Una ragazza violenta

Unholy Rollers is AIP cinema verite, a true American film classic that peels the facade away from the cult of sports celebrity. Claudia Jennings is outstanding as the roller queen whose place on the pedestal is about to be taken by the next one in line. She plays the role with utter conviction, and the film's low budget limitations lend added authenticity to its depiction of this seedy American pastime.

It's a shame that Claudia Jennings, Playboy playmate of the year, died at age 29 from a traffic accident, and made a series of low budget, forgettable films. Many of these films still appear on TV from time to time, but not Unholy Rollers, her best film. Another shame. Unholy Rollers is about Claudia joining a roller derby troupe and because of her personality and strikingly good looks, never being accepted into the group. The film is low budget all the way. Probably did well at drive-ins and rural markets, but got swamped by Kansas City Bomber released the same year. I never cared for the roller derby, it's quite stupid, but this "inside story" is quite decent. Just don't expect to find it.

Respectfully disagree with the previous reviewer, pmtelefon, who says this film "runs out of gas" in the last half hour. Sorry, but in my opinion it never runs into gas. Scenes that should have an impact...the conflict between Karen and Mickey, Karen's troubled relationship with a male skater, her visit to her mom, her best friend choosing not to live with her, and the final denouement where she cracks up...fail to deliver on any emotional level due to the general lack of acting, writing, and directorial ability. So what we're left with is Claudia Jennings' bod, which is sexy as hell, a well depicted atmosphere of working class raunchiness that is as essential to roller derby as the smell of hot dogs are to baseball and a few laughs. Give it a C.

..as in 'bad fashions,' 'bad hairdos,' and just plain old tackiness.

The movie isn't really interesting. A woman who is being harassed by her employer (even through she's annoying as hell) and goes into the rollerderby. Despite the fact that all her teammates hate her, she somehow succeeds by her viciousness alone and spends the latter half of the movie beating down her opposition and getting beaten in return. At the end, she just goes around beating the hell out of people, shows her tattoo for some reason, and all this nonsense ends.

It was basically the last half of a drive-in triple feature and it shows. Nudity is sparse, violence is all around, and the movie tries to be gritty but only succeeds in being extremely goofy and annoying. There is no real plot and nobody will care at the end. I have a feeling this was designed to GET people out of the theater or to give teens in the '70s extra time to makeout or get their clothes on before the drive-in closed.

Be warned. It's a long ride to nowhere.

This was an attempt by American-International Pictures to cash in on the publicity for the highly publicized KANSAS CITY BOMBER, also released in 1972. Actually, it's more like Roger Corman's attempt to do so, because while A.I.P. footed the bill, it was a Corman show all the way (even though he had already started his own movie company/distribution outfit, New World Pictures, two years earlier.) In fact, it has the same look and sparse production values as New World movies of the earlier '70s, making you wonder if A.I.P. gave Corman little to spend, or if Corman pocketed a lot of the budget.

Whatever the case, the end result is pretty boring to sit though, despite the showcased sport (roller derby) and the presence of B movie queen Claudia Jennings. The first few minutes aren't bad, promising an energetic and wacky look at the behind-the-scenes of roller derby, but then the movie suddenly takes a turn to the deadly serious. Sure, there are catfights, nudity, and clobberings on the roller ring, but there's no feeling of fun to it all. Actually, much of the movie focuses on boring bickering and chattering between the characters. To make matters worse, the print of the movie currently playing on cable eliminates the original music score and substitutes bland muzak that results in the viewing experience becoming more of a slog to get through.