Aggiungi una trama nella tua linguaA young Seminole Indian uses his rattlesnake to take revenge on all those he believes have wronged him.A young Seminole Indian uses his rattlesnake to take revenge on all those he believes have wronged him.A young Seminole Indian uses his rattlesnake to take revenge on all those he believes have wronged him.
Marcia Knight
- Gloria Calvin
- (as Marcie Knight)
Milton 'Butterball' Smith
- Stage Manager at Climax Club
- (as Butterball Smith)
William Marquez
- Wachula
- (as Bill Marquez)
Julio C. Chávez
- Tim's Father
- (non citato nei titoli originali)
Melanie Grefe
- Young Girl in Lobby
- (non citato nei titoli originali)
Charles Lawlor
- Nightclub Drunk
- (non citato nei titoli originali)
Frank Weed
- Rattlesnake Milker
- (non citato nei titoli originali)
Recensioni in evidenza
I saw this film when it first came out in the early 1970s riding the coat-tails of the highly successful movie, Ben. Filmed in the South Florida Everglades, the film stars two sunshine state film "idols", Chris Robinson and Steve Alaimo. Robinson was best known to die-hard fans for his uncredited role as the "lisp" speaking Melvin in Frank Sinatra's, Lady in Cement. Alaimo known more for his singing career, made a name for himself as the singing drag racer in the Wild Rebels. The two play off each other very well, and for nothing more than a "B" film, it's surprisingly entertaining. Surely not their best acting roles, yet any fans of Robinson or Alaimo, or snakes named Stantley should see this film. Above average entertainment.
William Grefe had a knack for turning out low budget yet effective films in the 60s and 70s. STANLEY is one of his more popular releases. The film is very dated (mainly from the guys' clothing), but worth a look. The film is at it's most creepy with scenes of real snakes crawling all over the home of the snake-man. You can imagine what it must have been like to be on the set - Grefe was probably the lone crew man. The film's weakness is in it's running time - more than an hour and forty-five minutes is much too long for this kind of drive-in/exploitation fare. The film would have been more effective if trimmed down to a 90 minute or so running time. Like one character who got bit on the ass, it hurt to sit down that long!
The topic itself, a man getting vengeance with the use of his "pets," sounds very familiar to me, especially snakes. I have seen it before but more in the horror style, not psychotronic, as here. Director William Grefe was one of my favourites in the domain of exploitation features, destined to saturday evening audiences. Actually I above spoke of Bernie Kowalski's SSSNAKE, where it was also question of a young man involved with snakes, but the scheme in the way of showing them was not exactly the same though, it was not a matter of revenge. Anyway, I love this kind of indie productions, far from Hollywood industry and those producers who snoop around, seeking every dollar spent, the paper toilet you use each time you go to the men's room. Here, you are sure there is no director's cut, or maybe a very little. We are lucky that there were batches of them during the seventies. And as I said fifteen years ago on Imdb about another Grefe's film: JAWS OF DEATH, the director uses here the same scheme, but snakes instead of sharks. If you prefer, remember Daniel Mann's WILLARD. The lead used rats instead of....
Tim Ochopee (Chris Robinson), an embittered Vietnam veteran of Native American descent, retreats from society into the Florida Everglades and becomes inseparable companions with a pet rattlesnake (Stanley)... a pet he teaches to kill on command.
A happy light rock soundtrack about saving trees opens the film, giving it a hippie nature vibe that is hard to reconcile with the actual picture (though, I guess, in some ways it's a pro-snake and anti-hunting film).
At 106 minutes, it runs a bit long, but is oddly enjoyable. That's 106 minutes on the Mill Creek disc. From what I hear, the BCI disc is only 96 minutes and some versions are only 92. I cannot tell you what is cut on each one.
Gloria the dancer (Marcie Knight) says, "any kind of love is better than any kind of hate", echoing the Indian warning that Tim's hatred is a cancer on his soul. I think that must be the theme, though it's really hard to say for sure.
I suppose this film could be scary if you're terrified of snakes, but they aren't really presented in a scary manner. The acting is good, besides over-acting Susie Thomkins (Susan Carroll) ruining an otherwise talented cast. Oh, and the drunk guy in the burlesque house provided the ten seconds of comic relief I needed.
This film isn't terrible. In fact, I found myself staring at the screen quite a bit. I suspect it would be a good flick for a small group of friends and some beers, maybe Milwaukee's Best Ice.
A happy light rock soundtrack about saving trees opens the film, giving it a hippie nature vibe that is hard to reconcile with the actual picture (though, I guess, in some ways it's a pro-snake and anti-hunting film).
At 106 minutes, it runs a bit long, but is oddly enjoyable. That's 106 minutes on the Mill Creek disc. From what I hear, the BCI disc is only 96 minutes and some versions are only 92. I cannot tell you what is cut on each one.
Gloria the dancer (Marcie Knight) says, "any kind of love is better than any kind of hate", echoing the Indian warning that Tim's hatred is a cancer on his soul. I think that must be the theme, though it's really hard to say for sure.
I suppose this film could be scary if you're terrified of snakes, but they aren't really presented in a scary manner. The acting is good, besides over-acting Susie Thomkins (Susan Carroll) ruining an otherwise talented cast. Oh, and the drunk guy in the burlesque house provided the ten seconds of comic relief I needed.
This film isn't terrible. In fact, I found myself staring at the screen quite a bit. I suspect it would be a good flick for a small group of friends and some beers, maybe Milwaukee's Best Ice.
Crap! Another bad killer snake movie. Actually, this movie is pretty much just "Willard" with snakes instead of rats. Chris Robinson plays a Vietnam Vet and a Seminole Indian (neither very convincingly) whose only friends are poisonous snakes. He uses these "friends" to take revenge on greedy developer and snakeskin dealer (Alex Rocco, who appeared in "The Godfather" the same year)who was also conveniently responsible for the death of his father, and on a skanky stripper who bites the heads off of snakes as part of her act (because, of course, THAT'S a real turn-on).
There are several problems with this movie. First, it is somewhat believable that rats might have affection for humans and do their bidding, but it is far less believable that snakes would (and the character here isn't given any special psychic powers over them a la Jennifer Connelly in "Phenomenon"). Second, poisonous snakes aren't very good at attacking people. Even when confronted with a large number of poisonous snakes, all the victims would have to do is run away--it's not like snakes are going to chase you. (The most ridiculous scene has Rocco's character attacked in his swimming pool by dozens of water moccasins). The movie really goes off the rails at the end though when Robinson suddenly falls in love with and kidnaps Rocco's sexy, bare-midriffed blonde daughter. After she spurns him, he tries to get the snakes to bite her, but they refuse, so he reacts in an unintentionally hilarious "Willard"-esque fashion and finally gets his just desserts.
On the plus side this movie was directed by Willam Grefe who would go on to do equally ridiculous but much more entertaining movies like "Impulse" with William Shatner. It's also certainly no worse than many other killer snake movies-"Jennifer, "Rattlers" , "Spasms", "Venom", or more recent CGI crap like "Boa", "Python" and "Anaconda". Maybe filmmakers should just give up on these killer snake movies.
There are several problems with this movie. First, it is somewhat believable that rats might have affection for humans and do their bidding, but it is far less believable that snakes would (and the character here isn't given any special psychic powers over them a la Jennifer Connelly in "Phenomenon"). Second, poisonous snakes aren't very good at attacking people. Even when confronted with a large number of poisonous snakes, all the victims would have to do is run away--it's not like snakes are going to chase you. (The most ridiculous scene has Rocco's character attacked in his swimming pool by dozens of water moccasins). The movie really goes off the rails at the end though when Robinson suddenly falls in love with and kidnaps Rocco's sexy, bare-midriffed blonde daughter. After she spurns him, he tries to get the snakes to bite her, but they refuse, so he reacts in an unintentionally hilarious "Willard"-esque fashion and finally gets his just desserts.
On the plus side this movie was directed by Willam Grefe who would go on to do equally ridiculous but much more entertaining movies like "Impulse" with William Shatner. It's also certainly no worse than many other killer snake movies-"Jennifer, "Rattlers" , "Spasms", "Venom", or more recent CGI crap like "Boa", "Python" and "Anaconda". Maybe filmmakers should just give up on these killer snake movies.
Lo sapevi?
- QuizThe rattlesnakes used in this film were de-fanged and their mouths were sewn shut to keep them from biting people.
- BlooperThe address on the side of the swamp buggy is 6771 SW 22nd Street, Miami. This address is actually in a populated area of Miami and is nowhere near the wooded location the film is set in.
- ConnessioniFeatured in TJ and the All Night Theatre: Twisted Brain + Stanley (1981)
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Dettagli
Botteghino
- Budget
- 125.000 USD (previsto)
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