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La rossa ombra di Riata

Titolo originale: The Deadly Trackers
  • 1973
  • PG
  • 1h 50min
VALUTAZIONE IMDb
5,7/10
1139
LA TUA VALUTAZIONE
La rossa ombra di Riata (1973)
Spaghetti WesternDrammaOccidentale

Aggiungi una trama nella tua linguaA Sheriff, who negotiates with bank robbers, ends up having his family killed during their escape. The Sheriff chases the gang into Mexico on his own. While attempting to exact his vengeance... Leggi tuttoA Sheriff, who negotiates with bank robbers, ends up having his family killed during their escape. The Sheriff chases the gang into Mexico on his own. While attempting to exact his vengeance, he is at odds with a Mexican lawman.A Sheriff, who negotiates with bank robbers, ends up having his family killed during their escape. The Sheriff chases the gang into Mexico on his own. While attempting to exact his vengeance, he is at odds with a Mexican lawman.

  • Regia
    • Barry Shear
    • Samuel Fuller
  • Sceneggiatura
    • Samuel Fuller
    • Lukas Heller
  • Star
    • Richard Harris
    • Rod Taylor
    • Al Lettieri
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,7/10
    1139
    LA TUA VALUTAZIONE
    • Regia
      • Barry Shear
      • Samuel Fuller
    • Sceneggiatura
      • Samuel Fuller
      • Lukas Heller
    • Star
      • Richard Harris
      • Rod Taylor
      • Al Lettieri
    • 33Recensioni degli utenti
    • 15Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto34

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    Interpreti principali28

    Modifica
    Richard Harris
    Richard Harris
    • Sheriff Sean Kilpatrick
    Rod Taylor
    Rod Taylor
    • Frank Brand
    Al Lettieri
    Al Lettieri
    • Gutierrez, Mexican Policeman
    Neville Brand
    Neville Brand
    • Choo Choo
    William Smith
    William Smith
    • Schoolboy
    Paul Benjamin
    Paul Benjamin
    • Jacob
    Pedro Armendáriz Jr.
    Pedro Armendáriz Jr.
    • Herrero
    Isela Vega
    Isela Vega
    • Maria
    Kelly Jean Peters
    Kelly Jean Peters
    • Katharine Kilpatrick
    William Bryant
    William Bryant
    • Deputy Bill
    • (as Bill Bryant)
    Sean Marshall
    • Kevin Kilpatrick
    Read Morgan
    Read Morgan
    • Deputy Bob
    Joan Swift
    Joan Swift
    • Teacher
    Ray Moyer
    • Priest
    Armando Acosta
    • Mole
    Pepe Chavez
    • Mexican Priest
    Federico González
    • Bar Customer
    John Kennedy
    • Santa Rosa Banker
    • Regia
      • Barry Shear
      • Samuel Fuller
    • Sceneggiatura
      • Samuel Fuller
      • Lukas Heller
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti33

    5,71.1K
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    Recensioni in evidenza

    6mossgrymk

    the deadly trackers

    Considering what a mess this film was...Sam Fuller fired as writer/director, along with all the co stars, by star Richard Harris who then hires friend/drinking companion Rod Taylor to be his co star and re-write Fuller...I suppose we should be thankful that there are any points of interest remaining. Actually there are several, most notably making one of the bad guys an African American, certainly a most un PC move for a 70s, non Blaxploitation pic. Also there is the usual fine acting of Neville Brand as a scumbag with the ability to be shocked by the greater evil of his boss, and finally Al Lettieri, the symbol of late 60s/early 70s villainy, playing an upholder of the law and doing a convincing job of it.

    But mostly, this extremely violent film, shot in Mexico, with Isela Vega, is Peckinpah wannabe stuff. Give it a C plus.

    PS...After "Lawrence Of Arabia" they shoulda banned all quicksand death scenes.
    8thinker1691

    The Road to hell is paved with good intentions, but wet with tears "

    Samuel Fuller wrote this unusual western novel which is aptly directed by Barry Shear. It relates the story of a small town Sheriff, Sean Kilpatrick (Richard Harris) who hates guns and abhors violence. That is until a gang of ruthless but murderous bank robbing killers enters his village. Led by a clever, but unscrupulous murderer named Frank Brand (surprisingly played by Rod Taylor, who typically plays good guys) arrives to rob the bank but is quickly surrounded and easily captured. Nevertheless, Brand and his cut-throats escape. but not before shooting and killing innocents in the process. Filled with rage and vengeance, Kilpatrick set out to bring the killers to justice despite their crossing to Mexico. The group of criminals and law enforcement officers are made up of serious actors who typically play opposite sides of the law and include, Al Lettieri as a Mexican Constable (Excellent role), Neville Brand and William Smith, (supurb characters) as part of Brand's gang. The great, rugged Mexican outdoors and spacious landscapes are majestic and add to the bloodstained journey. Indeed, it's further enhanced with the violence and exciting action. An unusual treat for Taylor fans and an equally surprising role for the entire cast. Recommended to any who seeks a violent page torn from our wild Western Lore. ****
    Clarke-2

    A better than average Western

    This is one of those films that lovers of the Western genre ought to rent on video. They will discover a treasure of the past that is well worth a watch. Like most Westerns, this film is set in the 1870s American southwest. The story of vengence is common in Western films, and this particular tale is extremely brutal. The post civil war Southwest was a violent place full of vigilantism and crime. Men of the West with morals and a sense of social responsibility always served as easy prey for bushwackers.

    The Deadly Trackers is focused on two men who share an over-developed sense of justice. They are both sheriffs, and they both embraced the importance of the law. One of the sheriffs loses his family, however, and his ideals die with them. The best part of this film is the relationship that builds between the two sheriffs as they hunt a small band of bushwackers. Richard Harris's character is the embittered sheriff bent on vengence. His character sinks into being as cruel and violent as the men he hunts. The Mexican sheriff, who lacks personal loss, maintains an ideal sense of keeping law and order. In the end, Harris's character regains his values for upholding the law only to see justice slip out of his grasp. The Mexican sheriff remains constant in his efforts to enforce the law only to provide for a lack of justice. The result is a dark tale about the nature of mankind on the frontier.
    3barnabyrudge

    Simplistic chase western, with heaps of blood-spilling but little else.

    After The Wild Bunch had pushed back a few boundaries in terms of violence, especially within the western genre, there followed a spate of similar westerns. Billy Two Hats, Chato's Land, The Hunting Party, The Revengers and The Last Hard Men were among the front-runners. Also on any list of brutal '70s revenge-westerns would be The Deadly Trackers, originally planned as a Samuel Fuller movie but completed by Barry Shear after Fuller quit the project. This violent, bloodthirsty film is, alas, somewhat disappointing.

    Irish sheriff Sean Kilpatrick (Richard Harris) looks after the Texas town of Santa Rosa and has made a point of solving crimes and capturing criminals without resorting to violence. In fact, he has never in his life fired a gun in anger, yet has somehow fostered total law, order and respect among the townsfolk. His methods are tested to the limit when outlaw Frank Brand (Rod Taylor in a surprisingly sadistic performance) and his gang rob the local bank. During their escape attempt, the outlaws inadvertently kill Kilpatrick's own wife and child. Devastated, Kilpatrick ditches his anti-gun, anti-violence attitude and pursues Brand and his cronies. The chase leads to Mexico, where Kilpatrick has no official authority and is viewed as little more than an outlaw himself. The Irish sheriff tracks down and kills Brand's gang one-by-one, until just he and Brand remain.

    Just a year earlier, Barry Shear had made the film Across 110th Street, regarded as the most violent movie ever made up to that point, so it's perhaps no surprise that this film emphasises the gore and brutality to the extent it does. Harris is quite memorable as the Irish sheriff, giving another of his energetic performances, and Taylor's villainous turn reveals an ugly side rarely portrayed by the actor in his other films. However, in most aspects The Deadly Trackers fails to make the grade as a good, worthwhile film. It is far too simplistic for its own good, with no resonance beyond the immediate plot (and the plot itself is pretty basic, being nothing more than a straightforward chase narrative). The supporting performances are generally rather lacklustre, possibly because none of the characters beyond the two principal players carry much depth or interest. Also, the story is dismayingly familiar, with precious little that it fresh or original; just lots of tired and predictable scenes that have been begged, borrowed and stolen from many other sources (even the music is lifted directly from The Wild Bunch.... perhaps to keep the budget down?) On the whole, The Deadly Trackers is a dismal misfire in which the detail to violence and the intriguing lead performances are the sole points of interest.
    5froberts73

    the deadly trackers. Emphasize deadly.

    An opening scene is one that will make the anti-gun group proud. The sheriff (a sober Richard Harris) explains that guns beget guns, etc. But when a group of super-nasties kill his school marm wife, and young son, it's a whole different story.

    It's vengeance time and the next hour or so has to do with the sheriff on a one-man quest to find the head baddie (Rod Taylor relishing the role) and the chase takes us into Mexico and a small village where, usually, nothing much happens.

    What happens in this flick is brutality piled on brutality, and violence up the ying-yang. Look at someone cross-eyed and you've had it mister.

    There is the requisite prostitute with the requisite heart of gold and, by the way, some of the best acting comes from her little girl who was fathered by Taylor. She really looks scared --- well, you know the phrase.

    So, the story is standard stuff, but it will hold your attention. The scenery is neat, the 'borrowed' music is neat and, for you lovers of violence, this is heaven on film although, to be honest, it is not as gross as you may have expected, since the films of Fuller are 'full-er' violence.

    The moral to the story? Revenge is not always sweet. Would the Lone Ranger have done it this way?

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      One day during shooting, the stuntman needed for various scenes called in sick. There was no time to bring in another stunt double to the location in Mexico, so Rod Taylor, Richard Harris and Al Lettieri convinced the director they could do the stunts themselves. Harris wound up scraping off several inches of skin while making a tackle and Lettieri broke a finger by smashing through a door. Riding at a full gallop, Taylor was required to fall off his horse, which he did, and it was lucky that director Shear got it in one take because Taylor suffered a dislocated shoulder.
    • Blooper
      With the final member of the gang, the killing is done with a shotgun. At no time in the movie did the sheriff have any gun other than a pistol or Winchester.
    • Citazioni

      Katharine Kilpatrick: [as Sean sits with dead bodies of his wife and child he thinks back to Kevin's birthday] Come now, Sean. After all, it's the boy's birthday, and he has his heart set on it.

      Sheriff Sean Kilpatrick: Katharine, I don't care if it's the boy's birthday.

      Katharine Kilpatrick: It's only a toy gun. *All* little boys want toy guns.

      Kevin Kilpatrick: Why can't I have a gun, Daddy?

      Sheriff Sean Kilpatrick: 'Cause you can't reason with a gun, Kevin. I know it's hard for you to understand. If you have a gun, then another person wants to have a gun, and then another and another. And pretty soon, everyone has to live with a gun - that's very, very bad. We must not allow guns to do our thinking for us.

      Kevin Kilpatrick: I don't wanna hear anymore! You're a mean daddy, and I don't love you anymore.

    • Versioni alternative
      The original UK cinema version was heavily cut by the BBFC to edit blows and punches from fight scenes, closeups of bloodied faces and a gunshot to a man's groin. The 1988 Warner video release featured the same cut print.

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    Dettagli

    Modifica
    • Data di uscita
      • 21 dicembre 1973 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Con furia en la sangre
    • Luoghi delle riprese
      • Durango, Messico
    • Azienda produttrice
      • Cine Films Inc.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.000.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 50min(110 min)
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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