I corpi presentano tracce di violenza carnale

I admire this piece of giallo cinema because of its great style and how director Sergio Martino contrasts the gorgeously beautiful Italian countryside with the bloody activities of a mysterious gloved killer. In this film, the killer is unique because he/she casts a very unique, eerie presence whenever hinted at or briefly shown onscreen, usually wearing some sort of ski mask to hide his/her face. I also like the plot revolving around the red and black scarf, and how it ties in with the identity of the murderer. The story follows a group of young, gorgeous Italian coeds frightened when their friends start dropping like flies at the hands of a brutal slasher, who likes to strangle, stab and fondle the nude bodies of his victims (another sick, effective touch which makes the film all the more nasty). Four of the girls flee to a villa in a small, scenic village to get away from all the atrocities committed on campus. Of course, the killer has followed them there and is set on killing them off one by one. This film is very perverted in ways, the killings are all sexually sadistic in nature, and the motive basically revolves around the dangerous sexual games played by the beautiful coeds. I can't say more without revealing clues which may give away the killer's identity. "Torso" is also loaded with female nudity, as the film starts right off with a wild orgy going on as the credits roll, complete with close up shots of naked breasts. There is also a slight lesbian subplot involving two of the girls, although we don't see anything that graphic at all. No male nudity is present, which is too bad, I was really waiting for one of my fav hot actors, John Richardson, to take something off, but no such luck. Again, this movie is creepily effective, well-acted, and has great photography, and even if you do find it slow-moving, keep with it, as the finale is probably the best part of the film as the heroine has to watch the killer carve up her friends, one of the most unnerving sequences I have ever seen captured on film. The music is pretty good for the most part, but at times it seems like music better suited to a porno flick. And another thing to mention is, the uncut version of this movie doesn't seem to have that much gore at all, I just figured it would since such a big deal was made about it being uncut with all the "grisly violence" finally restored. It still seems like you're watching the R-rated version. Oh, well. This is still a fun movie, especially for those who love Italian horror.

With a title like 'Torso' one would expect this Italian horror film to either be very bloody or very lurid. In this case, it's both.

Murders at a Rome college forces a group of lady friends to retreat to an isolated house in the hills. But little do they know the killer has followed them...

While director Sergio Martino isn't Dario Argento or Mario Bava his direction in this film is pretty well done. He makes the most of a simple storyline with some lush filming locations, solid scenes of tight suspense, and an all-around attractive cast. Particularly great is the beautifully atmospheric stalking sequence with Carol in the woods, as well as the highly intense scene where Jane must hide from the killer while he dismembers one of her friends. This effort will be most entertaining to the exploitation fans, as the film has plenty of female nudity and the occasional bit of gore.

The cast is fairly decent, Suzy Kendall is the biggest stand-out though as a young woman trapped by the killer.

Over all a good horror effort that would later influence the slasher genre. Torso isn't for all tastes, but for the game giallo or slasher fan it's a great treat.

*** out of ****

Jane (Suzy Kendall- THE BIRD WITH THE CRYSTAL PLUMAGE) and her free-spirited, female college friends head out for a weekend of frivolity at a country villa. This, after a be-gloved, masked maniac has already killed two of their number. The police are on the case, and seem to have some definite clues. However, the killer is pretty crafty, and is on a mission.

Once at the villa, Jane and company are having fun, when, guess who shows up to crash their party?

TORSO is another great giallo from the genre's golden age. With an interesting, psychological motive for the madness, several suspects, and almost non-stop nudity, this gem also packs some thrills and suspenseful moments. It delivers the bloody mutilations as well, which should make the gorehounds giddy. Ms. Kendall plays her desperate role with gusto!

Highly recommended for the true connoisseur of carnage and carnality...

"Torso" is a simply stunning giallo. Sergio Martino's movie has some genuine edge-of-the-seat moments, a very attractive female cast, a superb score by Guido and Maurizio De Angelis and beautiful cinematography.

While some of the special effects are a little on the poor side, the film succeeds in keeping the viewer enthralled in the plot and its strong points far outweigh any minor criticisms.

I really enjoyed this movie. It's not often that a film can keep me in suspense like this one did. Stylish, thrilling, erotic and gripping, "Torso" gives most other giallo films a real run for their money.

When you recognise a murder weapon which could implicate a hacksaw wielding murderer who's already killed two other people, what do you do? You go to stay in a remote secluded clifftop villa with your friends, that's what! Nothing could go wrong...

This is a fantastic slice of giallo directed by Sergio Martino in 1973. It's all here- the sumptuous locales, the amazing insistent music score, the deft and stylish cinematography and direction. But, best of all, there's one of the most disturbing and iconic killers in giallo history (which is really saying something). And not only does he look great but he also kicks ass.

This film expertly builds tension with some scenes reminding me of the later Halloween. I wonder if Carpenter had seen this film before making the 1978 classic. I sure as hell hope the makers of the new Halloween film have seen this film (I bet I know the answer to that question but I'll wait until this film is released to either have my hunch confirmed or refuted).

An example of this tension within Torso would be the scene in which the lone survivor is in the villa with the killer thinking that there's no one else there. She's locked in her room but decides to try to get the key which is still in the lock on the outside of the door to fall onto a sheet of newspaper which she's slid underneath. This way she can slide the key under the door and try and free herself. But then...you'll have to watch the film to find out what happens. It's a great scene in a great film.

When it comes to giallo everyone seems to know the work of Dario Argento, Lucio Fulci and Mario Bava and for good reason. But Sergio Martino is an example of another giallo director who doesn't get the attention he deserves. This is a shame as his work is stellar. And Torso is a great 'in' for the horror fan wanting to investigate his work.