Abhimaan

Hrishikesh Mukherjee made his best movies with Amitabh and this is one of the best of the best. Though many would think that this is a remake of the movie A STAR ID BORN (and is does look like it), it is actually based on the life of the genius Kishore Kumar and his first wife, the mother of singer Amit Kumar. Kishore was offered the leading role first but things didn't work out so it eventually went to AB. The very last scene of the movie where Amitabh and Jaya walk out of the auditorium was actually filmed the day both of them got married anbd went out of the hall. The song TERE MERE MILAN KI JEH RAINA has an extra version a capella in the movie which is not available on the soundtrack. A gem

This is a rather ordinary film UNTIL Jaya Bachchan makes her appearance. From that moment on the film gathers life and breath.

Touching tale of the marriage between a very popular singer (played by Amitabh Bachchan) and a simple, devout country girl. (Jaya Bachchan)

All goes well until the public begins to prefer the wife's singing over that of her husband. Arrogance, jealousy and envy possess him.....and.......a lot happens.

I won't say more.

See it for yourself.

Jaya is completely amazing.....especially in the last 30 minutes.

Abhimaan is a tale of how "music" brings two singers (amitabh and jaya) together; how it creates disharmony in their marital life and drives them apart; and finally how the same music reunites them.

Excellent performances by Amitabh and Jaya. Asrani, A. K. Hangal, Durga Khote and Bindu as supporting casts have acted very well.

S. D. Burman's music direction is excellent, both background score and songs (all time hits). Very rarely one gets to see a Hindi movie like Abhimaan with background score at appropriate places.

Hrishikesh Mukerjee has directed the movie very well. An example is how he takes the story forward through direction of just one song (Ab tho hai tumse, kudos to S.D. Burman too). He also brings in social issues such as tax evasion, commercialization of music etc. without diverging from the main story line.

Hrishikesh Mukherjee's 'Abhimaan' takes a look on gender role complexities and stereotypical thinking in a 70's modern day Indian marriage. Another equally excellent film that revolves around a similar theme is Basu Chatterji's 'Anubhav'. But both Mukherjee and Chatterjee tell their own stories and give their films different treatments.

We initially see Subir as this almost burnt out popstar who's fed up with partying, paparazzi, fame etc but Aarti's entrance into his life gives him a new focus and continues to inspire him to sing. Soon after their marriage, Uma's talent for singing is discovered and Subir encourages her to sing with him. As Uma's singing is more exposed (and she is the more talented artiste) she begins to gain more fame than her husband. Subir's envy becomes stronger and eventually his ego takes over and results in the collapse of their marriage.

Mukherjee's presentation of the themes and dilemma that arise within a marriage are very well depicted. I liked how he made the theme part of the story without having them stick out like a soar thumb. The strength of his films were always the down to earth touch and the characters and stories being easy to relate to. 'Abhimaan' is no different. Even though it's about a popstar, the problems that arise with the characters do occur with the common man. I especially liked how the movie ended with the couple despite walking through a crowd, they silently walk away holding each other as if they have just found each other and never want to let go. The writing is superb with some great dialogues. Even though the lines are of a few words, they speak volumes. Sachin Dev Burman's soundtrack is phenomenal. I love all the songs. Each and every one of them are beautiful. The lyrics are priceless. It's hard to pick a favourite but the first one that pops up in mind is the wonderful 'Tere Mere Milan Ki'.

Amitabh Bachchan and Jaya Bhaduri are at their best. I loved them both in 'Mili' and 'Chupke Chupke' (both also happen to be Hrishikesh Mukherjee films) and in 'Abhimaan' their roles are somewhat more complex than in the other two films. Bachchan's Subir could have easily been a one-dimensional caricature jealous husband but he brilliantly brings out the human side portraying him as a devoted husband who did try to accept this wife's more successful singing career until his ego got the better of him. At the same time he also feels guilt and is ashamed of his growing resentment towards Uma. Jaya Bhaduri is sublime. Her Uma is the devoted wife who shares her husband's passion but only Subir has always been her first priority. The supporting cast do a fine job but Asrani and Bindu deserve special mention. Asrani performs naturally as Subir's friend/manager and Bindu, who is cast against type, delivers a memorable performance as Subir's silent lover.

There are some glitches. For instance the scene where Subir, who clearly loves his wife, asks his doctor whether to perform electroshock therapy looks out of place. Perhaps it was Mukherjee's intention to state that such measures are not required to treat depression.

Overall, 'Abhimaan' is a timeless classic. The songs still feel fresh and stay in the head. The performances are outstanding. The story's very creative and one that still applies to today's society and Hrishikesh Mukherjee's magic touch makes this one a gem.

Hrishikesh Mukherjee made this masterpiece of Indian cinema three years after the equally marvelous "Anand".

More than just a reflection of man's ego, his fall from grace, eventual defeat, surrender and redemption, it is a fine glimpse of the delicate balance and intricate nuances of marriage, and of course, extra-marital relationships. Subir, himself a successful singer, is unable to digest his wife Uma's rising fame and its slow eclipsing of his own career. He crumbles under the weight of his misguided ego and misplaced pride.

The mythological underpinnings of this film are simply superb. Chandru (played so well by Asrani) says that he's not just Subir's manager, but more like a brother! But even the sane, balanced Laxman can't save Rama from life's inevitable follies. He leaves when insulted by Subir, who then takes aim at Uma and casts aspersion on her integrity, her morality and even her dignity. The interchange between Chitra, the other woman (played by Bindu) and Uma is unusual -- there's no acrimony or jealousy, just unconditional love. If you truly love someone, you must be able to accommodate all their faults and forgive! Shyam may not belong to both Radha and Mira, but surely both have equal right to love him!! That is so incredible. Chitra once calls him 'Subi', she retains the right to use a before-marriage nickname. But what about the wife...?

The cinematography, the editing and of course S D Burman's rendering of each song into a heavenly ode, is just incomparable. Jaya and Amitabh soar to such heights in this movie, they are hard to surpass. The shots where she is singing, framed by the microphones (imprisoned by Subir?!) and those of Subir talking to CHitra, looming large in the foreground, seemingly taller than his own ego, are just great.

Hrishi-da fans will recall Guddi, Bawarchi, Gol Maal, Mili (a gem) and Khubsoorat, made in the 1970s. Along with Basu-da (Basu Chatterjee) and Shakti-da (Shakti Samanta), this golden era of Hindi cinema sadly came to an end in mid-80s, after giving audiences many memorable films, some of which also became all-time hits.

It has been 30+ years since Abhimaan, and 30+ viewings later, it still holds the same charm as always. A truly evergreen film.