, and depressed alcoholic. Meaning, that things won't end well for his loving wife or the black cat. The other original element I relished was the band. The writer slinks off work to go and get drunk at his local club. Luckily for the viewer, the band who are playing are damn good. They even sing a couple of tunes you may know - Bo Diddly and Brown-Eyed Man. Then later, after he's relieved the cat of his right eye, he goes back to the club, and the band are now wearing eyepatches...over their right eyes. And the song they have chosen to sing is Sinner Man. "The Devil's gonna get you for all the evil that you have done." And the last original element is the ending itself, where the black cat gets his ultimate revenge.

Hoffman proves to be as good a director as a writer. His pacing is varied and creates a rollercoaster flow of tension, mystery, and action. And his eye for creating an eerie atmosphere with light and shadow is near perfect. It helps that he is filming in black and white to add an extra chill.

Unfortunately, the cast is not as skilled as Hoffman. Maybe he should have played all the roles himself! Most verge on the sinful side of average, except for the lead, Robert Frost. Frost appears to have learnt his trade at the HAM School of Over-Acting. OMG, everything Frost does is over the top and horrid. From his facial expressions to his screaming fits to the delivery of his crucial dialogue. It's this awfulness that hinders the film the most. It's a shame Hoffman couldn't pull more out of his cast.

The Black Cat, however, remains enjoyable, though, with a better cast and a less substantial soundtrack, which seems to be from another film, it could have been a classic. If you are a fan of Poe, I would say, give this film a look-see, as I would if you've watched any of the other Black Cat films. But if you're just a horror fan, make a note of it so you can come back to it later. It's worth one watch - but not the rush to watch it.

Feel free to check out my Absolute Horror and Monstrous lists to see where I have ranked The Black Cat.

Take Care & Stay Well.

This movie transplants Edgar Allan Poe's classic short story to 1965 Texas! Lou (Robert Frost) and Diana (Robyn Baker) are happily married. She buys a black cat for him as a pet. He becomes obsessed with the cat and ignores her. Then he (inexplicably) becomes a violent alcoholic...

The movie gets pretty incoherent from then on. Why Lou is an alcoholic is never explained. He also viciously attacks the cat he supposedly loves and then has a complete nervous breakdown! Still, if you ignore logic or continuity, this movie is OK. It has some very graphic gore for its time (an axing at the end is particularly gruesome) and it's actually pretty well done. There's also some inappropriate (but not bad) rock numbers worked in--there's a real nice visual gag on the second number. The acting is pretty good. Frost and Baker were pretty obviously hired for their good looks but aren't that bad. Baker has her moments and Frost is actually pretty good (even if he does overdo it a few times). And it does have a real nice ending.

So--no great shakes but an OK horror film.

The Black Cat, loosely based on the Edgar Allen Poe classic of the same name, is the story of one man's descent into madness, a case of unchecked schizophrenia fueled by alcoholism that ultimately results in murder. Robert Frost plays mentally unbalanced writer Lou, whose wife Diana (Robyn Baker) gets him a black cat to celebrate their first anniversary. At first Lou is delighted with the new addition to his menagerie (he also has a monkey, a toucan, a racoon and a parakeet), and gives more attention to the moggy than to his wife (who cries herself to sleep in bed), but as he spirals out of control, Lou comes to believe that the cat is evil, gouging out its eye, hanging it with a flex, and electrocuting it. Eventually, Lou's violence is turned towards Diana...

With spirited central performances from Frost and Baker, a snappy pace, and some surprisingly gnarly violence (the axe in the head scene is extremely bloody for the time), this is a very entertaining '60s take on an oft-told tale. Hailing from the era of the twangy guitar, the film is replete with energetic rock and roll musical numbers that some might find off-putting but which I found only added to the wild nature of the movie (I liked how the band wear eye-patches during one song, mimicking the one-eyed cat). I do have to wonder how much animal cruelty was involved in the making of the film-the poor puss looks genuinely distressed at times-but if you can handle the questionable cat handling, this is definitely worth a go.

6.5 out of 10, rounded up to 7 for the memorable scene in which Lou chats to a nightclub floozy, accusing her of being a witch: Frost is utterly convincing as a scarily unhinged individual with only the faintest grasp on reality.