Missione impossibile

I have got to hand it to the people behind the original Mission Impossible series. Their pilot episode was bound to hook people. Mission Impossible was a winner from the start.

The Impossible Missions Force were a team of agents with no emotional attachments who went on secret missions usually against organized crime or rogue nations. They did not go in and use guns or fists to fight a problem-the name of the game was manipulation, deception, trickery, fraud, you name it. The agents were in fact anti-heroes who stooped to the level of the bad guys themselves. But I still loved them for it.

It would be unfair to reveal any of the intricate details of the plots for the series but let's just say they were clever. Mission Impossible was a show that required a viewer's full attention-you simply couldn't switch onto an episode halfway through and expect to know what's going on. Mission Impossible was clever throughout it's entire run. The IMF always had a plan which had to be strictly adhered to for it to be a success. They used every mean trick in the book to bring the bad guys down and they always slipped away at the end without the bad guys ever finding out who they were. In fact, quite a few episodes involved the bad guys falling out with each other after believing the other one was out to get him when in fact it was the IMF who had set it all up.

A clever show indeed-highly recommended.

Classic televison, which was inspired by Jules Dassin's spoof of his own French masterpiece, Rififi, from the mid 1960s. One of its best elements were the famous guest stars that appeared in the show, which added more interest to the already interesting storylines. Unlike the film adaptations, Mission:Impossible(1966) is an excellent crafted tv show that was ahead of its time in some areas of special effects. My favorite actors from the show were Leonard Nimoy, Martin Landau, and Peter Graves.

"Mission : impossible" is the most complex espionage series ever conceived. What makes this show so unique ? It is its storyline, its characters, its visual style and its music : a real trade mark. What I like the most is first the ritual : the tape, the dossier and the apartment briefing, then the fast-paced clips as credits, the character of Martin Landau with his masks and gimmicks, the cinematography (very quick cuts, extreme close ups as inserts, the use of special lenses, pan-and-tilt shots, upside-down camera shots, hand-held camera shots, optical zoom shots as dramatic effects), the skillful montage, and finally, the music and its various themes. The show is an impeccable and Machiavellian play. Every details are planned in advance to fool and get rid of the enemy. Each scheming is tight and shocking. I like the use of the time warp concept in "Operation Rogosh" and the role of Fritz Weaver as the paranoid Soviet Union spy trapped in a fake Russian prison which is in California. I like the tension and the suspense created by silent actions. Anyway, the whole show is about simulacrum. The devious methods of the IMF agents are always delightful and clever. Don't miss the best episodes : "The mind of Stephan Miklos", "Live bait" and "The interrogator". This tape will self-destruct in five seconds, good luck. !

M:I is probably my favorite tv show; at least the only one I will consistantly watch reruns of. I never play the Hill versus Graves game as each actor brought unique characteristics to the show. The same with Martin Landau as Rollin Hand and Leonard Nimoy as Paris. I will say that though Linda Day George and Lesley Anne Warren are good actresses, they never measured up to Barbara Bain for talent and sheer class. I think my favorite episodes are "A Cube of Sugar", "The Seal" (with the cat as an integral part of the plan, "The Heir Apparent" and "The Mind of Stefan Miklos". It's very hard to pick favorites though, because each episode has its' own quirks and charms.

What made M:I stand out is that it depended not on gimmicks and special effects but on the talent and believability of the actors. The props and makeup were also believable. I think that's why the movies don't measure up to the original series. Add in the ridiculous plot line that Jim Phelps could ever be the bad guy and they've completely lost it. The second movie would have been alright if it hadn't been a Mission: Impossible knock-off. The writers and producers forgot that there was an M:I team, not a single player.

All in all, Mission: Impossible set the standard for all other series of this sort, and few have come close to the bar, and none have surpassed it.

One of my fondest memories of TV viewing in the late 60's and 70's, was the weekly hour of tension which Mission Impossible provided. There was the initial bewilderment of trying to work out how on earth the brief flashes of peculiar devices and tension-ridden confrontations could possibly be woven into a coherent plot. Next, there were the wonderfully mundane locations in which Peter Graves would retrieve the briefing materials and the tape which invariably dissolved in a cloud of smoke.

After all the introduction, the remaining fifty minutes was sometimes an anti-climax. More often, it was very satisfying to see the initial vignettes fitted jigsaw-pattern into the plot. Perhaps towards the very end of the series, the plots became a little stilted or physically impossible; but invariably entertaining.

Like most fans of the original series, I found the over-hyped film of the same name to be an facile and shallow work with no redeeming features. I would die happy seeing a film in which Martin Landau, Peter Graves, Greg Morris et al. emerge creaking from retirement to save the day, and as they so often did, drive off leaving thwarted villains to turn on each other.