Poirot e il caso Amanda

Being one of the more elusive films this side of the pond, The Alphabet Murders delivers no more or less than expected (hence the 5/10). But I think you have to ask yourself why your watching it before you condemn it. Christie purists are up in arms, Randall fans defend him, yadda yadda yadda. Personally, I got it for the all too brief Dame Margaret. That said, there's little else to say about it.

Tony Randal is an acquired taste as Poirot, almost getting up your nose with an abysmal accent and acting as if he's the only one with grey cells, and overdoing that. The constant referring of him as a 'short' Belgian is the biggest mystery, as he's taller than most in the film. Poor Robert Morley tries his best, but the tedium of the film mainly comes from the rather repetitive score. Plotwise it doesn't really test the viewer, but enough is happening to keep you guessing. 30 seconds of Margaret Rutherford and spouse puts a much needed grin on the face, but it's not enough by far.

Certainly one to add to the collection, but don't rush for it at the garage sale. Overall, a huge waste of talent. Pity.

Oh, and a reviewer thinks Finney's Poirot was a masterpiece? Yeah. Right.

I have enjoyed David Suchet and Peter Ustinov playing Poirot among other interpretations of the detective, but Randall's turn is equally enjoyable. Randall is not a great actor but a fine comedian. Director Frank Tashlin should know a good comedian when he casts them--he had worked with Danny Kaye and Jerry Lewis to name just two.

The film begins with Randall introducing himself as Poirot with a twinkle in his eye. The director is clear from the first scene--comedy first, mystery next.

Robert Morley is fun, but Randall is even better--the bowling alley, the restaurant gags, the telephone calls--all scenes filled with visual, good humor rather than slapstick. Morley depends on the typical British attitudes, e.g., snapping fingers down the pecking order, jumping queues and not knowing one's shoe size all depicting arrogance of society and wealth. Director Tashlin dishes out a comedy with considerable social comment--Brits who cannot differentiate the French from the Belgian French and are in the police force!

The most intriguing bit was to introduce Margaret Rutherford as Miss Marple and Stringer Davis as Mr Stringer of the Miss Marple films bump into Randall's Poirot briefly. Surely this was a gem of an idea from Tashlin.

The film cannot be easily trashed--it offers comedy and entertainment, nearly 40 years after it was made. It is definitely not the definitive Poirot but an interesting interpretation of Poirot. It is probably one of the best Randall films ranking alongside "The Seven Faces of Dr Lao."

Based on Agatha Christie's "The A.B.C. Murders", with Tony Randall as an unlikely choice for Hercule Poirot. If you take your Christie seriously, this probably isn't for you, but it is a fun light mystery. Poirot is in London when a string of murders peaks his interest--the only motive seems to be the initials of the victims..A.A., B.B., etc. I enjoyed the pairing of Robert Morley and Randall. Morley, as the official assigned to escort Poirot about town, spends most of his time playing catch-up with calm exasperation..very British. Although some Poirot portrayals feature a humorous side, this one includes more physical comedy..perhaps an inspiration of director Frank Tashlin, who directed numerous Jerry Lewis films.

For the Miss Marple fans, there is even a humorous cameo by Margaret Rutherford and Stringer Davis, bemoaning the ineptitude of the police in solving the murders. Evidently, Ms Christie didn't like this movie--I don't know if it was the changes from the book (Anita Ekberg's character was a dark, tr oubled man in the book..) or the casting, but of course, she didn't like the Margaret Rutherford series either..go figure. Although Randall isn't who I think of when I think of Poirot, his comedic timing payed off here, and you know from the very start he intends to have fun with the role. Not my favorite Christie, but entertaining..glad I finally got to see it.

I suppose somewhere along the line, Agatha Christie took a deep breath and just decided to take the money and run. "The Alphabet Murders" is cute, but it doesn't have much to do with her novel, and if there is a worse Hercule Poirot than Tony Randall, I haven't met him.

The story concerns murders that seem to follow the alphabet, as Poirot pursues a beautiful blonde (Anita Ekberg) with the initials ABC, believed to be the killer. There are a lot of chase scenes and some slapstick, and poor Robert Morley as Hastings trying to keep track of Poirot.

This film was intended to follow up on the success of the Miss Marple movies starring Margaret Rutherford - in fact, Rutherford as Marple and her real-life husband, Stringer Davis, who plays her friend in the films, actually appear in one scene. While Rutherford's characterization has nothing to do with the Christie Miss Marple, it was successful on its own merits. The same can be said for the Hercule Poirot of Peter Ustinov -- absolutely delightful but has nothing to do with Christie's character.

I have seen Albert Finney, David Suchet, Ustinov, and Ian Holm do Poirot. Finney was very good, Suchet perfection, Ustinov discussed above, and Holm very funny (he plays Poirot in "Murder by the Book" as he reads Christie's final novel about himself). Randall does the role with a light touch, but with several different accents - French, British, and American. He has Poirot's vanity and arrogance as well. Perhaps seeing this film when it was made, his performance comes off as better, but seeing it today after a history of better Poirots, it just doesn't come off, though Randall was a wonderful actor.

The script isn't as good as the Rutherford scripts. Still, "The Alphabet Murders" is enjoyable enough. Just don't read the book, and forget it's Agatha Christie, and you'll have a good time.

Dame Agatha Christie , upon whose widely acclaimed mystery novel "The A.B,C Murders " this film is based ,was less than impressed by the movie -and indeed was so outraged that she refused permission for any further movies based on her works for some years afterwards . It is easy to see why for this limp and feeble picture retains only the basic plot premise of the book -a killer is at work and the victims appear to be chosen purely on the basis of their names .The first victim has the initials AA ,the second BB and so on . In every other respect the book is betrayed and the basic problem is a mismatch between style and content .The classic" whodunnit " is essentially an exercise in logic and ratiocination but here the style is comedic and the model seems to be the Dick lester directed Beatles movies -lots of visual jokes ,fleet footed editing and a refusal to take anything seriously ,least of all the characters .Thus we see the fastidious Poirot indulging in actions that he would never as seen by Christie ,contemplate --bowling , clambering over building sites and horse riding in Hyde Park .The motivation seems to have been to bring his character up to date and reflect the so called "swinging sixties This is a mistake -the books are period pieces and only make sense when fixed in the era they were written .A similar coarsening has taken place with the charcter of his sidekick Hastings -in the novel a stalwart if unimaginative military man he is her portrayed by the corpulent Robert Morley as a bumbling minor Espionage agent. Director Frank Tashlin made some lively satirical pictures in his time -the classic rock and roll flick " The Girl Cant Help It " and the neglected Doris Day espionage satire " Caprice " but he is simply wrong for this movie and the actors are encouraged to go over the top in playing their roles as buffoons or incompetents

A disaster and a betrayal of the author .