Semnadtsat mgnoveniy vesny

Well, I thought this was a fantastic production - very engrossing, with excellent performances, artistic direction, and intelligent scripts. It's a great example of how a television mini-series, as a format, can bring a novelistic type of depth of story and character to the screen. And it's easy to see why it's still so iconic in Russia.

By any technical definition, this particular series is propaganda -- it was ordered specifically by the Soviet government in order to interest more young people in the spy service. Any maybe it did. But "Seventeen Moments of Spring" acts in a way that's completely opposite to the propaganda usually works. Instead of simplifying issues and making them into easy black-and-white decisions, this series complicates them -- dwelling on the difficulty of the heroes' decisions, and taking care to imbue the Geramans with more humanity rather than less.

It's notable and, I think, key to the series' success that the centerpiece of each episode consists of one or two long, tense, subtle dialogue-heavy scenes. The contrast of the action-oriented expectations from the subject of spies and war with the tense character drama that we see is excellent.

The integration of real footage from the war and cameos from other major players are really well-apportioned, and give the character scenes that we're watching more importance to us for our having been reminded of their contextual importance.

The music is about perfect as well, helping to set the tone. In all, it's a spy drama who main modes are subtle, thoughtful melancholy in the foreground, with the element of constant danger tinging it from the background. In that, it's tone is unexpected and very successful. More than worth watching, even for those who don't normally go in for war or spy films.

What make this movie unique, is how Germans are shown. They are villains, but unlike in many modern movies these villains are not ugly, stupid or emotionless. They have personalities, they are clever, cunning and often charming. Just like one would assume many Nazis were in real life.

There is no much shooting or killing in this film. No special effects. What it has is a great story (loosely based on actual events, I think), great acting, dialogues, and cinematography. Although there are 12 episodes of the film, you will wish there have been more.

Great film. I should watch it again...

I've seen this movie a lot of times and year after year I have a strong desire to watch it again. The story never ends. I got addicted to it as millions of Russians did. The war still means a lot to me. The movie spins the brain in the right direction. The best war series ever seen. Nothing to compare with the modern blockbusters. Totally different athmospere and completely different result. Simply the best.

One of the little-recognized deficiencies of spy movies is that 'action'--chases, shootings, explosions, etc.--is dominant content. Of course, the trend caters to modern audiences that are addicted to sound and special effects. However, action-driven spy movies (e.g., James Bond) suffer from 3 major defects: 1)They are not believable 2)They contain little or no acting performances to speak of 3)As such, they are easily forgettable. This is not the case with "17 moments of spring" (hereafter SMOS)

The 12 episodes of the series have been specifically shot in Black and White, in fairly simple studio sets, with no special visual effects. What makes SMOS the favorite of audiences, is a gamut of absolutely incredible acting. Each role, even a minor one, casts an "all-star" Soviet actor, and they deliver deep psychological performances. Tikhonov is an obvious star as Stierlitz, but consider Leonid Bronevoy as Mueller, the friendly, always suspicious and incredibly cruel inside Gestapo chief. Or Oleg Tabakov, as cheerful Schellenberg of the German intelligence. Or Plyatt as very vulnerable and very human Pastor Schlag who nevertheless embodies the power of the Church.

So essentially SMOS is not a spy movie, but a tight psychological drama. But we must not forget the subject, and it is an important one, based on a major real life event: in early 1945, trying to finish off the Nazi Germany, the Russians found out that SS-gruppenfuehrer Karl Wolff (essentially a representative of the odious Himmler) attempted to negotiate a separate piece with the Americans in Italy. The talks were top-secret (OSS star Allen Dulles was the US negotiator) and essentially meant a betrayal of Russia by its anti-Nazi allies. SMOS is about how the Russians discovered the secret and forced the end to negotiations.

In short, this is one of the greatest all-time spy thrillers. Just as "Rosemary's Baby" is arguably the best horror movie because of its acting and directing, so does SMOS shine through the mediocrity we are fed today. I wish it were shown to the wide Western audiences, so that they can see for themselves!

I watched this movie many years ago with Spanish subtitles. I still remember the remarkable acting,intriguing action, and excellent scenography that transports the viewer to Germany during the nazi's years. The plot is very interesting beside of having some historical touches.In a now gone URSS's book compiling secret correspondence between Stalin and other head of states, the former Soviet dictator mentioned Maxim, a soviet spy "planted" in the high ranks of nazy's Germany during the war years. Seventeen Moments of Spring is an excellent movie that I personally would like to enjoy again if it were available with English subtitles in video stores in our country.