Father Brown

If, like my wife and myself, you have run through the BBC's various Christie series, these are a good find. They are a bit dated, but I prefer a good story to a click production. More is an excellent Father Brown, soft-spoken, witty, but sharp and persistent.

These stories are from a bit earlier in the mystery genre than most adaptations, and this dates the series as much as the productions. Chesterfield's stories tend to be more "howdunit" than "whodunit", with the focus less on the characters than on the murder itself. This can be a problem, at times, but it can be very good, especially when combined with good characters.

These TV series are poorly made. I do not mean the technical side, with respect to age of the series and TV format it could be considered satisfiable.

I mean, actors' playing is bad almost for all of them. Sometimes the plot lines are vague and characters are unbelievable.

May be, one of the strong sides is that acting doesn't always look like theatrical performance. We get some interesting views and interiors.

I am not a good reader, so I've considered to watch this version. And I've got nothing. I couldn't assemble the plot, I can't understand the clerical point of view, I do not believe in acting. Just a few personal features and authors statements are well pronounced.

I wouldn't keep this historical TV production in my archive.

First-rate adaptations in their time of G. K. Chesterton's clerical detective Father Brown. The series which aired in 1974 unfortunately has only 13 episodes in it. Having re-watched them all again(having seen them probably in the late 70s on Mystery I think), the stories, the detective, and the productions all hold up today with rather small problems. Yes, these episodes are somewhat stagy and plodding at times - much like the stories can be. Father Brown is no Sherlock Holmes when it comes to action nor does he have the hubris one associates with Hercule Poirot or a Lord Peter Whimsey. He is more like an accelerated Miss Marple in both action and demeanor. Kenneth More plays the priest to perfection I think. Father Brown was a very inconspicuous character in the stories, but that just won't do for television if you want any viewers. More gives Brown some warmth, charisma(as earlier stated by another reviewer), and roundness as a priest and as a human being. He makes this series work and is incredibly fun to watch. The episodes are very faithful in most cases to the source material with some changes, but each episode has solid direction, good character acting, a puzzle albeit at sometimes a complicatedly-woven one, and More at its center. Some of the stellar episodes are: The Eye of Apollo in which Father Brown matches wits with a religious huckster, The Three Tools of Death which is about death from a very intriguing manner, and The Arrow of Heaven - again a rather neat little mystery. Throughout the episodes you will see the likes of actors such as: Ferdy Mayne(The Fearless Vampire Killers - vampire), Benard Lee(M in James Bond films), Shelia Keith(Pete Walker films like House of Whipcord and Frightmare and one scary actress just in general), and Dennis Burgess plays Hercule Flambeau in several episodes. If you are the mood for a thought-provoking mystery, try a little priest.

G. K. Chesterton wrote after Conan Doyle invented Sherlock Holmes but (mostly) before Agatha Christie's reign. His detective Father Brown is an inoffensive little priest who knows a lot about crime, from years of hearing confessions. So he can see what others can't.

Here's an example (and since this story wasn't in the series it's not a spoiler). A headless man is found. His house is scattered with snuff; with clockwork like destroyed toys of the period; and with other bizarre things.

Father Brown (I won't give away how) figures out that the man left everything in the Will is scrupulously honest. He was left all the man's "gold." So he takes the man's collection of gold snuff boxes but not the snuff; he takes the man's gold watch-cases but not the watches; and as for beheading the man, since he was dead anyway it was easier to remove the man's gold teeth.

Chesterton's stories are less who-dun-its than puzzles to be solved. And they may have a theological point. Often this is said it's because Chesterton was such a strong Catholic, but his conversion to Catholicism came after he'd created Father Brown and had written most of his stories.

Whether Father Brown's stories could make a viable series like Brett's "Sherlock Holmes" or Suchet's "Poirot" or Hickson's "Miss Marple" is debatable. Some of Chesterton's Father Brown stories (which I love) are great while others are slight to plump out an hour apiece. And since Chesterton liked to serve everything up with a taste of humor he's often presented as a silly rather than a serous writer. Serious writers, it seems, shouldn't have a sense of humor. Baloney.

(Forget the Mark Williams reboot; all it has in common with Chesterton's stories is the main title).

This series has some poor production values and acting. Even the great Kenneth More appears miscast as Father Brown. A fine actor, More's performances have always been of characters who are sharp and smart, not low-key characters who appear silly on the outside, even if they are cleverer than everyone else on the inside. I've always appreciated Kenneth More's acting, but he's not that good at hiding his light under a bushel the Father Brown way.

When I first caught this in high school (fifteen years before I cared to read Chesterton, now one if my favorite authors) I was accustomed to British TV presentation with great actors performing in long takes on videotape on cheap-looking sets and with outdoors scenes on grainy film. Nowadays I'm more accustomed to slicker productions where the actors practically whisper. So the series looks old and creaky. Too bad. Chesterton deserves better.

It was quite difficult for ATV to adapt the short stories of Father Brown by G.K Chesterton in the manner in which they were written. This is due to the fact that some of the original stories don't contain enough plot to make a 50 minute episode. The writers of the series are to be congratulated and the leading performance from Kenneth More effectively demonstrates that he was a more versatile actor than one realizes. He is truly cast against type and rises to the challenge tremendously. It is true that the production values aren't exactly state of the art but for sheer storytelling, this 1974 version of "Father Brown" is worthy of repeated viewing.