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IMDbPro

A sud ovest di Sonora

Titolo originale: The Appaloosa
  • 1966
  • T
  • 1h 38min
VALUTAZIONE IMDb
6,3/10
3772
LA TUA VALUTAZIONE
Marlon Brando and Anjanette Comer in A sud ovest di Sonora (1966)
Man tries to recover a horse stolen from him by a Mexican bandit.
Riproduci trailer2: 47
1 video
99+ foto
AzioneDrammaOccidentaleRomanticismo

Un uomo cerca di recuperare un cavallo che gli è stato rubato da un bandito messicano.Un uomo cerca di recuperare un cavallo che gli è stato rubato da un bandito messicano.Un uomo cerca di recuperare un cavallo che gli è stato rubato da un bandito messicano.

  • Regia
    • Sidney J. Furie
  • Sceneggiatura
    • James Bridges
    • Roland Kibbee
    • Robert MacLeod
  • Star
    • Marlon Brando
    • Anjanette Comer
    • John Saxon
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,3/10
    3772
    LA TUA VALUTAZIONE
    • Regia
      • Sidney J. Furie
    • Sceneggiatura
      • James Bridges
      • Roland Kibbee
      • Robert MacLeod
    • Star
      • Marlon Brando
      • Anjanette Comer
      • John Saxon
    • 60Recensioni degli utenti
    • 28Recensioni della critica
    • 46Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video1

    Official Trailer
    Trailer 2:47
    Official Trailer

    Foto123

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    + 117
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    Interpreti principali13

    Modifica
    Marlon Brando
    Marlon Brando
    • Matt Fletcher
    Anjanette Comer
    Anjanette Comer
    • Trini Medena
    John Saxon
    John Saxon
    • Chuy Medena
    Emilio Fernández
    Emilio Fernández
    • Lazaro
    • (as Emilio Fernandez)
    Alex Montoya
    • Squint Eye
    Miriam Colon
    Miriam Colon
    • Ana
    Rafael Campos
    Rafael Campos
    • Paco
    Frank Silvera
    Frank Silvera
    • Ramos -Pig Farmer
    Larry D. Mann
    Larry D. Mann
    • Priest
    Argentina Brunetti
    Argentina Brunetti
    • Yaqui Woman
    • (non citato nei titoli originali)
    Debra Domasin
    • Paquita
    • (non citato nei titoli originali)
    Abel Fernandez
    Abel Fernandez
    • Mexican Farmer
    • (non citato nei titoli originali)
    Raven Grey Eagle
    • Minor Role
    • (non citato nei titoli originali)
    • Regia
      • Sidney J. Furie
    • Sceneggiatura
      • James Bridges
      • Roland Kibbee
      • Robert MacLeod
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti60

    6,33.7K
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    Recensioni in evidenza

    9errolforster

    Great movie! Totally unexpected. Brando's spaghetti western.

    I caught this on television and loved it. It's Brando's spaghetti western. Lots of fantastic landscapes. close-ups and acting. Not very violent, but extremely effective. Great soundtrack, would be awesome in surround, but mono track was terrific. John Saxon was a great bad guy ( a Mexican, no less) and character actors are authentic. Well worth seeing. Sidney J. Furie shows real skill as a director even though he was only thirty three at the time. There's elements of John Ford, Howard Hawkes and Sergio Leone. Sometimes it was hard to buy Brando in this role, it's more an Eastwood type of role, but he's such a great actor that he becomes convincing. John Saxon playing a Mexican bandit is a terrific performance, even though it's a white guy playing a Mexican. Hollywood at it's best.

    E.Forster Toronto, Canada
    8DukeEman

    The Wild One on horses.

    During the peak of spaghetti westerns came this little gem with Brando at his subtle best. He plays Matt Fletcher, a Rambo like character from FIRST BLOOD who returns home for some peace and quiet. But Trini, (Anjanette), draws him into a web of jealousy and power control with the town's chief, Chuy, (John Saxon). At first it starts with a little scuffle over Matt's horse, an Appaloosa. But it digs deeper than that when morals are tested. Brando throws in the occasional modern slang that fits into this western period. It's a joy to watch him and the story slowly unravel. This will have to be director Furie's best effort with the help of Russell Metty's photography.
    Michael_Elliott

    For the Love of a Horse

    The Appaloosa (1966)

    ** (out of 4)

    Rather bizarre Western has Matt (Marlon Brando) having his horse stolen by Chuy (John Saxon) so he sets out to get him back. The two men had previous run-ins over a woman (Anjanette Comer) who will come into play as the story plays out.

    THE APPALOOSA is a film that Marlon Brando didn't really want to make but the paycheck was good so he took the role. When production started he realized that he really didn't want to do the film so the shooting was somewhat of a disaster with the legend battling director Sidney J. Furie. The end result is a fairly forgettable film that tries to be something different than your typical Western.

    The biggest problem with this movie is the story. In all honesty even by Western standards the story here is quite weak and would barely fill up one of those 50 minute "B" films from the 30s. We basically have the two men running into each other a couple time and the film tries to be psychological and it fails pretty bad. There are really bizarre and weird camera set-ups that are meant to be deep or to bring you into the mental state of the characters but it just doesn't work. Whatever vision director Furie was trying to bring just doesn't come across and we're left with a pretty boring movie.

    The always entertaining Saxon manages to be the best thing here. With his thick Mexican accent and the paint on his face, Saxon manages to make for a fun villain but it's too bad more wasn't done with the character. I thought Corner was also good in her wasted role and especially early on when she fears for her safety after trying to break free from Chuy. As for Brando, I don't think he's bad here but it's certainly not into what he's doing. He ends up mumbling more than anything else and just doesn't bring any energy or passion to the part.
    6Bunuel1976

    THE APPALOOSA (Sidney J. Furie, 1966) **1/2

    Yet another film from Brando's lean years; now, I only have THE UGLY American (1963; also included in Universal's "The Marlon Brando Franchise Collection") to watch from this period – but, all in all, it's an underrated phase for the celebrated method actor. Incidentally, it was nice to see such long-term Universal regulars as composer Frank Skinner (SON OF FRANKENSTEIN [1939]), editor Ted Kent (BRIDE OF FRANKENSTEIN [1935]) and make-up man Bud Westmore (ABBOTT AND COSTELLO MEET FRANKENSTEIN [1948]) still involved in high profile productions such as this one after all those years. Anyway, Brando made only three Westerns in his career – the others being the self-directed ONE EYED JACKS (1961) and Arthur Penn's THE MISSOURI BREAKS (1976) – but they're among the more intriguing, if pretentious, from their respective eras; having said that, the film under review is easily the least rewarding of the three.

    The simple plot finds aspiring rancher Brando falling foul of small-time Mexican tyrant John Saxon over the former's appaloosa stallion (later on, Saxon's girl, Anjanette Comer – who does what she can with a basically underwritten role – becomes the object of contention between the two); beaten up by Saxon's men and his prize horse stolen, Brando follows in pursuit – ignoring the advise of friend Rafael Campos and a goat herder (Frank Silvera), he encounters on the way. Reaching the town where Saxon lives with his band of cut-throats, Brando tries to pass himself off as a local (by affecting a silly Mexican accent whose inspiration seems to have been Speedy Gonzales!); it doesn't take long for Saxon to discover his ruse and, when he does, challenges the star to a game of arm-wrestling (with a sting in its tail)! Brando loses and is beaten up again, after which Comer – fed up with her own way of life – takes him to Silvera's place to recover; catching up with the latter, Saxon's men kill him because he won't reveal the rancher's whereabouts but they're eliminated soon after by Brando himself. Finally, a showdown between the two parties takes place in the mountains.

    Thematically, THE APPALOOSA - which celebrated film critic Pauline Kael had dismissed as "a dog of a movie about a horse" and whose title was, understandably changed to SOUTHWEST TO SONORA for its British theatrical release – doesn't really cover any new ground despite Brando and director Furie's attempts to respectively infuse meaning into every gesture and shot. The latter was known for his flashy camera stylistics, and he really goes overboard here (placing characters in the extreme foreground when the main action is occurring in the remaining part of the frame – including the very last shot – or choosing bizarre angles – such as a tilted shot during the arm-wrestling bout from the POV of a scorpion!); with this in mind, I had become even more interested in checking this one out after learning how Italian B-movie exponent Enzo G. Castellari drew on it for his impressive latter-day Spaghetti Western KEOMA (1976) on the Audio Commentary of that film's R1 Anchor Bay DVD. All of this – plus Saxon's enjoyably hammy, Golden Globe-nominated performance (with an exaggerated Mexican accent to match) – keeps one watching, even when the pace flags or the plot turns dreary.

    Brando is said to have agreed to do this principally because he needed the cash to pay in alimony for his two ex-wives and that he quickly lost interest in the project (to the consternation of his producer and director); consequently, his contribution is atypically understated – thus allowing co-star Saxon to walk away with the film! Nevertheless, the confrontation scenes between their two characters constitute definite highlights (and the climax is nicely handled – kudos, in fact, to Russell Metty's cinematography throughout); otherwise, Silvera and popular Mexican actor/director Emilio Fernandez (perhaps still best-known for playing General Mapache in Sam Peckinpah's THE WILD BUNCH [1969] and here appearing as Saxon's right-hand man) are notable among the supporting cast.
    6ma-cortes

    Colorful Western set in bright outdoors and including a particular acting by Marlon Brando

    Interesting but slowly paced Western follows Brando's attempts to recover an Appaloosa horse stolen from him by Mexican villains . Being based on a novel by Robert MacLeod and screenplay by also filmmakers , James Bridges and Roland Kibbee . Set in 1870s , Southwest to Sonora where rules the lawless , lustful and violence arrives a man who returns from war and tries to recover a horse (the appaloosa of the titles) stolen from him by a Mexican bandit called Chuy (John Saxon who received a Golden Globe nomination for Best Supporting Actor) and hoodlums (Emilio Fernandez) . As a Mexican-American named Matt Fletcher and outlaws to live on the edge of violence . When the bandits steal his horse , he sets out in pursuit the thieves . Meanwhile Matt falls in love for the Chuy's girlfriend named Trini (Anjanette Comer) .

    This strange Western contains drama , action , colorful outdoors , shootouts but is paced in slow-moving and often tiring . Violent and moving at the ending in which Fletcher/Brando single-handedly, contends the whole nasty band . Good interpretation by the mythical Marlon Brando , he carries out a method-acting , brooding approach to the main role , though according to co-star John Saxon, Marlon Brando's relationship with director Sidney J. Furie got to the point where Brando, when getting ready to do a close-up, would be reading a book , he would only lower the book when Furie yelled "Action" ; when he yelled "Cut", Brando would raise the book again . Also according to producer Alan Miller, appalled at his star's lack of interest in the film and his lackluster performance, pinned a bit of doggerel about Marlon Brando . Glimmer and luxurious cinematography in Techniscope by the classical cameraman Russell Metty filmed on location in St. George, Utah, Lake Los Angeles, and Wrightwood, California . Sensitive and evocative musical score by maestro Frank Skinner .

    This slight motion picture was professionally directed by Sidney J Furie , a veteran and prolific director , still today making films . British Furie has directed all kind of genres , though mostly action . In 1999, Sidney J. Furie's espionage thriller The Ipcress File (1965) was included at number 59 on the BFI's list of the 100 greatest British films of the 20th century. Stanley Kubrick was a big fan of The Boys in Company C (1978) and cited Sidney J. Furie's war movie as the direct inspiration for Full Metal Jacket (1987). In 2009, director Martin Scorsese placed Sidney J. Furie's The Entity (1982) on his list of the 11 Scariest Horror Films of All Time. He also directed Superman IV: quest of peace (1987) , originally had a budget of $36 million dollars , just before filming was to begin, Cannon Pictures, which was starting to suffer financial problems, slashed the budget and was a flop . ¨The Appaloosa¨ resulted to be an acceptable Western that had moderated success at the box office . Rating : 6 , passable . The picture will appeal to Marlon Brando fans and Western buffs .

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      According to co-star John Saxon, Marlon Brando's relationship with director Sidney J. Furie got to the point where Brando, when getting ready to do a close-up, would be reading a book. He would only lower the book when Furie yelled "Action." When he yelled "Cut," Brando would raise the book again. According to Peter Manso's book on Brando, however, Brando and Furie met years later. Brando was quoted to have said, "I thought you were a no-good double-crosser, and I didn't know if I could trust you, but I saw the film and you have the great sense of the best visual directors. Let's do another movie together." Furie, according to the book, replied, "Never!" Furie, for his part, claims that they only came to blows once on the entire shoot of The Appaloosa (1966).
    • Blooper
      The Appaloosa which portrays the title character was actually a registered Appaloosa stallion named Cojo Rojo. He was born in 1960 and just prior to being used for the film he was racing on the California tracks. He sired several foals, including several race champions. During filming a few other similarly marked horses were used as stunt horses, but the majority of work was done by Cojo Rojo.
    • Citazioni

      [first lines]

      Priest: Madam.

      [enters confessional booth]

      Matt Fletcher: I'm having a little trouble getting started, Father.

      Priest: You are in the House of God now, my son. Speak from your heart.

      Matt Fletcher: Well, I've done a lot of killin'. I've killed a lot of men and sinned a lot of women. But the men I killed needed killin' and the women wanted sinnin', and well, I never was one much to argue.

    • Connessioni
      Referenced in Il nemico alle porte (2001)

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    Dettagli

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    • Data di uscita
      • 28 ottobre 1966 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • The Appaloosa
    • Luoghi delle riprese
      • Colorado City, Arizona, Stati Uniti
    • Azienda produttrice
      • Universal Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 38 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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