La mano sinistra della violenza

Compared to the other movies in the One-Armed Swordsman series, this isn't quite as good as the first, but I feel like it's an improvement on the second. It features a new actor playing the titular role: David Chiang, who I feel is one of the best leading actors who frequently headlines these old Shaw Brothers movies (it's either him or Gordon Liu - I honestly can't pick a favourite between those two).

This delivers everything you'd want from an old-school martial arts movie without truly excelling at everything. It's like the movie equivalent of a classy - but not super fancy - burger place: a step above mass-produced, fast food slop, but not exactly gourmet. Still, the action is good, the story is competent, and the ending features the main character taking on a small army worth of henchmen, and I'm always a sucker for seeing that kind of fight scene play out on screen.

Chang Cheh had already directed an iconic "One-Armed Swordsman" (Jimmy Wang Yu) a few years earlier but for reasons unknown to me decided to 'reboot' with "The New One-Armed Swordsman", featuring David Chiang as the protagonist. Unlike stern and stoned-faced Wang Yu, Chiang plays the ever-jolly, jovial Lei Li, a very skilled traveling swordsman who is forced to cut his own right arm off after loosing a fight with villainous mastermind Lung I-Chih (Feng Ku), leader of the "Tiger Gang". Li retires from being a fighter and resigns himself to becoming an aid at a local restaurant, constantly subjected to the mockery of the patrons. When fellow traveling swordsman Feng Chun-Chieh (Lung Ti) rides into town, he and Li bond almost immediately but Feng likewise looses a battle with I-Chih and is killed in the process. Li swear vengeance and goes up against I-Chih, his supposedly unbeatable weapon, an interlinked, triple-iron staff (a weapon that "can only be bested by three swords") and his army of goons.

"The New One-Armed Swordsman" was one of the first Hong Kong films to become a hit in (West)-Germany (under the title "Das Schwert des gelben Tigers" or "The Sword of the yellow Tiger"), sparking a wave similar-minded films to flood the market. Indeed, during the early 1980s you'd have been hard-pressed to pass a cinema that was not showing at least one Kung Fu flick or a video store that wasn't stacked.

Especially David Chiang does an amazing job, being very charismatic, at the same time makes the viewer believe that he could pull it off and decimate a legion of fighters with only one arm. Like in many other movies that feature this duo, Chiang and Lung Ti have a very good chemistry, something like the Dean Martin & Jerry Lewis of martial arts movie. Perhaps even too good a chemistry: As some may have pointed out, the constant gazing at each other and assuring themselves of their friendship, at times reminds one of "Brokeback Mountain" (and relegates the supposed love-interest, the cute-as-a-button Ching Lee to a mere sister-figure). Feng Ku is a reliable baddie and is well versed in changing from an almost fatherly figure to a menacing fighting machine within an instant.

The special-effects are bloody but may seem a little dated, especially in times where most martial-arts-movies are saturated with CGI and actors flying around on wires. But for those interested in honest, hard-working Kung Fu and sword fights, there can be few better recommendations than "The New One-Armed Swordsman".

8/10

I can't remember the details behind the reason why Wang Yu left the franchise, but Chang Cheh replaced him with David Chiang in the titular role, and of course it's a totally new character, having his own motivations and background, as compared to Yu's Fang Gang.

Written by Ni Kuang (author of HK's popular Wesley science fiction series), the new one- armed swordsman is now Lei Li (Chiang), an arrogant young swordsman whose specialty is his "yuan-yang" double swords. A hotheaded, up and coming hero, a diabolical plot was hatched by Lung I Ching, a veteran swordsman in the martial arts world, to keep these young upstarts at bay. With his three-joint-poles, which always seem to defy gravity, he schemes and manages to duel with Lei Li, defeating him and caused Li's arm to be chopped off.

Herein lies the difference between this One Armed Swordsman, and the original Fang Gang. Fang Gang had lost his arm because someone else hacked it off in a fit of rage. Here, Lei Li actually gambled with his arm - the loser of the duel would have to remove it, and retire from "society". While Fang Gang had to learn his martial arts all over again, Lei Li was already skilled with his left hand, because he was originally ambidextrous. Also, Fang Gang's weapon of choice is his father's iconic broken sword, Lei Li doesn't seem to have any preference, and could fight with any.

While there is a token romance with the daughter of a village blacksmith, the introduction of a special sword didn't seem to auger well, and it didn't last - it lacked something special, be it emotions or prowess, and seemed too generic. Anyway, I can't help but to chuckle at Ti Lung's character Feng Chun-Chieh, also a young upcoming swordsman who uses two swords. Chun-Chieh and Lei Li formed a sense of brotherhood when the former protected the latter from bullies, only because the latter doesn't wish to use his martial arts skills anymore. They become fast friends, but from the way their scenes were shot - the numerous hugs, back-slapping, arm holding, eyes longing, you might be expecting one of them to say that if only he knew how to quit the other.

That aside, you'd come to expect the usual ketchup blood laden violence which have become the hallmarks of Chang Cheh's swordfighting movies. Here, it doesn't get any less bloody, and scenes can be quite graphic with the numerous decapitations of limbs, and one really interesting decapitation of half a human body, across the waist.

There are plenty of set action pieces, like that iconic fight on the bridge with many footsoldiers simultaneously. Scenes like these are what Tarantino adopted in his homage Kill Bill double feature, where the hero goes on an unstoppable roaring rampage. Though I must admit the introductory fights don't contribute much to the plot - just there for the sake of showing off what Lei Li can achieve.

All in all, it's great fun, just to watch what our parents were watching as they grew up, and comparing these films to the standards of today. While cheesy, the good old classics stand out for their groundbreaking effort in those days, to bring us what has evolved till now.

Code 3 DVD contains minimal extras, just one trailer, a photo gallery, the original poster, one general paragraph passing off as production notes, a biography and selected filmography of the cast and crew.

There are many metaphors in this movie, but the one, I think, is the most important is that; Once you have accepted your lot in life you can improve yourself beyond your own expectations. The story is straight forward, good guys versus bad guys, and some of the stunts are really unbelievable. But, overall I recommend this movie just because it is a great story.

As a beginning martial artist at the time I saw this film,I was amazed at how realistic the fight scenes were.This man could handle a sword and to this day I wonder how they made it look so real.