Il boss è morto

And also very faithful to Marvin Albert's work. I read it six times in my life, the first one when I was 16. This is of course influenced by GODFATHER, borrowing a couple of the actors of Corleone saga. This story could easily have given a mini series, because you have focus on many sub characters and plots. But the book was not that huge either. I I have always enjoyed this Dick Fleischer's feature. And watch out for the faces here. As were THE UNTOUCHABLES. The good thing here is that you have not real lead character, mainly supporting ones, or the one you may think the lead is actually not the winner at all.... As in the Marvin Albert's novel.

How could a movie starring Anthony Quinn, Robert Forster, Frederic Forrest, Al Lettieri, directed by Richard Fleischer and centering on cutthroat mobsters slightly miss the mark, or, not be an incredible masterpiece?

Probably because there's not much of a target to begin with, and yet, that's not such a bad thing since the breezy undertone provides a cushion of what feels like actor improvisation under the edgy, multi-plotted schemes going on... And on and on...

The story, or one of many stories, centers on a brash climber, played by Forster, who, using a somewhat contrived Brooklyn accent and not seeming as natural and genuine as usual... along with two hired guns, The Fargo Brothers played by Forrest and Letteri... are a collected trio of goons with an ambitious attempt to overthrow a newly-made don, Anthony Quinn, playing white knight to Forster's beautiful, and abused, girlfriend (cult starlet Angel Tompkins): a victim who dreams of being a famous singer.

Lightweight melodrama befitting a TV movie-of-the-week makes a lot of whistling in the cemetery - but with a catchy tune...

There are so many twists (everyone wants to kill everyone) you may need a scorecard after a while, or instructions: Although Robert Forster goes from a temperamental wild card to a downright awful bully that the audience winds up rooting against, he's much more likable than Quinn, a brooding know-it-all who, alas, is the sole DON IS DEAD hero since, well, he's Anthony Quinn...

And despite too much talk and not enough action, there are some decent gunfights between exposition and so, with all the twists and turns, pay attention and you may just follow this jigsaw puzzle that works better incomplete than when it attempts an 11th hour resolution...

What makes it fit slightly within the Noir category despite following more of a "Modern" Classic Gangster template is that the good guys and the bad are all in the mafia i.e. where there's a moral compass in a school of sharks, it's usually within a Film Noir shoreline.

Like quite a few other of the 70's crime dramas that were not classics, but still of more grit and consequence than many of those churned out in the last two decades, this interestingly plotted mob film is a frustrating mix of a really good scene or two followed by a painfully predictable and badly presented one. Anthony Quinn is top billed but largely wasted as the boss whose romantic liaison triggers a war of wills and weapons with some headstrong younger members (led by Robert Forster, Frederic Forrest and Al Lettieri.) Some good action scenes follow, but, like the rest of the film, some of them are quite impressive while others fall flat. A mixed bag, not often seen but worth watching, with limited expectations.

Richard Fleischer was a very good craftsman of the 7th art, very prolific, excelling in different genres: Action, Adventure, Sci-Fi, History, Crime, Drama, Mystery, Music, Romance, Biography, he approached almost all genres. It delighted my childhood, adolescence and youth with movies such as: "20,000 Leagues Under the Sea", "The Vikings", "Barabbas", "Fantastic Voyage", "The Boston Strangler", "Tora! Tora! Tora!", "The New Centurions", "Soylent Green", "Mr. Majestyk", "The Incredible Sarah", "The Jazz Singer", "Conan the Destroyer", "Red Sonja". "The Don Is Dead" it's a film like Francis Ford Coppola's "The Godfather". We also have two actors who starred in both films: Abe Vigoda and Al Lettieri, both predestined to play mobsters. This is not an ordinary review, but a tribute to Al Lettieri. He is the best actor in "The Godfather". Here he has a similar role, but it's more temperate. In both films he's killed by rival mobsters. This actor, who played only mobsters and other villains, instinct tells me, would have deserved a role of honest man, a positive hero in at least one film. Usually, in a movie starring Anthony Quinn, he's the reason I want to see the movie. This time, Lettieri was the first reason, Quinn was the second. Quinn also plays a great role as a mobster here, especially in the final scene, when he looks like a vegetable. In other very good roles are: Frederic Forrest, Robert Forster, Angel Tompkins, Charles Cioffi.

In his career, movie director Richard Fleischer made some very good movies, "Compulsion" and "The Narrow Margin" being just two of them. However, when he reached the 1970s, though he made a few more good movies ("The Spikes Gang", "Soylent Green") his talent started to decline, and before the decade was over he started to make an unbreakable string of stinkers up to the point he retired in the late 1980s. "The Don Is Dead" was the first sign that in the early 1970s that he was going past his prime. To be fair, it seems that he wasn't given a lavish budget for this movie. The movie is so obviously shot on phony- looking back lots and sets, giving the movie a made-for-TV feeling. (This shabby look may be why music composer Jerry Goldsmith wrote a very television-style musical score for the movie.) And the script is nothing to shout about, having a bunch of mobster-themed plot turns that we've seen many times before. Some of the acting isn't bad - the movie is filled with talented actors, not just Anthony Quinn. But you don't just go to a movie to see good acting, you want an engaging story and characters, which for the most part this movie simply does not have.