Nella Londra dell'era Mod, un fotografo nota un'immagine sospetta nelle foto che ha scattato di una donna misteriosa in un parco desolato.Nella Londra dell'era Mod, un fotografo nota un'immagine sospetta nelle foto che ha scattato di una donna misteriosa in un parco desolato.Nella Londra dell'era Mod, un fotografo nota un'immagine sospetta nelle foto che ha scattato di una donna misteriosa in un parco desolato.
- Candidato a 2 Oscar
- 8 vittorie e 9 candidature totali
Veruschka von Lehndorff
- Verushka
- (as Verushka)
Jeff Beck
- Self - The Yardbirds
- (non citato nei titoli originali)
Roy Beck
- Boy dancing In Ricki Tick Club
- (non citato nei titoli originali)
Charlie Bird
- Homeless Man
- (non citato nei titoli originali)
Susan Brodrick
- Antique shop owner
- (non citato nei titoli originali)
Robin Burns
- Homeless Man
- (non citato nei titoli originali)
Tsai Chin
- Thomas's receptionist
- (non citato nei titoli originali)
Julio Cortázar
- Homeless Man
- (non citato nei titoli originali)
Chris Dreja
- Self - The Yardbirds
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe film contains a rare performance of The Yardbirds during the period when Jimmy Page and Jeff Beck were both in the band. Jeff Beck would leave a few months later.
- BlooperWhen Thomas is frolicking with the two girls on the purple paper backdrop in the studio, two crew members, including a camera operator, can be seen just sitting there in the top right side of the frame.
- Versioni alternativeSome of the music was rescored for the Warner DVD release, namely the latter part of the opening title music. The VHS releases' music remain intact.
- ConnessioniFeatured in Film Review: How I Learned to Live with Being a Star (1967)
- Colonne sonoreMain Title (Blow-Up)
Written and Performed by Herbie Hancock
Recensione in evidenza
I realize that this is a cinema classic, taught in cinema courses everywhere. And I recognize that there is some pretty remarkable stuff here. But some of it I found very off-putting.
First, to the good: the cinematography is almost constantly remarkable. The way scenes are framed, the constant variation of camera angles, the switches between close and far, etc. I almost would have preferred this without sound. There was so much of interest to watch.
There was little of interest to hear, however. The dialogue is inane. And the protagonist is an egotistical, selfish, thoroughly repugnant excuse for a man. Maybe he's alienated from his world. Why would I care? He does everything to demonstrate that he cares about nothing and no one but himself.
Just past the midpoint of this movie, it starts to become interesting when the photographer detects something in the background of one of his photos. When it turns out a man was murdered, he wants to know more. But why? He's never shown any interest in anything other than himself up until then?
And, finally, he seems to forget about it all.
Watch this once for the amazing camerawork. But as for the plot, the characters, and the rest, don't expect to be engaged. I certainly wasn't.
First, to the good: the cinematography is almost constantly remarkable. The way scenes are framed, the constant variation of camera angles, the switches between close and far, etc. I almost would have preferred this without sound. There was so much of interest to watch.
There was little of interest to hear, however. The dialogue is inane. And the protagonist is an egotistical, selfish, thoroughly repugnant excuse for a man. Maybe he's alienated from his world. Why would I care? He does everything to demonstrate that he cares about nothing and no one but himself.
Just past the midpoint of this movie, it starts to become interesting when the photographer detects something in the background of one of his photos. When it turns out a man was murdered, he wants to know more. But why? He's never shown any interest in anything other than himself up until then?
And, finally, he seems to forget about it all.
Watch this once for the amazing camerawork. But as for the plot, the characters, and the rest, don't expect to be engaged. I certainly wasn't.
- richard-1787
- 29 gen 2023
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Deseo de una mañana de verano
- Luoghi delle riprese
- Maryon Park, Woolwich Road, Charlton, Londra, Inghilterra, Regno Unito(scenes where Thomas first photographs Jane and where mime artists play tennis at the end)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.800.000 USD (previsto)
- Lordo in tutto il mondo
- 38.575 USD
- Tempo di esecuzione1 ora 51 minuti
- Mix di suoni
- Proporzioni
- 1.85 : 1
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