Uno psicologo viene inviato su una stazione in orbita intorno a un pianeta lontano per scoprire a cosa sia dovuta la pazzia dilagata nell'equipaggio.Uno psicologo viene inviato su una stazione in orbita intorno a un pianeta lontano per scoprire a cosa sia dovuta la pazzia dilagata nell'equipaggio.Uno psicologo viene inviato su una stazione in orbita intorno a un pianeta lontano per scoprire a cosa sia dovuta la pazzia dilagata nell'equipaggio.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
- Doktor Snaut, kibernetik
- (as Yuri Yarvet)
- Mat Krisa Kelvina
- (as O. Barnet)
- Syn Anri Bertona
- (as V. Kerdimun)
- Gostya doktora Gribaryana
- (as O. Kizilova)
- Plemyannitsa Krisa Kelvina
- (as T. Malykh)
- Shanakhan, predsedatel komissii Anri Bertona
- (as A. Misharin)
- Professor Tarkhe
- (as B. Oganesyan)
- Anna, tetka Krisa Kelvina
- (as T. Ogorodnikova)
- Doktor Gribaryan, fiziolog
- (as S. Sarkisyan)
- Predsedatel nauchnoy konferentsii
- (as Yu. Semyonov)
- Chlen uchenogo soveta
- (as V. Statsinskiy)
- Professor Messendzher
- (as G. Teykh)
Recensioni in evidenza
I watched Solyaris twice in two days, because the first time I saw it I knew that I hadn't processed even a quarter of what I knew was there. I was taken completely aback. The second viewing was extremely rewarding.
It was unusual for me, raised as I was on the sledgehammer moralizing and we'll make our point so obvious that there's no way you can miss it because we have no respect for your intelligence way of American film. I'm a huge literature buff, and this was one of the very few films I've confronted that is thoughtful and has so many things to say yet does it in a literary or poetic fashion.
You will get out of this film what you bring to it. I've been to so many movies where the audience is not actually participating, it's being attacked. But true art is not domineering; it woos you.
So to sum up, I greatly appreciated Tarkovsky's unwillingness to manipulate the viewer. It showed that he had respect for me as a thinking soul, and it is this love and respect for humanity which makes this a truly great film.
As such, using Lem's original idea, Tarkovsky successfully, explores these themes.
We are drawn in, through hauntingly beautiful imagery, to the internal struggles of Kris Kelvin as he attempts to understand feelings of love for his suicided wife, who has been mysteriously resurrected, presumably as an attempt by Solaris to communicate, or torture.
Of course Solaris is probably the most original alien ever concocted, (no phone-homes here) and as must be, utterly enigmatic and beyond communication.
Be warned, this film is very long, and sometimes slow, but for those who consider themselves science fiction addicts, it is a must view.
One of the top 5 sci-fi films of all time.
As with most movies that have been saddled with the word "greatness," I understand why "Solaris" is considered to be such a watershed movie and so revered by so many, but I have to admit that I didn't personally feel myself responding to it all that much. Maybe I would on a second (or third or fourth) viewing, but I can't say I'm very compelled to watch it again. It's cerebral and philosophical, which I expected, and a bit cold and emotionally uninvolving despite the fact that it's about almost nothing but human emotions and how we react to life's biggest mysteries. I didn't warm much to the characters or ever really think of them as individual human beings so much as necessary conduits for communicating the film's philosophical ruminations. Despite being set in the vast reaches of space, it's a claustrophobic movie, which I think is intentional. We never see space, only the cramped interiors of a spaceship, and that feels right, since the movie is more about the vast universe contained within Man's head than it is about the great physical universe beyond our solar system's borders.
What I liked most about "Solaris" is that it suggests that Man isn't really developed enough to handle breakthroughs in our understanding of the larger universe. Given the chance to explore space and engage with elements beyond our comprehension, the characters in the movie instead spend all of their time ruminating over and regretting the people they left behind on Earth and the mistakes they made there. It's almost like Mankind turns to solving giant huge mysteries as a distraction from the fact that we're not capable of cracking the lesser, more mundane mysteries of everyday life, like love, commitment, and dependence on one another.
"Solaris" does have one chilling and memorable ending, I'll give it that. If we go poking around in what we don't understand, it seems to say, we may very well find ourselves unable to return to what we do.
Grade: A-
The basic story is that a Russian spaceship in orbit around a planet has been sending back confusing status, and Kris Kelvin (Donatas Banionis) is sent to investigate. He finds out that the crew has been experimenting with sending pulses of radiation into the planet's vast ocean and are in turn manipulated by some sort of innate intelligence on the planet. "Guests" materialize on the ship, crafted from mental elements of the crews' minds.
The first night there, Kris himself wakes up to find his long-dead love Hari (Natalya Bondarchuk) by his side. The other two crew mates, scientists Dr. Snaut (Jüri Järvet) and Dr. Sartorius (Anatoli Solonitsyn) puncture any misconceptions that Kris may have by clarifying that "she" is not real, and invite Kris to try looking at a blood sample, which clearly is not human ("she" does "bleed" when hurt, but the "blood" can be easily wiped away). The scientists in fact want to experiment on sending an annihilation sacrificial pulse of radiation to the ocean below, and imply, it seems, an interest in using Hari for that purpose.
The film is unlike anything that I have seen before, and begs many philosophic questions about the nature of reality and existence, the meaning of love, time and timelessness, and much more. The sterile and very unnatural milieu of the spaceship, as well as the melancholic and minimalistic music and sound effects, make one despair for being in nature, and reflect on the early lakeside scenes. The ending (no spoilers here!) leaves room for interpretation and even understanding of just what happened. Hauntingly amazing.
Solaris is often accused of being slow. This is a common misinterpretation: Solaris makes you anxious, and willingly so. Too many segments are like mirrors that invite your mind to venture off into many uncomfortable a place (the traffic scene comes to mind: an allegory for the space voyage but also for fading life and powerlessness). Solaris also makes you fear, with a sense that something isn't quite right and as with the best horror films, what you dread often isn't even on screen. Solaris makes you heart ache on several occasions as well. It makes you miss loved ones and it makes you feel homesick. every additional minute that separates you from the gorgeous opening shots of nature makes you long for Earth.
Solaris is many things but above all it is simply more than entertainment: it is a voyage for the senses, like a favorite song that binds countless disconnected feelings and thoughts. It is a poem.
Lo sapevi?
- QuizThis was the most widely seen of Andrei Tarkovsky's films outside of the Soviet Union. However, Tarkovsky himself reportedly considered it the least favorite of the films he directed. Not being a fan of the science fiction genre (which he criticized for its "comic book trappings and vulgar commercialism"), he was nevertheless persuaded to propose this adaptation of the eponymous and popular sci-fi novel 'Solaris' to appease the Soviet censors. However, he considered the film an artistic failure because of its need for technological dialogue and special effects, which prevented it from transcending its genre; something he believed his movie Stalker (1979) did better.
- BlooperAt the moment when the station attains zero gravity, the candlestick passes floating in the air, with the flames burning the same as in earth. Actually, with zero gravity, the fire doesn't go upward, candle flames would rather be spherical and very weak (blue).
- Citazioni
Dr. Snaut: Science? Nonsense! In this situation mediocrity and genius are equally useless! I must tell you that we really have no desire to conquer any cosmos. We want to extend the Earth up to its borders. We don't know what to do with other worlds. We don't need other worlds. We need a mirror. We struggle to make contact, but we'll never achieve it. We are in a ridiculous predicament of man pursuing a goal that he fears and that he really does not need. Man needs man!
- Versioni alternativeThe Region-4 DVD was released by Shock as part of its Distinction Series and runs at 2 hours and 49 minutes, with some noticeable cut scenes throughout the films. This 2-disc set doesn't contain any deleted/alternate scenes.
- ConnessioniEdited into Spisok korabley (2008)
- Colonne sonoreThe Little Organ Book: Ich Ruf Zu Dir, Herr Jesu Christ - BWV 639
Composed by Johann Sebastian Bach (as I. S. Bakh)
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Điều Tạo Nên Con Người
- Luoghi delle riprese
- Akasaka, Minato, Giappone(Berton's car scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 RUR (previsto)
- Lordo Stati Uniti e Canada
- 22.168 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.537 USD
- 15 set 2002
- Lordo in tutto il mondo
- 230.989 USD
- Tempo di esecuzione
- 2h 47min(167 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1