La vendetta degli Apache

And I would say unusual western from AC Lyles' stuff that usually take place in towns, between outlaws spreading terror and the good sheriff, with some more or less complex story to "spice" the story. Here it is question of Indian renegades, so the usual settings of Lyle's productions expand a bit, in more outdoor scenes...The most interest remains, as usual in Lyle's prod, the cast, mainly old timers from Hollywood with a bunch of villains absolutely exquisite - De Forest Kelley, Gene Evans and above all a convincing John Russel, the leader. Only John Doucette and Robert Wilke were missing in this villain gallery. But that remains a B vintage western, not a milestone in western history. A vert cruel ending, but for the villain. Some kind of taste as the final minutes if JOHNNY COOL.

but not by a whole lot. The cast is a bit more vigorous than the usual group of senior citizen actors who populate the typical Lyles western, the action is staged a bit more professionally and the script isn't one of the worst of the series (although it's nothing to write home about, either). Rory Calhoun and John Russell, unlike most of the leading men in this series, seem to have matured rather than "aged," and that fact alone lifts this picture up a notch from the usual run-of-the-mill Lyles extravaganza. It's still nothing special, but it's not as embarrassing as some of the other entries in Lyles' string of geezer oaters.

I had the pleasure of seeing every one of the Lyles' westerns on original release here in London, dear old Blighty. I was never much interested in the main attractions of the double feature programmes where AC's cracking little cowboy pictures always took second billing. " Apache Uprising " however, broke the mould and played main feature, with " Beach Ball " in support, at the splendid Paramount Plaza at Piccadilly Circus - although only for two weeks, after which it was relegated to the usual spot for general release. I wrote to dear AC and got a couple of letters back from him, where he told me all about how he was moving away from westerns into dramas and was working on " Rogue's Gallery ". A true gentleman. It must have been a joy working with such an array of talent from yesteryear.

The film takes place in Arizona circa 1880s and deals with the stage coach lines trying to run from Texas through Arizona over to Phoenix and points west. The stage coach and passengers are attacked by renegade Apaches. These stage coach hands, passengers, and various AZ outlaws, all of whom are travelling through Indian country, are forced to join forces against the Apaches in order to save their lives and scalps.

Old fashioned/traditional westerns like this A. C Lyle western is what I prefer and they were fast becoming anachronistic in the 1960s in the cinema halls, however this western is fairly ordinary with a few good points such as some action sequences, an array of older actors, nice location and an oddness - it's an ok time filler, nothing more. Deforest Kelley plays a psychotic gunman who goes into psycho mode every five seconds. It amazes how John Russell's character would hire such a loose wire when he would be attracting attention with his behaviour.

I have been on an A.C. Lyles kick recently--seeing about a dozen of his movies in the last week. This producer was known for making low-budget westerns in the 1960s that feature actors who were well past their prime. In other words, old guys--VERY old guys. Sometimes this didn't work very well (such as during fight scenes between VERY aged actors) but generally I like the films, as the actors, though out of fashion, still have it in most cases. And, interestingly, Lyles used many of the same actors in many of his films--and Richard Arlen in apparently ALL of them! This film stars Rory Calhoun and also features the likes of Lon Chaney, DeForrest Kelley, John Russell (all frequent Lyles performers), Gene Evans, Corinne Calvet, Johnny Mack Brown, and Red Barry. Brown, Kelley and Barry both were once big names in TV and B-westerns and it's nice to see them here.

The film begins with Jim Walker (Calhoun) and Bill Gibson (Arthur Hunnicutt) being attacked by Apache warriors. They manage to fight their way out and discover among the Indian dead souvenirs the Apache took of recent attacks on the US Cavalry. They soon meet up with some soldiers (led by Arlen) and inform them of what they found. Well, oddly, no one in town seems to believe them--thinking Walker and Gibson are over-blowing the problem. And so, the local stage decides to go anyway--even with the possibility of crazed Indians waiting to attack. Oddly, Walker and Gibson agree to go along on the stage to help protect the passengers. Unfortunately, a super-crazy hired gun (Kelley) is on board--and he's a born trouble-maker. You just KNOW that sooner or later, he and Walker are going to have it out once and for all. However, it becomes a lot more interesting when the gunman, his friend and his boss suddenly take everyone hostage. Now, the folks might not need to worry about the Apache. What's next? See the film and find out yourself.

In many ways, this film seems a bit like a reworking of the film "Stagecoach". It is NOT a remake--it just has a LOT of similarities--such as the 'hooker with a heart of gold' (Calvet) and the embezzler. Because of this, there's not a lot of originality here, though it was made more enjoyable due to Kelley's VERY florid performance. While not quite as enjoyable, Chaney was also quite good as a grizzled old coot. But, if the you watch the film, understand it is NOT high art! There are lots of sloppy problems with it--more than you'd usually find in a Lyles film. For example, there is a scene where Evans and Calhoun have a fist-fight--and it's VERY obvious they're using stunt-men. Heck, while Evans is balding, his stuntman has a full head of hair. Also, there is a HUGE rainstorm in the film--huge. And yet, the next day, the ground is completely dry--and I am talking about dusty dry! Obviously the director, R.G. Springsteen, was no genius.

Worth seeing if you love the genre or Lyles' productions, though this is not an especially great western.