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Five persons are visiting a catacomb following a guide and get lost. They find that they are trapped in a crypt and, out of the blue, they see The Crypt Keeper (Ralph Richardson) that tells five stories: (1) And All through the House: On the Christmas Eve, Joanne Clayton (Joan Collins) kills her husband expecting to receive his insurance. She hears on the news that the police are seeking-out a serial-killer posing of Santa Claus. When the man knocks on her door, she cannot call the police since the body of her husband lays on the living room, and Joanne locks windows and doors. When she looks for her daughter, she has a lethal surprise. (2) Reflection of Death: Carl Maitland (Ian Hendry) leaves his wife and children and leaves town with his mistress. However something happens during their journey (3) Poetic Justice: The widower janitor Arthur Edward Grimsdyke (Peter Cushing) is a good man that spends his leisure time with the children from the neighborhood. His heartless neighbor James Elliot (Robin Phillips) does not like him and destroys his life leading Grimsdyke to the suicide on the Valentine Day. One year later, Grimsdyke rises from his tomb seeking revenge against James. (4) Wish you Were Here: The dirty businessman Ralph Jason (Richard Greene) is bankrupted and his lawyer and friend Charles Gregory (Roy Dotrice) tells him that he must sell his real estate. When he tells to his wife Enid (Barbara Murray), she recalls that they have a statue with the legend that it could grant three wishes to the owner. She makes the wishes with tragic consequences to Ralph. (5) Blind Alleys: The cruel Major William Rogers (Nigel Patrick) comes to the Elmridge Home for the Blind with his dog Shane to be the new director. He is very cruel with the interns until the day that they revenge the bad treatment. Soon the five persons discover that they are at the gate of hell.

In 1972, I was a teenager and I saw this "Tales from the Crypt" in the movie theater. I was very impressed with the tale "Wish you Were Here" but I did not know the name of the movie. A couple of days ago, two friends of mine gave me the chance to see this movie again and I would like to thank them.

"Tales from the Crypt" is divided in five segments: (1) "And All through the House" is very creepy and has an ironic conclusion. (8/10) (2) "Reflection of Death" is the weakest segment with a deceptive story. (4/10) (3) "Poetic Justice" is a grim and heartbreaking segment. (9/10) (4) "Wish You Were Here" is an impressive segment. Ralph embalmed and burning for the eternity is unforgettable. (10/10) (5) "Blind Alleys" is another sinister episode and the revenge of the blind interns is scary. My vote is eight.

Title (Brazil): "Contos do Além" ("Tales from Beyond")

Note: On 14 November 2013, I saw this movie again.

Note: On 16 July 2019, I saw this film again.

Based on the old (and rather controversial) E.C. Comics of the mid-20th century, this horror anthology is an above average entry in an intriguing (and all but dead) genre. Here there is a tour group seen roaming through some ancient catacombs with five attendees obstinately staying behind, despite numerous warnings to stick close together. They find themselves severed from the group and wind up in a tomb-like room with creepy Richardson in a monk's robe doling out orders and insights. The quintet is made to sit while each one gets a glimpse into his or her recent life. Thus the five brief stories are presented in order, each one with a morbid, ironic or gory twist to it. Collins (looking svelte and attractive) is in the first one. She splits her husband's head open as he's benignly reading the newspaper while cheery Christmas music plays on the soundtrack. (Hilariously, she kicks him down the steps while "God Rest Ye Merry Gentlemen" drones on.) Before she can properly dispose of his body, an escaped mental patient in a Santa suit starts terrorizing her! Then Hendry is shown leaving his wife and children for a younger woman. A fateful experience on the freeway changes his life forever. Next up, snooty Phillips is being driven up the wall by his neighbor - kindly, but eccentric, old man Cushing. Phillips continuously thwarts Cushing until he gives up...but does he? A fourth tale features Greene (as a greedy gunrunner) who is forced to part with his possessions, but his wife spies an inscription on an old statuette and discovers that she can use it to ask for three wishes. This doesn't work out quite as optimistically as she had hoped. Finally, Patrick is a militant, heartless administrator of a home for the blind. He pushes the male inhabitants there to their limit and winds up paying dearly for his sins. Though no story gets enough time spent on it to really flesh it out to it's greatest potential, most of them are really intriguing and usually very well acted. The spareness of the locations and effects help set a rather desolate and chilly mood. The finest acting is probably provided by Cushing in a very atypical role. The most memorable vignette is the last one which features an unforgettable comeuppance. Fans of British horror (and especially of anthologies) will rank this pretty highly, but it's interesting enough to lure other viewers as well.

The early 70's were golden years for the British horror industry… Hammer produced their last goodies, while there was another company who specialized in making the so-called `horror-omnibuses'… During a reign of approximately 10 years, Amicus brought forward anthologies going from nearly brilliant (The House that Dripped Blood) to very bad (The Monster Club). Tales From the Crypt surely belongs to their greatest achievements as well and it guarantees an hour and a half of delightful horror entertainment. Five stories are presented to us, and at least four of them have an above average quality level. (Sir) Ralph Richardson appears as the host. Disguised as the Cryptkeeper, he shows the unfortunate dead of 5 people who descended into his vault…

The film is based on a fifties comic book success formula, which also resulted in a popular spin-off series in the early nineties. The protagonists are always doomed and these tales show their regress into death… Each of the stories has its own, unique setting and atmosphere and, together, they cover pretty much all the favorite horror topics. Yet, 5 stories is a little exaggerated and therefore aren't fully elaborated…

Especially the first story suffers from its own shortness…It involves a bitchy woman (a stunningly beautiful Joan Collins) who kills her husband, but finds herself trapped in her house while an escaped lunatic lurks through the windows. This first story is pretty bloody and tense, and I wish it had been a little longer (if it were only to look at Collins some more…). The second story by far is the worst of them all and I feel they should have left this one out. The storyline has nothing new to offer and the acting is uninspired. Tale number three stars horror-legend Peter Cushing and he's the good guy for a change! Cushing is a lonely man who offers presents to the neighborhood children and throws parties for them…I guess this wasn't an issue in the seventies yet! Or was it? Cushing character is hated by his next-door neighbor, but eventually avenges himself. The fourth story is my personal favorite since it really breathes an almost unbearable morbidity…it's a variant on the famous monkey-claw myth, which provides the owner with 3 wishes. This chapter is really chilling and the scenery is great! It also has the best make-up effects and adorable twisted humor! The final story is very ingenious and chilling as well and it entirely takes places in an institute for the blind. The new manager introduces a whole lot of economy measures, while he's living a life of luxury. At one point, the inhabitants won't take it anymore and they show him what being blind feels like

This film is brilliant and would be a brilliant double-bill with the Vault Of Horror (which is the un-official sequel)

The best stories are : The one with Peter Cushing as Mr Grimsdyke who gets his bloody revenge on the man responsible for his suicide, The one with Patrick Magee as one of the patients at a home for the blind who get their revenge on a selfish new owner, and the Monkeys Paw-esque one where the woman wishes her husband back from the dead and regrets it.

This film is surprisingly gory for it's time and some of the endings of the stories make you wince and think "Oh God, that would be really horrible" (especially the fourth and fifth ones)

a great film and probably the best of the Amicus horror compendiums

9.5 out of 10

"Tales From the Crypt" (1972) is one of seven horror anthology pictures released by Hammer rival Amicus over an eight-year period. "Tales" had been preceded by "Dr. Terror's House of Horrors," "Torture Garden," "The House That Dripped Blood" and "Asylum," and would soon be followed by "Vault of Horror" and "From Beyond the Grave." The five stories dished out in the "Tales" omnibus have as their linchpin Sir Ralph Richardson as the urbane Crypt Keeper (a far cry from the cackling HBO demon so many folks might be expecting), who looks into the minds of a group of lost tourists and sees their gruesome stories: In "And All Through the House," a particularly gorgeous Joan Collins plays cat & mouse with an escaped psycho Santa. "Reflection of Death" shows us what happens to philandering husband Ian Hendry after he and his mistress are involved in a nasty car wreck. Horror icon Peter Cushing, in "Poetic Justice," plays a kindly old man victimized by his neighbors, but who manages to deliver one horrible Valentine's Day surprise. In "Wish You Were Here," a variation of the old "Monkey's Paw" tale, a widow learns that it really is imperative to be careful for what you wish. And in "Blind Alleys," Patrick Magee and the other sightless residents of an old-man's home take a particularly grisly vengeance on their new martinet superintendent, played by Nigel Patrick. All five of these tales feature some startling and horrific bit of business; indeed, the film is memorably shocking in parts, and I was amazed at how much of the picture I recalled, after not having seen it for over 35 years. The impressive cast of British actors seems to be enjoying itself immensely, and that spirit of fun is certainly communicated to the viewer. Indeed, while watching "Tales" for the first time in all those years, I found myself happily grinning from ear to ear. From the opening strains of horror-film standard Bach's "Toccata & Fugue in D Minor" to its creepy final query from the Crypt Keeper himself, the film is nothing deep, nothing demanding, nothing innovative; just good fun. And oh...look out for that fire poker!