Bobby
- 1973
- 2h 48min
VALUTAZIONE IMDb
6,9/10
2101
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaRaj, the son of strict, wealthy parents, falls in love with Bobby, the daughter of a poor Christian fisherman -- a romance his parents oppose.Raj, the son of strict, wealthy parents, falls in love with Bobby, the daughter of a poor Christian fisherman -- a romance his parents oppose.Raj, the son of strict, wealthy parents, falls in love with Bobby, the daughter of a poor Christian fisherman -- a romance his parents oppose.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 9 candidature totali
Pran Sikand
- Mr. Nath
- (as Pran)
Premnath Malhotra
- Jack Braganza
- (as Prem Nath)
Piloo J. Wadia
- Mrs. Pestonji
- (as Mrs. Piloo Wadia)
Recensioni in evidenza
Wanting to get back into "Hindi retro" movies after a few years hiatus, a friend of mine in Kerala showed me the YouTube channel Bollywood 70s 80s, where this movie had been uploaded with English subtitles.
Fifty-one years later & in another country, I found 'Bobby' to be a timeless story. The namesake is for Bobby Braganza, the daughter of a drunkard Goan fisherman. Raja, the son of a rich but unsympathetic businessman, returns home at the end of term from boarding school, where his father throws him a party at which he has the pick of several forward caste nubiles, with Nima, a particularly flirty one, making herself explicitly available to him. Raja, however, is disappointed by these options, seemingly feeling that none of these women really wanted to get to know him for who he was. Amidst his despair at finding a genuine partner whom he would understand & who would understand him, he is stricken with passion by the demure, painfully shy Bobby. Despite her feelings of inadequacy for being beneath his standing, & initially being indifferent to him, she too finds her passion for him.
The story touches lightly on topics that are more familiar to Indian audiences than those in my own part of the world - namely, caste distinction, the sensitivities of family honour, corruption, & bridal kidnapping. It touches lightly enough that these topics don't overseason the rest of the story, which itself unfolds & develops at a very sensible pace. It's not a short movie, but this allows for the story to cook slowly & feel more natural.
I was drawn to this movie specifically because of the ethereal, sphincter-tickling beauty of Dimple Kapadia. Despite being about fifteen at the time of filming, she played her role brilliantly - as did all of her elder peers. Aruna Irani was also pretty sizziling, but, like Raja, I was turned off initially by her immodest, even aggressive, come-on towards him was.
I would give this movie a 10/10, but for two reasons. I deduct one star in that the dynamic between Bobby & Raja consists almost entirely of anticipation & struggle, & the audience does not get to view any external expression of their love (perhaps the sensibilities of Indian cinema in that era were not in favour of displaying gratuitous lovemaking). I also deduct a star for the movie's rather limited production value, which I would have liked to see more polished, especially given how beautiful the story is.
Fifty-one years later & in another country, I found 'Bobby' to be a timeless story. The namesake is for Bobby Braganza, the daughter of a drunkard Goan fisherman. Raja, the son of a rich but unsympathetic businessman, returns home at the end of term from boarding school, where his father throws him a party at which he has the pick of several forward caste nubiles, with Nima, a particularly flirty one, making herself explicitly available to him. Raja, however, is disappointed by these options, seemingly feeling that none of these women really wanted to get to know him for who he was. Amidst his despair at finding a genuine partner whom he would understand & who would understand him, he is stricken with passion by the demure, painfully shy Bobby. Despite her feelings of inadequacy for being beneath his standing, & initially being indifferent to him, she too finds her passion for him.
The story touches lightly on topics that are more familiar to Indian audiences than those in my own part of the world - namely, caste distinction, the sensitivities of family honour, corruption, & bridal kidnapping. It touches lightly enough that these topics don't overseason the rest of the story, which itself unfolds & develops at a very sensible pace. It's not a short movie, but this allows for the story to cook slowly & feel more natural.
I was drawn to this movie specifically because of the ethereal, sphincter-tickling beauty of Dimple Kapadia. Despite being about fifteen at the time of filming, she played her role brilliantly - as did all of her elder peers. Aruna Irani was also pretty sizziling, but, like Raja, I was turned off initially by her immodest, even aggressive, come-on towards him was.
I would give this movie a 10/10, but for two reasons. I deduct one star in that the dynamic between Bobby & Raja consists almost entirely of anticipation & struggle, & the audience does not get to view any external expression of their love (perhaps the sensibilities of Indian cinema in that era were not in favour of displaying gratuitous lovemaking). I also deduct a star for the movie's rather limited production value, which I would have liked to see more polished, especially given how beautiful the story is.
A completely crazy Romeo and Juliet-style story about two teenagers, him rich and her poor, who fall head over heels for each other and defend their love against all adversity. Maybe not Raj Kapoor's best, but certainly interesting and groundbreaking for its time. This was actually the first Bollywood film I ever saw where it was clearly expressed (even though through a song and dance scene) that the pair was sleeping with each other - even more unusual as the couple consisted of two teenagers! Very Seventies in style with a severely overacting cast, but great fun nevertheless. In many ways a movie of a much freer and more uncompromising spirit than most Bollywood fare of today - but then, it was the Seventies...
The film Bobby is a love story of a rich boy and a poor girl which remains fresh for the generation of 1990s & 2000s too. The character Bobby pretends to be a 21st century girl which is based on prediction of the lifestyle of girls who would live after 27 years. The plot is about the misunderstanding between lovers in the first half and superiority and inferiority complex between parents of the lovers in the second half of the movie. It shows how parents get united due to the strong love between their children. Bobby is suitable for all ages as it shows multiple perspectives i.e, perspectives of both children and parents. So, do watch it to understand self and others.
Raj Kapoor proved himself as a successful director by the release of Bobby. He introduced his next son Rishi, (younger than the elder Randhir) who later in years became a screen icon along with Amitab.
Bobby was released in 1973 during the Rajesh Khanna years and this film was eventful in the sense that people learned and became aware of a young entrant of an old Indian cinema family - The first being the Prithvi Raj Kapoor.
The songs composed by R.D. Burman are mesmerizing and the direction is also superb. This film along with Amitabh's "Zanjeer" both released in 1973 served a real shock to the "Khanna phenomenon" which was the talk of every town for the last so many years.
Bobby was released in 1973 during the Rajesh Khanna years and this film was eventful in the sense that people learned and became aware of a young entrant of an old Indian cinema family - The first being the Prithvi Raj Kapoor.
The songs composed by R.D. Burman are mesmerizing and the direction is also superb. This film along with Amitabh's "Zanjeer" both released in 1973 served a real shock to the "Khanna phenomenon" which was the talk of every town for the last so many years.
I saw the movie recently on a DVD given to me by a friend. I was aware about the movie when it was released many years ago. "Bobby" is a gorgeous girl and the scenery was awe inspiring. The producers took a chance in conservative India to feature her in mini skirts and somewhat promiscuous scenes. Anyway she reminds me of a famous American star Kristie Ally from an old TV series Cheers. How can I join her fan club?
Lo sapevi?
- QuizIn March 1973, a then 15-year-old Dimple married 30-year-old actor Rajesh Khanna. Bobby, her debut film, was released eight months later in November 1973. Dimple had two daughters and took a decade long hiatus from film until Manzil Manzil (1984).
- ConnessioniFeatured in Godfather (1991)
- Colonne sonoreMain Shair To Nahin
Music by Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma (as Laxmikant Pyarelal), Lyrics by Anand Bakshi
Sung by Shailendra Singh
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