Aggiungi una trama nella tua linguaAbandoned by their husband/father, a traumatized woman and her disturbed stepdaughter hire a drifter handyman at their secluded estate while a series of murders begins.Abandoned by their husband/father, a traumatized woman and her disturbed stepdaughter hire a drifter handyman at their secluded estate while a series of murders begins.Abandoned by their husband/father, a traumatized woman and her disturbed stepdaughter hire a drifter handyman at their secluded estate while a series of murders begins.
- Ernesto
- (as Vidal Molina)
- Pedro
- (as Juan Bardem)
- Commissioner
- (voce)
- (non citato nei titoli originali)
- Barney Webster
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
Abandoned by her no good puppeteer husband, Ruth lives with Chris in her secluded country house. When she discovers a charming young drifter, Barney Webster, sheltering in her barn, Ruth initially threatens to call the police, but eventually takes the man into her home for breakfast, and into her bed for desserts soon after. When Barney sees Ruth's ravishing stepdaughter, he goes for the stepmom/stepdaughter combo, actively encouraged by Ruth, who wants to get back at her husband by corrupting his not-so-little girl. This volatile situation is heightened by some latent lesbian urges (Ruth's love for Chris runs a little deeper than she would care to admit), rivalry for Barney's affection, Chris's sudden bursts of stabbiness, and the fact that the ladies' house guest may be the psycho who has been carving up people in the surrounding area.
Opening with the messy murder of a woman by a man dressed as Charlie Chaplin, The Corruption of Chris Miller knows how to grab the viewer's attention, and with the introduction of the film's two lovely leading actresses, it's hard to say no to this sexually charged giallo-esque thriller, no matter how predictable the mystery is. The direction by Juan Antonio Bardem is reasonably stylish, with plenty of atmospheric rainy scenes (which terrify Chris, as we learn that she was raped in the shower when she was younger), and those well-orchestrated murders, which include the slaughter of an entire family by the sickle-wielding sicko, and the death of a major character from multiple stab wounds. Spanish censorship laws of the time prevent there from being too much in the way of nudity, but Marisol in her bikini is still reason enough to watch.
Ruth (Jean Seberg) lives with her stepdaughter Chris (Marisol) in an isolated mansion in the countryside. Both of them wait for the same man. He was Ruth's husband and the father of Chris. One day, without warning, he left everything. They don't know where he's at. But Ruth and Chris have different feelings about him. Ruth wants to get even with him for what he has done to her, and for doing this she can use Chris, his daughter. Maybe she can corrupt her. But corruption is a vague word, what does it really mean? And Chris waits for her father as if he were the last hope left for her. A traumatic experience she had, has left its mark on her. Maybe her father is the only good thing left in the world...
But it's difficult to classify the relationship between the two women. It's not a traditional love-hate relationship. The same man links them, but there's much more than that.
Meanwhile a serial killer roams about the countryside. Mysterious murders are happening in the area.
One day a drifter, come from nowhere, arrives in the house. As it happens, he (Barney) is engaged to work in the house for doing the odd jobs. His presence will change everything. Slowly a strange kind of threesome is developed - an atmosphere of suspicion, perplexity ... begins to grow. Who is he? What does he want from them? What do they want from him? Ruth and Chris and Barney? Outside, the murders go on happening.
I won't say more because I don't want to spoil the film for you. "La corrupción de Chris Miller" is a refined psychological thriller. Jean Seberg is very good as Ruth, and Marisol's interpretation of Chris is powerful and emotional.
If you like this one, check out also "El ojo del huracán" (In the eye of the hurricane) - it's seemingly a lighter type of thriller, but don't let yourself get fooled, because under the sun there is light and there are also shadows.
The film is slow as molasses for most of its runtime and you want to tell out "hurry up and get to the good stuff!" I'm normally a person who can enjoy a nice slow burn movie with the rest of them, but there's slow and then there's plotless. Most of the film is just a series of longing glances between the characters or long montages or horseback riding. They seem to be trying to build the tension between stepmother, stepdaughter, and the handsome drifter, but the script never really handles those moments very well. With better dialogue, perhaps those scenes would crackle with sexual tension.
The film is most definitely well shot and the scenes that take place during rainstorms drip with mood, but right as the film starts to get interesting, it ends with no resolution whatsoever. I'm also not a stickler for an ending that's tied up in a neat little bow, but after all that build up, it would have been nice if we were given something a little more interesting.
A thrilling and suspenseful movie about a lurid subject matter concerning two women trapped alone in a locked house and along the way a psychopathic killer is on the loose . Dealing with the peculiar and complex relationships among three main characters played by the French Jean Seberg , the Spanish Marisol and British Barry Stokes . Interesting and twisted screenplay by Santiago Moncada, a prolific and prestigious writer who wrote several stories in all kinds of genres during the 60s, 70s and 80s . Stars Jean Seberg who provides a solid and sensitive acting as the unsettling abandoned wife and the ex- prodigy girl Marisol who is pretty well as the tramautized daughter long time ago suffered a terrible event, while Barry Stokes is nice as as the hunky and suspicious drifter . And a good support cast with some familiar Spanish faces, such as : Perla Cristal, Gerard Tichy , Mariano Vidal Molina , Gustavo Re, Goyo Lebrero, Rafael Luis Calvo and director Juan Antonio Bardem himself.
It contains an intriguing and frightening musical score by the prestigious composer Waldo de Los Ríos who soon after , unfourtunately , committed suicide . Atmospheric musical score by Juan Gelpi, though an adequate remastering being really necessary because of the film copy is washed-out. Being completely shot on location in Comillas, Cantabria, Spain. The picture was competently directed by Juan Antonio Bardem . This director was a good and notorious filmmaker , being his film debut : Esa pareja feliz 1951 co-directed by Luis Garcia Berlanga , after that , he made Cómicos 1953 about stage world , following an enjoyable comedy : Felices Pascuas 1954 . And eventually shooting his big hit : Muerte de un ciclista 1955 . And of course , his another big success : Calle Mayor with Betsy Blair. Some years later, he made this La Corrupcion de Chris Miller that has a rating 6.5/10. Better than average Gialli film. The flick will appeal to Jean Seberg and Marisol fans.
Lo sapevi?
- QuizAccording to star Jean Seberg's biography the actress was rather embarrassed to appear in this film because of its lurid subject matter. She only took the role due to financial matters.
- BlooperSpanish media reporting of the Millers' neighbors' murders is rampant with yellow journalism, not objective, but speculative and provocative of the public's emotional response rather than objectivity, to wit: "Another detail which may be significant is that the family dog, who now waits in vain for his master's return, raised no alarm nor frightened off the criminal." As the bodies were only found by a farm worker reporting the next morning, there would have been no one around to observe the dog's behavior at that time, other than the victims and the killer, who, needless to say, wasn't talking to reporters.
- Citazioni
Chris Miller: [reacting to Ruth's request to go out and stall the killer] I knew it! You've always wanted to destroy me! Destroy me to get back at my father!
Ruth Miller: But he's insane! He'll kill us both! Do you want to die?
Chris Miller: [runs, screaming] Yes! Yes! YES! ...
- ConnessioniReferenced in Beauty (1981)
- Colonne sonoreAu clair de la lune
Performed by Barry Stokes, Jean Seberg and Marisol
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
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- The Corruption of Chris Miller
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 47min(107 min)
- Mix di suoni
- Proporzioni
- 2.35 : 1