Il nostro uomo a Marrakesh

So..... Andrew Jessel (T. Randall) checks into a hotel in Marrakesh, and we see a (dead) body fall out of his closet. Some chick barges into his room, and talks him out of calling the cops. Kyra Stanovy (Senta Berger) is involved in this somehow, and we have to figure out how. For Randall, this was still a couple years before Odd Couple. Also in here is Herb Lom, you will recognize as Commissioner Dreyfus from all the Pink Panther films. Look for Brit actors Wilfrid Hyde-White and Terry Thomas (from the hilarious Mad Mad World....). A lot of talking and posturing, but not a lot of action for the first half. SOMEONE here has two million dollars in a suitcase to buy a vote. Jessel seems to be caught up in some spy trap. When confronted by the bad guys, we see him in one of the more "tough" roles he played. The fancy hotel at which he stays also seems to be the same hotel that Patsy & Eddy stay at in Ab-Fab. More dead bodies. And for a while, we can't tell who are the good guys and who are the bad guys. Pretty entertaining film. Dr. No and Russia with Love had already been made into movies, so this was kind of a knock off of those. Randall had just made all those films with Doris Day & Rock Hudson. Written by Harry Towers, who had produced and written the screen plays for Agatha Christie's "Ten Little Indians".

British-made film (released under a variety of different titles around the world) concerns an American hotel-builder, newly-arrived in Morocco, who becomes involved in a $2M plot to change votes at the United Nations. Despite poster art designed to look like a spy spoof (with Randall an unlikely substitute for James Bond), this minor, droll offering is more in keeping with the latter-day Hitchcock films ("North by Northwest", in particular), with the dryly-resolved star getting deeper into hot water with every plot turn. Senta Berger is a very attractive mystery woman, and she matches up surprisingly well with Randall (grounded and more affable than usual), but the supporting cast of old pros is never given anything especially exciting to do. Director Don Sharp, working from a wayward, rudderless screenplay by Peter Yeldham, does decent work, yet the finale is confusing instead of suspenseful, and the overall air of familiarity is wearing. ** from ****

This was much to my surprise quite entertaining.Maybe its the cast.As usual a real mix of nationalities,to satisfy the distributors in each country.Much of the film shot on location including echoing hotel bedrooms.

`I think there's been some foul play' says Tony Randall upon discovering a dead body with a knife in its back stashed in the closet of his hotel room. Comedy is hard and although this one spends too much time as a chase movie, it is still largely successful thanks to a great cast and good script.

Director Don Sharp, in his only spy outing, has crafted an enjoyable and funny film that doesn't resort too often to slapstick or other forms of cheap laughs. It manages to tread the line between humor and danger keeping the viewer interested enough to evoke plenty of hearty chuckles. A light and entertaining spy comedy, this is one of the best of the bunch.

BANG BANG YOU'RE DEAD aka Our Man In Marrakesh seems a low budget homage to the talents of director Alfred Hitchcock and actor Cary Grant. Imagine, if you will, a blending of THE MAN WHO KNEW TOO MUCH and NORTH BY NORTHWEST, and you might have BANG BANG.

Tony Randall is very appealing as the much harried, put upon innocent who is caught up in a series of misadventures (his character Jessel actually says something like "We're suspected of being murderers, and we're being chased by murderers"). Randall is certainly not someone you would cast as the romantic lead, but you can readily accept that he and Senta Berger will become lovers.

Ms Berger's characters is very fond and adept at telling lies, and shaping the truth as she sees fit. She does it well, and is charming, and everyone likes her, not least the wily Arab truck driver Achmed (Gregoire Aslan), who twice saves the couple.

I had mistaken Margaret Lee for another Italian starlet but apparently she was born in Wolverhampton, England in 1943. She plays the sex kitten very well, and again, has some good lines.

The script is actually very good, the dialogue especially, with more memorable lines than I expected. The line-up of character actors is also fine, though Klaus Kinski's thug is nowhere as effective as the one he displayed in GRAND SLAM.

Locations are well chosen, the action good for its day, and the music by Malcolm Lockyer (someone who doesn't seem to have worked much in film) catches the flavour of Marrakesh, Morocco.

All in all, highly recommended (If you can find it!)