Negli angoli più remoti dello spazio, un piccolo equipaggio, a 20 anni dalla loro missione solitaria, scopre che le cose iniziano ad andare in modo esilarante.Negli angoli più remoti dello spazio, un piccolo equipaggio, a 20 anni dalla loro missione solitaria, scopre che le cose iniziano ad andare in modo esilarante.Negli angoli più remoti dello spazio, un piccolo equipaggio, a 20 anni dalla loro missione solitaria, scopre che le cose iniziano ad andare in modo esilarante.
- Premi
- 1 vittoria e 2 candidature totali
- Bomb #20
- (non citato nei titoli originali)
- Talby voice
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- Alien
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- Computer
- (voce)
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- Commander Powell
- (non citato nei titoli originali)
- Bomb #19
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- Watkins - Mission Control
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Recensioni in evidenza
Dan O'Bannon used this to good effect in "Alien".
Also, the use of contemporary music was highly original and helped move the movie along.
The scene where they talk to the bomb was just a rip-off from Star Trek and the episode "The Ultimate Computer".
One would think there's lots of special effects in a movie like this, and one would be right. Those special effects just aren't extremely good in any standard, but they do have lots of charm. And I actually do believe, that if this movie would have any better specials it wouldn't be as funny as it's now.
I won't spoil the movie for you, but if you like sci-fi this just might suit for you then. It gave me couple of laughs.
This looked like a cheesy rip off of something, but at 3 A.M., all I could do was enjoy.
The low production really shows, but I didn't care. This movie is funny, and as a comedy, that's hard to do these days. The acting, well... ok, but I had the sense that these guys were trying to do it as best they can.
All I can say about this is, this is the type of movie you can watch at 3 A.M. and still enjoy.
The music (John Carpenter is an innovator in film scoring) is strange and often indistinguishable from the zany noises of the ship's equipment and displays (who would ever create such tortuous bleeps and sirens for EVERY function of a spacecraft designed to house a couple of guys in the outermost regions of the galaxy?). The ship's computer is a perfect contast of Hal9000 (2001) in that SHE seems to understand her crew's dimwitted plight and ,after speaking to them in her programmed monotone, recognizes the need to go back and dumb herself down so that they can function accordingly. It is never explained whether she has assumed a mother-figure role or is simply acting out of self-preservation ,but ,like most of the more thought-provoking elements of this absurdist's fantasy, the viewer is merely given the bare-bones information and allowed to decide for itself.
Maybe all of this implied data caused me to make the movie better in my head than it actually is ,but how many films have you seen lately that can give you that freedom?
It was really way ahead of its time. People now comment that films like Star Wars and Alien were the first to make sci-fi more 'realistic' but Dark Star pre-dates both of them by several years. I have a sneaking suspicion that this is where Scott Ridley and George Lucas got some of their ideas.
Lo sapevi?
- QuizThe double rows of large buttons on the bridge consoles are ice cube trays illuminated from beneath.
- BlooperLt Doolittle's cloth name tape on his uniform is spelled/misspelled "DOOLTTLE", obvious in the first scene in the Food Locker.
- Citazioni
Doolittle: [Doolittle convinces the bomb not to explode]
Doolittle: [1:12:12] Hello, Bomb? Are you with me?
Bomb #20: Of course.
Doolittle: Are you willing to entertain a few concepts?
Bomb #20: I am always receptive to suggestions.
Doolittle: Fine. Think about this then. How do you know you exist?
Bomb #20: Well, of course I exist.
Doolittle: But how do you know you exist?
Bomb #20: It is intuitively obvious.
Doolittle: Intuition is no proof. What concrete evidence do you have that you exist?
Bomb #20: Hmmmm... well... I think, therefore I am.
Doolittle: That's good. That's very good. But how do you know
Doolittle: that anything else exists?
Bomb #20: My sensory apparatus reveals it to me. This is fun.
- Versioni alternativeOriginally released in a shorter 68-minutes version, later expanded to a longer 83 minute version with the addition of new scenes (including the meteor storm, the visit to the crew's quarters and Doolittle playing his music).
- ConnessioniEdited into Prison Ship (1986)
- Colonne sonoreBenson Arizona
Music by John Carpenter
Lyrics by Bill Taylor
Vocals by John Yager (uncredited)
[Played over the opening and closing credits]
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Temna zvezda
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000 USD (previsto)
- Tempo di esecuzione1 ora 23 minuti
- Colore
- Proporzioni
- 1.85 : 1