Guerra e pace

This more-than-twelve-hour-long BBC TV version of the epic Tolstoy novel, War and Peace, starring Anthony Hopkins as Pierre, is a brilliant production, is the finest TV movie that I have ever seen and is based on the greatest novel ever written. The length allows sufficient time to fully develop the many characters over a long period of their lives. This is one area where TV can surpass the cinema.

The 1972 BBC TV miniseries, War and Peace, was a far superior rendering of the great Tolstoy novel. A 2007 TV series of War and Peace, created by Italy, France, Germany, Russia and Poland was also excellent but, to me, the BBC version was the greatest.

I don't have much to say in addition to the adulations given by, especially, those who watched this amazing series at a young age. I was 23 when it first broadcast on public television, a co production of the BBC and Time-Life. I disagree with the verbose UK reviewer above, who felt the episodes boring until about halfway. I was intrigued with episodes 1 and 2, and utterly engrossed by 3, waiting impatiently for the following week to bring the next episode. My only problematic observation from the 1st episode was that it seemed a little stagy, as if I were watching a stage play. Small criticism. Watching it again 37-odd years later ( have finished the 2nd DVD as I write this) I was again engrossed, with the advantage of not having to wait a week for the next episode! The only proper and accurate adaptation to the great novel.

Considering this a television production, I was again impressed (and surprised) by the ambition and quality of the battle scenes. It was refreshing not see an exaggerated CGI army battling another CGI army. My favorite actors were Alan Dobie and a young Anthony Hopkins. Every time I see Hopkins in a movie, I immediately remember his outstanding performance as Pierre. The one scene I always remember is Alan Dobie ad Prince Andre, lying in the battlefield after being wounded while leading a futile charge at Austerlitz, lying on the ground, staring up at the sky and remarking about it, that all is vanity, illusion.

Finally, how can one forget Fiona Gaunt as Helene? Wow, those low-cut empire-style gowns. I kept fearing (if that is the word) that she wouldn't be able to "contain" herself. (Sorry for the moment of male levity).

My all-time favorite British TV production, even slightly ahead of the wonderful Upstairs, Downstairs.

P.S. Thanks to the viewer who pointed out that it was not shown on Masterpiece Theater. I always remembered that it was, and was regretting that Alistair Cooke's introductions and final comments were missing from the DVD. Now I know that they were not! But how I wish they were!

I was more into the romance of the show rather than the battle scenes but I watched the entire production when in my early 20's. I thought Morag Hood was a good choice for Natasha, resembling in appearance and actions, a young Audrey Hepburn who had originally played Natasha in the 1950's production. This was the first time I ever saw the young Anthony Hopkins and was very impressed by his kind and sincere portrayal of Pierre and was also impressed by Alan Dobie as Andre! Well, lets face it, I thought they were both extremely handsome!!! As I said I wasn't into the historical aspect of it but enjoyed the storylines of the important families, the Bezuhov's, Rostova's and Bolkonsky's.

I remember seeing this when I was in high school and being mesmerized. Having watched it at home now twice, I still think this an amazing adaptation. Watching Anthony Hopkins stretch his legs in his first big role is a wonder and presages all the kudos he was to receive in ensuing decades. I also think Morag Hood was quite convincing as a 13-year-old girl through to a nearly-30 Natasha; in contrast to another viewer who was bothered by a 30-year-old woman playing the girl Natasha, I found her acting the part of a 13 year old to be convincing.

David Swift brings real complexity to Napoleon, and the family scenes of the Rostovs are a wonderful contrast to the dysfunctional Bolkonsky family. The acting is very good throughout (although Joanna David as Sonya does a bit too much weeping for my taste) and the peek into the Russia of the times is faithful to the book.

This production shows its age, especially the graininess of exterior shots compared to the interior studio film, but overall I think it a truly outstanding adaptation. I sure wish Alan Dobie was still working in film! Most of the secondary characters (Dolohov, Helene, and Katische) are quite good.

Anthony Hopkins stars in the role that brought him to my attention, that of Pierre Bezukhov. He gives a rendition of Pierre that is very convincing, and takes the character through an education that is far from sentimental, though it is very moving.

The depth of the novel is brought out by the length of the mini-series, which I saw on PBS' Masterpiece Theatre in the early 1970's. It is well shot, with wide open vistas that do some justice to the Russian countryside. The portrayal of Russian country life and its glittering high society of the cities is most convincing.

The performances beyond that of Hopkins are also quite strong. Very affecting was Alan Dobie as Prince Bolkonsky. The whole effort deserves 10 out of 10.