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When I was a kid, this show would come on TV at 6 AM, and I would force myself to get up that early to watch it. I remember always feeling that the other cartoons (Gopher Indians and Commander McBragg) were underwhelming. I just wanted to get back to the Underdog stories. Some other reviewers here mention Tennessee Tuxedo and other cartoons as being part of the show. I'm almost at the end of season 2, and the other cartoons have all been the Gopher Indians and McBragg. It would be nice to get some variety here. Before reading the other reviews, I predicted that a few people would have an issue with the lack of political correctness in the Gopher Indian cartoons. I found these cartoons repetitive and only mildly amusing. However, I wasn't offended by them. Too bad, that we can't rewrite history, and make everything the way some people think it should have been. It's only a silly cartoon! Get over it! Overall, the Underdog segments were more imaginative and more interesting. My only quibble with Underdog was Sweet Polly singing "Where, oh where has my Underdog gone?" I could have easily done without that.

God, I loved this show! It was in syndication when I was little and I watched it everyday. There was nothing better than watching Underdog match wits with the likes of Simon Bar Sinister and Riff-Raff. With a gulp of a power pill, he would be off to save Sweet Polly Purebread. The stories were fun and the music helped keep the pace frantic. The great Wally Cox provided the voice of our hero, with his rhyming speech patterns. Man, you gotta love this show and names like Underdog and Simon Bar Sinister.

The show also featured Tennessee Tuxedo and his Tales, the Go-Go Gophers, Klondike Kat, Commander McBragg, and the Hunter. The Go-Go Gophers were a pair of indians who delighted in confounding the Colonel and his Sergeant, in the Old West. It was hardly PC, but the Gophers always pulled one over on the Army, so some good came from it. Klondike Kat was a feline Mountie who persued the thieving Savior Faire, who constantly shouted his motto, "Savior Faire is everywhere!," as he stole cheese; but, Klondike Kat always got his mouse. Commander McBragg was an old British gentleman who would regale his friend (an unwilling audience) with tales of his amazing (and far-fetched) adventures, while smoking his briar pipe. The Hunter was a dog detective, on the trail of the Fox. It was pretty much the same as Klondike Kat, but with different animals. The best of these sideshows was Tennessee Tuxedo.

Tennessee Tuxedo (a penguin) and his pal, Chumly (a walrus), lived in the Metropolitan Zoo. They spent their days outsmarting the zoo director, Stanley Livingston, and their rival, Jereboah Jump (a mouse). Their plans would often backfire and they would seek the help of Mr. Whoopee, a man with all of the answers, and a 3DBB (3 Dimensional Blackboard). The duo would escape from the zoo and seek Mr Whoopee's help to solve their latest problem. Mr Whoopee wold illustrate the solution on the 3DBB, where the pictures would come to life. Then, Tennessee and Chumley would return to the zoo and triumph (more or less). Don Adams provided the voice of Tennessee. The show was great fun and very educational.

I later saw these shows on Nickelodeon. They had edited out every scene of Lovable Shoeshine Boy taking his power pill to become Underdog. This riled me up as much as ABC censoring the Warner cartoons. I saw these cartoons as a child, uncut, and did not grow up to shoot people in the face with a shotgun, or pop pills to change identities. Sometimes people go overboard to protect children. I'm glad to see that at least a few of these cartoons are available on DVD and VHS. They beat most cartoons aimed at kids these days.

The cartoon was not only a favorite of mine as a child, but of my late father's as an adult. There were the gimmicks of where every phone booth he heads into to change from Shoe Shine Boy to Underdog explodes, as well as how he always crashes through roofs and walls even when there are door or window openings nearby, as well as his talking in rhyme. But what makes the comic work is the witty writing.

Examples include how he makes Simon Bar Sinister dizzy by flying in circles around him, thus preventing him from using his snow gun, or the clever ways he defeats a flotilla of alien flying saucers, or how he makes the Wicked Witch of Pickayoon wealthy by compressing lumps of coal into diamonds, or how he sends villains directly into confinement or jail. Too bad the DC Superman didn't have that level of cleverness...but then he didn't have Underdog's computer brain.

What with this latest "Feature-Film-Adapted-from a Sitcom or a Cartoon Series from the Good Old Days of the Age of Baby-Boomers"(there outa be such an Oscar category!), UNDERDOG(2007) just having been released for general distribution/exhibition, we were curious about the old (1964)NBC Saturday Morning Kiddiefest.So, naturally we took a little peek and we found .......

The Boomers of varying age were among those viewing this UNDERDOG Show when it debuted back in A.D. 1964. I myself got out of high school that year (6 long years!!*), but had 3 younger siblings and a whole sh*t house full of younger cousins, so naturally this gave me a good excuse to watch, or at least 'observe'! After all, wouldn't want any young relatives corrupted by any inferior, low class, mind destroying trash with any low moral tone! Luckily, for me and them, it wasn't any of those things.

Much like many of the other Kiddie Crowd-Targeted Made for Television, limited action Animated Series, Underdog's producers went for the multi-leveled* story construction. Hence, we were witnessed to serialized stories which contained humor, incidents and even names of characters that would amuse the Parents and other Adults(like yours truly)who happened to be watching. The choice of theme/background/incidental music for the series was that of original score, consisting of rather non-complex melody.(Please bear with me here,as I have zero musical training, obviously!). Even the lyrics to the opening are short, clippy but mood setting, with an ominous, even spooky "ooh-ooh-ohh!" provided by a choral back ground group.

We had already witnessed the running of many of Pioneer Animator Paul Terry's TERRYTOONS' features by its new parent company, the CBS Television Network. By way of this method, we had all become familiar with MIGHTY MOUSE. Dating back to the early 1940's, Mighty Mouse was a long standing, and possibly first Paradoy of the whole Comic Book Super Hero in general and of Superman, in particular.

So, there was a precedent out there. That meant that somethings would have to be a little different, so as to avoid any obvious charges of "copy catism" by the kiddies.

Now, the Mighty Mouse animated shorts were not done up in prose, but rather sung as an Operetta. This was perhaps somewhat lost on the kids, but seems very amusing and even 'delightful' to all of us 'big kids'!So, what to do? What to do? Well then, the folks at Leonardo Television and Total TV Produvtions settled on the idea of going not for song, but rhyme, ala Will Shakespeare!** The idea was a good one, as it became one feature of the whole series to be its one true identifier, its electronic DNA, if you please. We would listen closely in order to get the lines and the words spoken by voice artists, led by Wally Cox.

As for the 'Female Lead', we see the Name of Norma MacMillan as Polly Purebred. We read that 'Polly' was patterned on Marilyn Monroe. But I must beg to disagree, respectfully of course. My contention is that Miss Polly Purebred is a vocal and visual caricature of the lovely,late Actress/Commedienne Mary Jane Croft.(just my opinion.)

That brings us to the cast of voice artists.Wally Cox as the Lead,with Norma MacMillain(Polly), Alan Swift(Simon Bar-Sinister***) and George S. Irving as the Golden Voiced Narrator.

* Just kidding! But I did have one trip to Summer School for Physics! St. Rita High School, Chicago, Summer(the whole, damn season!), A.D. 1963!

** I get all his books, soon as they come out.

*** Just for the Record, "Bar-Sinister" is a term used in Heraldry. When the bar-sinister appears on a Family Coat of Arms, it indicates Illegitimacy. Ergo, it would appear that "Simon Bar-Sinister" would translate, "Simon the Bastard!"

I grew up watching Underdog. Although the series ended in 1973, it continued in reruns for many years after (at least through 1979-1980, when I remember watching it.)

Underdog always spoke in rhymes. Normally, he spent his time as "Shoe Shine Boy", and was just that. But when he took one of his super power pills, he transformed into Underdog and saved his love interest, news reporter Sweet Polly Purebred. His nemesis was usually Simon Bar Sinister (voiced by Allen Swift, who is a true living legend of animation voiceovers).

The storylines were always pretty much the same, but there was usually a lesson to be learned at some point in the show.

It didn't end there, however.

After Underdog had beat up Simon Bar Sinister for the 300th time, the show often segued into "Tennessee Tuxedo", a silly cartoon (also involving lessons learned) starring a penguin as the title character (voiced by Don Adams of "Get Smart" fame), his dimwitted walrus pal Chumley, and Mr. Whoopee, who would give them science lessons with his magic expanding chalkboard.

There were a number of other cartoons that ran along with Underdog, including one about 2 American soldiers in the old west tangling with two Native Americans (who would probably be seen as racially offensive today). I can't recall the others.

It was a great, fun kids show back in its day.