Mercoledì delle ceneri

Apparently, Elizabeth Taylor hated being called "Liz" but that didn't stop Mike Todd from naming his plane "The Lucky Liz", the plane that crashed and killed him. After his death Elizabeth leased a home in Tucson a few blocks from where I lived but she never stayed there the crowds were so bad. A girl I was dating happened to see Elizabeth at her girlfriend's home in Tucson and said she was more beautiful than you could imagine. The girlfriend's parents were Loews - the people who owned MGM and Elizabeth hid out at their home until she was able to leave Tucson. The house Elizabeth rented was owned by a customer of my dad's company, a TV sales and service concern, and it was quite posh but nothing compared to what Elizabeth was used to. Years later when I was working in the industry I would meet Elizabeth and her husband, Richard Burton, in Mexico. It was quite an experience. Rumor has it that Burton did not want Elizabeth to make this film but I am glad she did. In one scene after another she never looked so beautiful and that's really what this film is about - looking at the most beautiful woman in the world.

Ash Wednesday (1973) Costarring Henry Fonda, Taylor plays your typical depressed, run-of-the-mill, middle-aged housewife who in an attempt to win back her divorce-seeking husband, goes to a Swiss spa to undergo plastic surgery and regain her youthful beauty. Well, not only is the operation a success, she comes out of it looking like, well Elizabeth Taylor. Dominick Dunne produced this movie before he went on to novel writing fame and fortune. It's considered a really bad movie. I consider it high seventies camp at its best. Most definitely a thumbs up. Watch it in college with your friends over vodka tonics.

The story begins in an exclusive clinic in Switzerland. Barbara (Elizabeth Taylor) is there to get 'the works', as she's older and hopes this will invigorate her stale marriage. The film then shows some pretty realistic surgery scenes as well as scenes of the post-surgery Barbara...complete with horrific bruises which come from the surgeries. She looks pretty awful in these scenes and I was impressed that the glamorous Taylor agreed to be made up to look this bad.

Following her discharge, Barbara gets coiffed and buys a new wardrobe and awaits her husband in a nearby hotel...but it will be some time until Mark (Henry Fonda) arrives. And, given her new look and lease on life, Barbara finds herself drifting towards an affair with some younger stud. Clearly the surgery has had an effect on her psyche...but how will it affect Mark and the marriage? After all, he has no idea she was getting plastic surgery and expects an older looking woman to greet him.

The notion of a woman getting plastic surgery and its effect (or lack of effect) on her life and marriage is an interesting one. However, the film managed to make it all very dull with too many scenes of Barbara walking about, eating dinner alone, etcetera...and many could have been eliminated or shortened. To put it bluntly, this portion of the movie is dull and glacially slow and it really shouldn't have been. Sadly, it seems to take forever for anything to happen...and I cannot understand this. Did it get better once the husband eventually arrived? Not especially.

The bottom line is that the set up for the story should have resulted in something interesting but it didn't. I think the script and direction were major problems with "Ash Wednesday"....and I can understand why Taylor's husband at the time, Richard Burton, thought this was a poor film.

I want to say, in 1973, it was fashionable to knock anything Elizabeth Taylor did. Not the greatest movie in the world, but a bitter story of how the aging process can affect us. Yes! It was a return to the gorgeous Liz! But, isn't that what a movie star is all about. So, Liz got fat, so did I! Liz drank and had her addictions. So do we all! Why judge a performance by an actor's trouble life? And, mirror, mirror on the wall, who has lived to survive it all? Elizabeth the Great! What more can I say? Sadly, bias and bigotry continue to blight the work of many great performers. Time will tell, or maybe it has told already, that Elizabeth Taylor and her body of work can stand up with the rest. P.S. Felt the same incredible sadness at"Ash Wednesday" in 1973 as I did at that other bitter pill "Brokeback Mountain."

Obviously, this sight recommends "Breast Men" as a suitable companion piece to this because of the cosmetic surgery angle. (I don't watch similar films together anyway.) To me, it is much more akin in spirit to "Shirley Valentine." Woman estranged from her husband in foreign country amidst beautiful scenery, a change of life, etc. For once, a woman having a co-star old enough to be her father actually works with the script! Taylor's acting here is more subtle than it had been in the previous decade, and it works. I could not relate to a woman who goes to such lengths for her husbands affection, but she is playing a woman of a bygone era, and almost twenty years older than she was at the time (the woman playing her daughter could easily have played her sister in another film). This is a very slowly paced film, but by golly you can't help but root for Taylor to find some solace, just like Shirley V. All of this leads up to an inevitable confrontation with her husband, and the movie keeps you guessing to the end what will happen between them. Was it worth it? I won't tell. Knowing what we now know about the kind of father and husband Henry Fonda was in real life can't help but taint the viewing of him in this role. But hey, they could've gotten Bing Crosby. All in all, I saw this movie on video about nine years ago, and as you can see it has stayed with me. So check it out, it beats the heck out of anything on Lifetime.