Un donnaiolo impenitente inizia gradualmente a capire le conseguenze del suo stile di vita.Un donnaiolo impenitente inizia gradualmente a capire le conseguenze del suo stile di vita.Un donnaiolo impenitente inizia gradualmente a capire le conseguenze del suo stile di vita.
- Candidato a 5 Oscar
- 8 vittorie e 22 candidature totali
- Convalescent Home Resident
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- Laundress
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Recensioni in evidenza
Caine's character is inherently unlikeable, but, he exudes such a strong charisma that one warms to him gradually. The films choice of supporting actress is also well done as they are controlled by Caine's character, but not upstaged.
The ending, for me is the key point in liking Caine's character, as without spoiling the film, the final scene, set against the Thames at night, is an outstanding piece of writing and direction.
Alfie is an excellent introduction to Michael Caine's work and, for all its flaws, it remains an outstanding film.
But "Alfie" still manages to say something, even to a modern audience. On one hand, it's got a very funny script, and Michael Caine plays Alfie with such an infectious charm that it's impossible not to smile. But also, there's a deeper layer of meaning to the film. "I never mean to hurt anyone," Alfie says. "I know," says Harry, "but you do." Alfie ignores this lovely and rare moment of real honesty, but the audience shouldn't, because the heart of the film is right here.
Alfie himself is such a fascinating character. At first, he seems like simply a rogue, a rascal. But there's a helluva lot going on under the surface. His deep, deep insecurities, his tragic loneliness (he wouldn't see it that way, naturally), his pathological inability to have a real relationship with anyone. Especially his own son, whom he obviously loves very much.
While it's easy to see "Alfie" as a tragic story and feel sympathy for the character, it's important to hold onto the hatred. Alfie is a cruel, merciless, and heartless man. He is self-absorbed, utterly insensitive, and totally domineering. He cheerfully holds his "birds" to standards of loyalty he himself needn't bother with. He ruthlessly undermines the individuality and autonomy of everyone he is with, even when pretending to be a liberating force. Notice in his scenes with Gilda how his words sound as though he's endorsing freedom, independence, and self-determination, but the effect of those words is to keep her right under his thumb where she belongs. Alfie deserves our sympathy, yes, but he also deserves our hatred, loathing, and utter contempt.
Anyway, like the DVD box says, this is just a sweet, frothy little comedy, if you like, and it's very enjoyable as such. But, if you care to look deeper, there is so much more to behold. The tagline to "American Beauty" was "look closer", but all of its profound ideas and insights (if any) were plastered right across the screen. "Alfie" is a film which asks you to look closer, and it rewards the effort.
An amoral hedonists series of amorous adventures lead to him realising he is lonely.
Best Performance: Michael Caine Worst Performance: Jane Asher
The subjects of love and devotion, or more accurately their opposites, philandering and infidelity, are treated with a unique sensitivity in the script. Michael Caine is at once both lovable and detestable, perfectly characterizing the age-old dynamic between the need for love and the need for physical pleasure. But this is not a feel-good movie, it is a movie that explores the difficult decisions that confront a person as they mature in both life and love, and it conveys the basic feelings that are present in all human beings, regardless of outward appearances.
I would recommend this as a thought-provoking exploration of human nature.
Lo sapevi?
- QuizFor her few scenes with Sir Michael Caine, Shelley Winters couldn't understand his dialogue at all, due to his strong Cockney accent, and had to wait until her leading man stopped moving his lips before responding with her lines.
- BlooperWhen Alfie is in the doctor's office and looks out of the window at the funeral, the window frame is of a different sort from the one of the interior.
- Citazioni
[final words of the film]
Alfie: You know what? When I look back on my little life and the birds I've known, and think of all the things they've done for me and the little I've done for them, you'd think I've had the best of it along the line. But what have I got out of it? I've got a bob or two, some decent clothes, a car, I've got me health back and I ain't attached. But I ain't got me peace of mind - and if you ain't got that, you ain't got nothing. I dunno. It seems to me if they ain't got you one way they've got you another. So what's the answer? That's what I keep asking myself - what's it all about? Know what I mean?
- Curiosità sui creditiAt the beginning of the film, Sir Michael Caine talks to camera and explains that there will be no opening credits. The closing credits are a roll call which features photos of the principal actors, as well as of the main technical crew, including director Lewis Gilbert and cameraman Otto Heller.
- ConnessioniFeatured in Paramount Presents (1974)
- Colonne sonoreAlfie
Written by Burt Bacharach and Hal David
Arranged by Burt Bacharach
Performed by Cilla Black
Produced by George Martin and Burt Bacharach (uncredited)
(U.K. re-release)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Der Verführer läßt schön grüßen
- Luoghi delle riprese
- Chepstow Road, Bayswater, Londra, Inghilterra, Regno Unito(flat with Annie)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 800.000 USD (previsto)
- Tempo di esecuzione1 ora 54 minuti
- Proporzioni
- 2.35 : 1