Detective g

1972 is the premiere year of some of the best so-called "BLAXPLOITATION" films. Underrated stage, film and television actor Robert Hooks plays the character of "T". "T" is a super cool Brother that bends the rules while getting the job done for his unsavory, criminal clients who can't go to the police when trouble arises in there criminal underworlds.

"T" is asked by the salt and pepper criminals, Chalky and Pete to solve a series of dice game holdups only for "T" to realize that he is part of criminal underworld takeover between up and coming hoodlums and an established Black Los Angeles gangster that goes the name of "MR.BIG". By the end of this film "T" will have to fight his way out of a web of murder, thievery and deceit. "TROUBLE MAN" warranted a sequel but one was never made. This film also includes an excellent score by "MARVIN GAYE". I put this movie right up there with "SHAFT", "SUPERFLY", "BLACK CAESAR" and "THE MACK". Great performances also by Paula Kelly, Paul Winfied, Ralph Waite and Julius Harris. I rate this film **** stars/excellent. It's on video. GET IT!

There's nothing particularly distinguished about the blaxploitation actioner "Trouble Man", but it does entertain. A bad ass Robert Hooks plays a character named Mr. T - around a decade before somebody else made that moniker famous - in the story of a cool, calm, and collected problem solver. He's hired by two criminals, Chalky (Paul Winfield) and Pete (Ralph Waite, a long way from 'The Waltons'), to find out the identities of the thieves who have been holding up their gambling operations.

Mr. T finds out that things aren't as they seem. We in the audience get tipped off as to where things are heading, early on. Ordinarily this would present a problem as the viewer might get tired of waiting for our hero to play catch up, but T is such a good and smart character that we don't much mind. In the meantime, director Ivan Dixon (also an actor in things like "Car Wash") serves up respectable doses of action and suspense. The screenplay concocted by executive producer John D.F. Black is fairly uncomplicated and consistently enjoyable. The dialogue is often quite amusing. As with so many films in this genre, one of the greatest joys turns out to be the music score. The man responsible for the score in this instance is the soul legend Marvin Gaye.

The largely black cast is full of terrific actors. Hooks displays a lot of poise in the lead role, and one may wish that he had had more starring vehicles over the years. Paula Kelly is appealing as his loving girlfriend Cleo. William Smithers does fine as the disapproving white cop who is suspicious of T, who doesn't appear to have a steady source of income but has nice things. Winfield is excellent, as is a perfectly slimy Waite. Julius Harris lends his authoritative presence as a crime boss - unimaginatively named Big. Other familiar faces include singer / actor Bill Henderson, Stack Pierce, Lawrence Cook, Virginia Capers, Tracy Reed, Felton Perry, John Crawford, Gordon Jump, Jeannie Bell, and Harrison Page.

The rousing finale and sense of humour help to make this well worth a viewing.

Seven out of 10.

If you have never seen this film, but you saw Shamus (of Burt Reynolds fame), then you have seen this film. You just didn't know it. This movie came out in 1972, Shamus in 1973. The plot is different, but the central character is the same(except for black/white). A private eye that is rough and tumble, lives in a pool hall, has a front man run the hall, has hassles with the police, and can fix almost anything, while being the ultimate lady killer. Both movies are very good.

This guy sports no mohawk, full beard, camouflage pants or 500 k in gold chains, and yet this Mr. T is just as supremely bad-ass as his more famous namesake. Over a decade before B.A. Baracus first pitied fools with the "A-Team", 'Trouble Man' Robert Hooks kicked asses through grindhouse cinemas in this highly entertaining blaxploitation flick of 1972. Mr T. (Robert Hooks) is a super-tough and super-cool player, private eye and basically the man for every business that calls for balls - the 'Trouble Man'. As one of the promotional lines promises: "He carries two guns, one to stop trouble and one to make trouble." If a job is dangerous and needs to be done, Mr. T is the man to do it. Trying to trick him, however, is not recommendable...

While "Trouble Man" is, as far as I am concerned, no highlight of 70s blaxploitation cinema (films like "Coffy", the original "Shaft" or "Truck Turner" come with my highest possible recommendations) it is a film that every fan of the black Exploitation sub-genre should appreciate. The story is not the most original ever, but good enough. The film is full of action and violent shootouts, the score by Marvin Gaye is cool (even if not quite as cool as the contemporary scores by Isaac Hayes), and Robert Hooks is great in the lead. Some more female eye-candy certainly wouldn't have bothered me, but overall the film shouldn't be missed by blaxploitation fans. Highly recommended to my fellow lovers of 70s cult-cinema.

I originally became curious about this movie because of the original score and Soundtrack by Marvin Gaye. After waiting a couple of years for the DVD to be released, I was truly impressed by the film as a whole. I'm very disappointed by the score of this film on IMDb. This has to be the most slept on blackploitation movie there is. It has very excellent plot and cinematography that puts you right into the action. Hell, Robert Hooks has to be one of the most unsung heroes in action movies. I watch the movie over a dozen times There was someone that was "cooler" than Shaft, His name is Mr. T. (not the guy with the Mohawk). This is a definite must for you black action collection.