Una ragazza violenta

Unholy Rollers is AIP cinema verite, a true American film classic that peels the facade away from the cult of sports celebrity. Claudia Jennings is outstanding as the roller queen whose place on the pedestal is about to be taken by the next one in line. She plays the role with utter conviction, and the film's low budget limitations lend added authenticity to its depiction of this seedy American pastime.

It's a shame that Claudia Jennings, Playboy playmate of the year, died at age 29 from a traffic accident, and made a series of low budget, forgettable films. Many of these films still appear on TV from time to time, but not Unholy Rollers, her best film. Another shame. Unholy Rollers is about Claudia joining a roller derby troupe and because of her personality and strikingly good looks, never being accepted into the group. The film is low budget all the way. Probably did well at drive-ins and rural markets, but got swamped by Kansas City Bomber released the same year. I never cared for the roller derby, it's quite stupid, but this "inside story" is quite decent. Just don't expect to find it.

A Roger Corman production from the 70's so you know it's funny, sleazy, plot less and gratuitous but never boring, there's always something happening on screen. Claudia Jennings dominates as Karen Walker, a cat food factory worker who gets cheesed off and becomes a roller derby queen. She gives a tough-as-nails performance, spitting her lines in a manner not unlike the actresses in John Waters' early films. Other stand-outs include Louis Quinn as a cynical promoter and Alan Vint doing a hilarious take on the "roommate's boyfriend" character. It's an obvious attempt to cash in on Kansas City Bomber (apparently started while KCB was still in production) replacing Raquel Welch's vulnerability with Claudia Jennings' unapologetic approach and ladling on plenty of sleaze. So what's not to like?

From the dank sub-sub-basement of athletic entertainment, somewhere beneath 1970's "Big Time Wrestling", came the sweaty phenomenon known as "Roller Derby". Combining elements from wrestling, roller skating, and Australian football, this "sport" barely made a blip on the radar screen of life.

However, it did have its own particular audience, including a 9 year old yours truly, tuning in every Saturday night to watch these raucous rollers' riotous escapades! Especially entertaining were the females of the game, as their violent behavior was quite shocking for the era.

In 1972, ever vigilant for the next $1.98 exploitation vehicle, Producer Roger Corman made THE UNHOLY ROLLERS for the hordes of drive-in devotees.

Starring the unbelievably-hot Claudia Jennings as Karen Walker, ROLLERS excels at recreating the cheeeze-tinged, white trash goodness of actual derby competition.

When Karen quits her job at a cat food factory and tries out for The Avengers RD team, she's accepted immediately. Horrible rock and roll music, nudity, and mayhem ensue.

It's important to keep in mind that this movie is not a Greek tragedy. So, don't go into it looking for anything other than painful dialogue, heinous acting, and general idiocy.

Claudia Jennings fans fear not, for she's in almost every scene!

While nowhere near as exciting as ROLLERBALL, nor as dramatic as THE KANSAS CITY BOMBER, this movie does capture the low-rent spectacle in all of its half-wit glory.

Be sure to remain seated for the smash-bang-boom of the "wild in the streets" finale...

ROLLERBALL was too pretentious and KANSAS CITY BOMBER was too lightweight. This is the real deal! If you love the lowbrow sport of roller derby or are just a fan of Minnesota-born Claudia Jennings (in her first starring role) then this film is a must-see! Raunchy and violent just like the women-in-prison films that Roger Corman was also pumping out at the time (in fact many of the supporting cast were also appearing in those WIP films). Sure this film has the novelty value of having Martin Scorsese's name in the credits but there's much to enjoy in the film besides looking for his editorial hand with an anarchic non-ending that just seemed perfect.