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Dark Star

  • 1974
  • T
  • 1h 23min
VALUTAZIONE IMDb
6,1/10
29.206
LA TUA VALUTAZIONE
Dark Star (1974)
Home Video Trailer from Unknown
Riproduci trailer2: 23
2 video
61 foto
CommediaFantascienzaParodiaSatiraSlapstickSpazio e fantascienza

Negli angoli più remoti dello spazio, un piccolo equipaggio, a 20 anni dalla loro missione solitaria, scopre che le cose iniziano ad andare in modo esilarante.Negli angoli più remoti dello spazio, un piccolo equipaggio, a 20 anni dalla loro missione solitaria, scopre che le cose iniziano ad andare in modo esilarante.Negli angoli più remoti dello spazio, un piccolo equipaggio, a 20 anni dalla loro missione solitaria, scopre che le cose iniziano ad andare in modo esilarante.

  • Regia
    • John Carpenter
  • Sceneggiatura
    • John Carpenter
    • Dan O'Bannon
  • Star
    • Dan O'Bannon
    • Dre Pahich
    • Brian Narelle
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    29.206
    LA TUA VALUTAZIONE
    • Regia
      • John Carpenter
    • Sceneggiatura
      • John Carpenter
      • Dan O'Bannon
    • Star
      • Dan O'Bannon
      • Dre Pahich
      • Brian Narelle
    • 226Recensioni degli utenti
    • 96Recensioni della critica
    • 66Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 2 candidature totali

    Video2

    Dark Star
    Trailer 2:23
    Dark Star
    Through the Lens: Defining Carpenteresque and Why It Belongs in the Dictionary
    Clip 4:54
    Through the Lens: Defining Carpenteresque and Why It Belongs in the Dictionary
    Through the Lens: Defining Carpenteresque and Why It Belongs in the Dictionary
    Clip 4:54
    Through the Lens: Defining Carpenteresque and Why It Belongs in the Dictionary

    Foto61

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 55
    Visualizza poster

    Interpreti principali11

    Modifica
    Dan O'Bannon
    Dan O'Bannon
    • Pinback
    Dre Pahich
    Dre Pahich
    • Talby
    Brian Narelle
    Brian Narelle
    • Lt. Doolittle
    Cal Kuniholm
    Cal Kuniholm
    • Boiler
    Adam Beckenbaugh
    • Bomb #20
    • (non citato nei titoli originali)
    John Carpenter
    John Carpenter
    • Talby voice
    • (non citato nei titoli originali)
    Nick Castle
    Nick Castle
    • Alien
    • (non citato nei titoli originali)
    Cookie Knapp
    • Computer
    • (voce)
    • (non citato nei titoli originali)
    Joe Saunders
    Joe Saunders
    • Commander Powell
    • (non citato nei titoli originali)
    Alan Sheretz
    • Bomb #19
    • (non citato nei titoli originali)
    Miles Watkins
    Miles Watkins
    • Watkins - Mission Control
    • (non citato nei titoli originali)
    • Regia
      • John Carpenter
    • Sceneggiatura
      • John Carpenter
      • Dan O'Bannon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti226

    6,129.2K
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    Recensioni in evidenza

    7rlcsljo

    A turning point in Science Fiction

    Up until "Dark Star", crews of rocket ships were usually "spit and polish", highly disciplined members of a crew all working towards a common goal in harmony. This was the image of the astronauts as promulgated by NASA. Dark Star introduced the negative dynamic to spaceship crews: space travel was ho-hum, they had little contact with earth, and everyone had gotten sick of each other.

    Dan O'Bannon used this to good effect in "Alien".

    Also, the use of contemporary music was highly original and helped move the movie along.

    The scene where they talk to the bomb was just a rip-off from Star Trek and the episode "The Ultimate Computer".
    7tomimt

    A silly little film

    John Carpenter's first film. Must be horror you say, but you'd be wrong in that account. Dark Star is a parodied view of future, in where a group of astronauts travel in space, destroying unstable planets in danger of hitting in to the sun, thus making them in to novas.

    One would think there's lots of special effects in a movie like this, and one would be right. Those special effects just aren't extremely good in any standard, but they do have lots of charm. And I actually do believe, that if this movie would have any better specials it wouldn't be as funny as it's now.

    I won't spoil the movie for you, but if you like sci-fi this just might suit for you then. It gave me couple of laughs.
    6CHall2K3

    Good Laughs

    I didn't realize what I was watching 3 A.M. one day until someone told me.

    This looked like a cheesy rip off of something, but at 3 A.M., all I could do was enjoy.

    The low production really shows, but I didn't care. This movie is funny, and as a comedy, that's hard to do these days. The acting, well... ok, but I had the sense that these guys were trying to do it as best they can.

    All I can say about this is, this is the type of movie you can watch at 3 A.M. and still enjoy.
    sciencefaction3d

    The Bizarro 2001

    I saw this film as a kid, dismissed it as boring, and moved on. Luckily, fate forced me to see it again about 2 years ago and (some are going to hate me for this) now i consider it second only to Kubrick's 2001:A Space Odyssey. The scope is gigantic, even though we're trapped inside the goofy little ship with these rejects (and they ARE rejects). It is a spoof of man's uninformed view of his place in the universe. It is filled to capacity with malfunctioning technology, illogical solutions to self-inflicted conflicts and a very genuine feeling of the isolation of deep space.

    The music (John Carpenter is an innovator in film scoring) is strange and often indistinguishable from the zany noises of the ship's equipment and displays (who would ever create such tortuous bleeps and sirens for EVERY function of a spacecraft designed to house a couple of guys in the outermost regions of the galaxy?). The ship's computer is a perfect contast of Hal9000 (2001) in that SHE seems to understand her crew's dimwitted plight and ,after speaking to them in her programmed monotone, recognizes the need to go back and dumb herself down so that they can function accordingly. It is never explained whether she has assumed a mother-figure role or is simply acting out of self-preservation ,but ,like most of the more thought-provoking elements of this absurdist's fantasy, the viewer is merely given the bare-bones information and allowed to decide for itself.

    Maybe all of this implied data caused me to make the movie better in my head than it actually is ,but how many films have you seen lately that can give you that freedom?
    Jay-Kavanaugh

    Cult classic

    Well OK this may not the most enjoyable film I've seen but it is certainly one of the most unique and cynical films ever. I find myself pulling out the tape and watching it again every couple of years just to give myself a reality check with all the Hollywood tripe you get these days. To make the most of it you need to watch a couple of Star Trek episodes first and then watch this. Instead of the clean-cut, politically correct, join-the-dots films that are so common now, you get a feeling that this might just be the way life on a space ship would really be.

    It was really way ahead of its time. People now comment that films like Star Wars and Alien were the first to make sci-fi more 'realistic' but Dark Star pre-dates both of them by several years. I have a sneaking suspicion that this is where Scott Ridley and George Lucas got some of their ideas.

    Altri elementi simili

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The double rows of large buttons on the bridge consoles are ice cube trays illuminated from beneath.
    • Blooper
      Lt Doolittle's cloth name tape on his uniform is spelled/misspelled "DOOLTTLE", obvious in the first scene in the Food Locker.
    • Citazioni

      Doolittle: [Doolittle convinces the bomb not to explode]

      Doolittle: [1:12:12] Hello, Bomb? Are you with me?

      Bomb #20: Of course.

      Doolittle: Are you willing to entertain a few concepts?

      Bomb #20: I am always receptive to suggestions.

      Doolittle: Fine. Think about this then. How do you know you exist?

      Bomb #20: Well, of course I exist.

      Doolittle: But how do you know you exist?

      Bomb #20: It is intuitively obvious.

      Doolittle: Intuition is no proof. What concrete evidence do you have that you exist?

      Bomb #20: Hmmmm... well... I think, therefore I am.

      Doolittle: That's good. That's very good. But how do you know

      Doolittle: that anything else exists?

      Bomb #20: My sensory apparatus reveals it to me. This is fun.

    • Versioni alternative
      Originally released in a shorter 68-minutes version, later expanded to a longer 83 minute version with the addition of new scenes (including the meteor storm, the visit to the crew's quarters and Doolittle playing his music).
    • Connessioni
      Edited into Prison Ship (1986)
    • Colonne sonore
      Benson Arizona
      Music by John Carpenter

      Lyrics by Bill Taylor

      Vocals by John Yager (uncredited)

      [Played over the opening and closing credits]

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    Domande frequenti20

    • How long is Dark Star?Powered by Alexa
    • Dark Star never lands on any planets, so how did they pick up the alien?
    • What are the differences between the Theatrical Version and the Director's Cut?

    Dettagli

    Modifica
    • Data di uscita
      • 17 gennaio 1975 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Temna zvezda
    • Luoghi delle riprese
      • Raleigh Studios - 5300 Melrose Avenue, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Aziende produttrici
      • Jack H. Harris Enterprises
      • University of Southern California (USC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 60.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 23 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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