Anonima sequestri

16 year old Candy Philips (played by 21 year old Susan Sennett) is kidnapped by a group of psychos--Jessie (Tiffany Bolling), REAL sick Alan (Brad David) and Eddy (Vincent Martorano). They contact her father and demand jewels in return for her...but her dad won't do it. Things unravel completely from there. There's also a subplot about an autistic child being verbally and physically abused by his mom.

This is clearly not for everybody. it was a complete ripoff of "Last House on the Left" but it's much better than that film. "Last" was sick, disgusting and badly made. "Candy" is sick but not as vicious or cruel as "Last". Also it's MUCH better made. It has a good script with many twists and turns, all the acting is good (especially by Bolling and Martorano) and the last 10 minutes or so go barreling out of control. This is unique in there's not one likable character in it...even Candy got on my nerves! It's disturbing and sometimes brutal but a very good grindhouse film. I give it a 7.

Judged in its own genre (70's sleazy no-budget exploitation flicks) this movie is a classic. It's well acted, the plot is interesting, and the twists near the end are really creepy. This movie will send shivers down your spine not because of gore but because of the monstrous nature of some of its characters.

THE CANDY SNATCHERS is among the proudest components to the druthers of 70s drive-in cinema, a smart, slick production that's well mechanized and laden with dodgy allure...a highly original exploitation mini-masterpiece, and a classic of its kind.

With a turbo-thrust pace, this nail-biter of a kidnapping/ransom story is steeped in noir, and presents three appallingly churlish amateur criminals intent on purloining a generous haul of diamonds from the shady stepfather of kidnapped young Candy(an appealing pubescent girlie who spends the entire film in various stages of bondage wearing a Catholic schoolgirl uniform). Plans run afoul, however, as the plot twists and shifts like a roller-coaster flying hot off its rails. A mute little boy is a key sideline character whose odd presence seems entirely superfluous until the unforgettable, head-smacking climax.

You do NOT want to miss this one.

8.5/10

S10 Rating: * * * * / * * * * * The Candy Snatchers is an interesting sort of film. On the surface is looks a bit like a standard movie-of-the-week thriller. It has 70's photography, 70's woka-woka music and so on. But the Candy Snatchers turns out to be a rather clever exploitation drama with a clever script. Three thugs hatch a foolproof scheme to get a briefcase full of diamonds by kidnapping a young schoolgirl and holding her for ransom. But the plan goes south when some unforeseen wrinkles appear. Even though the Candy Snatchers has a conventional feel to it the film is far from it. The director manages to make some good tension with the twists and turns of the thieves and Candy's plight. The acting is above average for this type of film. The thieves all have interesting personalities and most characters generate sympathy for them. The Candy Snatchers is a rare 70's treat that will satisfy exploitation fans and thriller fans alike.

What an oddball mixture we have here. The plot concerns 3 inept but vicious thugs including a very attractive blonde who kidnap a teenage schoolgirl in order collect a half a million bucks from her father as with all of these schemes things just don't go to plan, stupidity and mayhem follow. This movie has a look and feel of a 70s made for TV thriller punctured with scenes of violence and comic relief straight from the grind house " how to make a movie guidebook " The characters are all as amoral as you can get with the exception of Candy and a little mute boy!!! The pace of the movie moves a little too slow in parts particularly in the middle section but picks momentum big time during the almost " jaw dropping " conclusion. In fact the conclusion is what has set this movie apart ( I think ) from many other similar but easily forgettable movies from the period. It shows several shocking, intelligent and believable plot twists, with the last being the most shocking of all. This movie isn't as visceral as Last House on the Left or as controversial as Fight for Your Life but has more than a good deal of intelligence and directorial talent than most of the 70s offerings, So check it out. And with the recent Subversive DVD release of this not quite a classic but... It is no more one of those " lost gems "