Il sorriso della iena

Teenaged Nancy Thompson arrives unexpectedly at her mothers county villa.She discovers that her mom has died a violent death.The police investigate and believe the she killed herself by cutting her throat with a piece of broken of glass.Nancy meets and becomes friends with Gina who was her mothers best friend and who has a special relationship with her stepfather.Soon the older man turns his roving eye toward this young beauty as suspicion about the suicide starts to come to light.Pretty sleazy and entertaining Italian giallo with plenty of nudity and some nasty surprises.I haven't seen Silvio Amadio's "Amuck" yet,but I'd like to.The performances of Jenny Tamburi and sexy Rosalba Neri are fantastic and I must say that they are perhaps the main reasons to see this surprisingly obscure giallo.8 out of 10.

Smile Before Death, originally titled Il sorriso della iena, is an overlooked and underrated giallo that mixes elements of a psychological thriller with inspirations from the drama genre and a touch of softcore pornography that underlines how experimental, liberal and progressive filmmaking was in the early seventies while it has become significantly more conservative, prude and repetitive these days.

The film revolves around a boarding school student who decides to stay with her stepfather and her mother's best friend after her mother's tragical suicide. What starts as a lighthearted vacation in a lush mansion beside a magnificent lake takes a sinister turn when the three characters start plotting intrigues against one another. These tensions increase dramatically and lead to a breathtaking finale with several interesting twists and turns.

This movie convinces on several elements. First of all, the plot is quite clever and comes around with a few interesting twists in the closing stages that will keep viewers on the edges of their seats. Up next, the tension between the three distinctive lead characters is quite palpable and increases the movie's uneasy atmosphere. The acting performances are very credible, decent and expressive. Especially youngster Jenny Tamburi shows incredible talent and has her breakthrough performance in this movie. The locations have also been chosen with care and offer colourful, elegant and sophisticated elements on the pulse of their time. The fact that most of the movie takes place in the mansion adds a claustrophobic vibe as it makes the beautiful place feel like a golden cage.

This film however also has several flaws that keep it from being an excellent genre film or even a masterpiece. First of all, the soundtrack is repetitive, dull and at times nerve-firing. Up next, the main intrigue of the movie is quite by the numbers and easily predictable until the final fifteen minutes offer a dramatic turn of events. This final series of events might be entertaining but is also quite overwhelming as the screenwriters are pulling rabbits out of their hats.

At the end of the day, fans of the giallo genre and anyone who likes the vibes of the late sixties and early seventies should certainly appreciate this movie that deserves more attention, recognition and praise. Despite its nostalgic vibe, the film is overall rather entertaining. However, it lacks the depth to leave a lasting impression and stand the test of time as a genre classic.

From the director of the better known "Alla Ricerca del Piacere" (aka "Amuck!") comes this stylish thriller that involves not only a confusing web of love affairs and relationships, but also - towards the climax - a bundle of twists that are guaranteed to surprise every viewer without becoming implausible at any moment.

And this is the big plus of this movie: The twists all work. The first half moves on relatively slow (similar to Silvio Amadio's above mentioned earlier Giallo), but the viewer already gets enough information to know that the plot isn't as simple as it seems. In the second half the film becomes a roller coaster ride of red herrings, plot twists and other surprises, which makes it decisively superior to Amadio's earlier effort.

The acting is also thoroughly convincing, which is especially important once the film is finished and the viewer gets the whole story. But the most remarkable thing in this intriguing Giallo is the lush, ear-catching main theme that will never let one go after being heard for the first time.

The sinfully slinky 'Smile Before Death' aka 'Il Sorriso della iena' (1972) remains a bizarrely under scrutinized, salaciously saucy slasher from cult Italian film-maker, Silvio 'Amuck!' Amadio. This deliciously deviant, unjustly obscure, sublimely sexy, full-bloodied, sensuously soft-bodied Giallo features that deliciously divine brunette Rosalba Neri, the wickedly sultry queen of B-Movie scream and hellaciously hunky, Hiram Keller as a voluptuously-villainous duo plotting to do most grievous harm to the stepdaughter of Hiram's resolutely ill-minded character.

Bravura genre director Silvio Amadio's breezily stylish and frequently raunchy follow-up to "Amuck!" is fulsomely engorged with giddy plot twists, plentifully lurid stalk an' slash, and is busily replete with the ubiquitous "shock" ending rabid Gialli/thriller fans so ardently crave! 'Smile before Death' is most certainly guaranteed to amuse and bemuse in equally confounding measure, and remains an entirely worthy entry to this most histrionic of iconoclastic, bombastic film idioms. This gorgeous Giallo's relative rarity is wholly undeserved and one sincerely hopes that eventually it will soon get a glisteringly-restored Italian language, UK-friendly, feature-loaded DVD/Blu-ray release that this tremendously exciting thriller so earnestly deserves!

16-year-old boarding school student Nancy (Jenny Tamburi) arrives in town after her mother commits suicide. She is taken in by her stepfather Marco (Silvano Tranquilli), who has already moved in his mistress Gianna (Rosalba Neri). Things get a bit strange when Nancy begins to suspect her mother didn't commit suicide and puts the moves on both of her hosts. This is a nifty little thriller from Silvio (AMUCK!) Amadio with enough twists and turns to keep you interested. The main mystery isn't too hard to guess, but there is a nice extra twist at the end and, of course, another one for good measure. Tamburi and the gorgeous Neri spend a lot of their screen time nude and that certainly helps too. Quite possibly the best thing about the film is a theme that is so catchy with Amadio using it at every opportunity. You will definitely be humming it for days after watching this one.