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Solaris

Titolo originale: Solyaris
  • 1972
  • T
  • 2h 47min
VALUTAZIONE IMDb
7,9/10
102.801
LA TUA VALUTAZIONE
POPOLARITÀ
3173
356
Donatas Banionis and Natalya Bondarchuk in Solaris (1972)
Guarda Official Trailer
Riproduci trailer3:19
1 video
99+ foto
Avventura epicaDramma psicologicoEpicoFantascienza epicaSpazio e fantascienzaAvventuraDrammaFantascienzaMistero

Uno psicologo viene inviato su una stazione in orbita intorno a un pianeta lontano per scoprire a cosa sia dovuta la pazzia dilagata nell'equipaggio.Uno psicologo viene inviato su una stazione in orbita intorno a un pianeta lontano per scoprire a cosa sia dovuta la pazzia dilagata nell'equipaggio.Uno psicologo viene inviato su una stazione in orbita intorno a un pianeta lontano per scoprire a cosa sia dovuta la pazzia dilagata nell'equipaggio.

  • Regia
    • Andrei Tarkovsky
  • Sceneggiatura
    • Stanislaw Lem
    • Fridrikh Gorenshteyn
    • Andrei Tarkovsky
  • Star
    • Natalya Bondarchuk
    • Donatas Banionis
    • Jüri Järvet
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    102.801
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3173
    356
    • Regia
      • Andrei Tarkovsky
    • Sceneggiatura
      • Stanislaw Lem
      • Fridrikh Gorenshteyn
      • Andrei Tarkovsky
    • Star
      • Natalya Bondarchuk
      • Donatas Banionis
      • Jüri Järvet
    • 380Recensioni degli utenti
    • 178Recensioni della critica
    • 93Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 4 candidature totali

    Video1

    Official Trailer
    Trailer 3:19
    Official Trailer

    Foto197

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    Interpreti principali23

    Modifica
    Natalya Bondarchuk
    Natalya Bondarchuk
    • Khari
    Donatas Banionis
    Donatas Banionis
    • Kris Kelvin, psikholog
    Jüri Järvet
    Jüri Järvet
    • Doktor Snaut, kibernetik
    • (as Yuri Yarvet)
    Vladislav Dvorzhetskiy
    Vladislav Dvorzhetskiy
    • Anri Berton, pilot
    Nikolay Grinko
    Nikolay Grinko
    • Nik Kelvin, otets Krisa Kelvina
    Anatoliy Solonitsyn
    Anatoliy Solonitsyn
    • Doktor Sartorius, astrobiolog
    Olga Barnet
    Olga Barnet
    • Mat Krisa Kelvina
    • (as O. Barnet)
    Vitalik Kerdimun
    • Syn Anri Bertona
    • (as V. Kerdimun)
    Olga Kizilova
    Olga Kizilova
    • Gostya doktora Gribaryana
    • (as O. Kizilova)
    Tatyana Malykh
    • Plemyannitsa Krisa Kelvina
    • (as T. Malykh)
    Aleksandr Misharin
    • Shanakhan, predsedatel komissii Anri Bertona
    • (as A. Misharin)
    Bagrat Oganesyan
    • Professor Tarkhe
    • (as B. Oganesyan)
    Tamara Ogorodnikova
    • Anna, tetka Krisa Kelvina
    • (as T. Ogorodnikova)
    Sos Sargsyan
    Sos Sargsyan
    • Doktor Gribaryan, fiziolog
    • (as S. Sarkisyan)
    Yulian Semyonov
    • Predsedatel nauchnoy konferentsii
    • (as Yu. Semyonov)
    Vitaliy Statsinskiy
    • Chlen uchenogo soveta
    • (as V. Statsinskiy)
    Vera Sumenova
      Georgiy Teykh
      Georgiy Teykh
      • Professor Messendzher
      • (as G. Teykh)
      • Regia
        • Andrei Tarkovsky
      • Sceneggiatura
        • Stanislaw Lem
        • Fridrikh Gorenshteyn
        • Andrei Tarkovsky
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti380

      7,9102.8K
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      Recensioni in evidenza

      9MrsRainbow

      had to watch it twice

      I'm just starting out into the vast world of foreign film and having seen this film on many a video store shelf, and knowing that it was considered a sci-fi classic, I thought it would be a good way to spend an evening. Based on the case I was expecting something along the line of typical American sci-fi. Needless to say I was wrong.

      I watched Solyaris twice in two days, because the first time I saw it I knew that I hadn't processed even a quarter of what I knew was there. I was taken completely aback. The second viewing was extremely rewarding.

      It was unusual for me, raised as I was on the sledgehammer moralizing and we'll make our point so obvious that there's no way you can miss it because we have no respect for your intelligence way of American film. I'm a huge literature buff, and this was one of the very few films I've confronted that is thoughtful and has so many things to say yet does it in a literary or poetic fashion.

      You will get out of this film what you bring to it. I've been to so many movies where the audience is not actually participating, it's being attacked. But true art is not domineering; it woos you.

      So to sum up, I greatly appreciated Tarkovsky's unwillingness to manipulate the viewer. It showed that he had respect for me as a thinking soul, and it is this love and respect for humanity which makes this a truly great film.
      sowr

      A dream-like examination of love and first contact

      Two truths drive this film: the inadequacy of human-kind to understand the Universe, and the inadequacy of human-kind to understand the human heart.

      As such, using Lem's original idea, Tarkovsky successfully, explores these themes.

      We are drawn in, through hauntingly beautiful imagery, to the internal struggles of Kris Kelvin as he attempts to understand feelings of love for his suicided wife, who has been mysteriously resurrected, presumably as an attempt by Solaris to communicate, or torture.

      Of course Solaris is probably the most original alien ever concocted, (no phone-homes here) and as must be, utterly enigmatic and beyond communication.

      Be warned, this film is very long, and sometimes slow, but for those who consider themselves science fiction addicts, it is a must view.

      One of the top 5 sci-fi films of all time.
      8evanston_dad

      Cerebral Sci-Fi

      It's tough to come into a film like "Solaris" without tremendous expectations after having heard for so long about its greatness. If you don't immediately feel like it's one of the best movies you've ever seen -- after hearing so many say it is -- you're either tempted to overcompensate and exaggerate how overrated it is out of a sense of defensiveness, or think something's wrong with you for being the only one not to "get it."

      As with most movies that have been saddled with the word "greatness," I understand why "Solaris" is considered to be such a watershed movie and so revered by so many, but I have to admit that I didn't personally feel myself responding to it all that much. Maybe I would on a second (or third or fourth) viewing, but I can't say I'm very compelled to watch it again. It's cerebral and philosophical, which I expected, and a bit cold and emotionally uninvolving despite the fact that it's about almost nothing but human emotions and how we react to life's biggest mysteries. I didn't warm much to the characters or ever really think of them as individual human beings so much as necessary conduits for communicating the film's philosophical ruminations. Despite being set in the vast reaches of space, it's a claustrophobic movie, which I think is intentional. We never see space, only the cramped interiors of a spaceship, and that feels right, since the movie is more about the vast universe contained within Man's head than it is about the great physical universe beyond our solar system's borders.

      What I liked most about "Solaris" is that it suggests that Man isn't really developed enough to handle breakthroughs in our understanding of the larger universe. Given the chance to explore space and engage with elements beyond our comprehension, the characters in the movie instead spend all of their time ruminating over and regretting the people they left behind on Earth and the mistakes they made there. It's almost like Mankind turns to solving giant huge mysteries as a distraction from the fact that we're not capable of cracking the lesser, more mundane mysteries of everyday life, like love, commitment, and dependence on one another.

      "Solaris" does have one chilling and memorable ending, I'll give it that. If we go poking around in what we don't understand, it seems to say, we may very well find ourselves unable to return to what we do.

      Grade: A-
      Dilip

      Hauntingly beautiful and complex science fiction story, a unique masterpiece

      Wow, what an experience my wife and I had tonight seeing "Solaris", based on a novel by one of my favorite science fiction writers, Stanislaw Lem. As we knew from reviews we had seen, it is a very long film at 165 minutes with many drawn-out but compelling scenes. Though it's a classic and has much to recommend it highly, I must admit that the first half I found a bit difficult to sit through - having just had a nice pasta dinner and some chocolate didn't help :-). It is such a complex film that it probably takes at least two or three viewings to feel that one has understood much of it.

      The basic story is that a Russian spaceship in orbit around a planet has been sending back confusing status, and Kris Kelvin (Donatas Banionis) is sent to investigate. He finds out that the crew has been experimenting with sending pulses of radiation into the planet's vast ocean and are in turn manipulated by some sort of innate intelligence on the planet. "Guests" materialize on the ship, crafted from mental elements of the crews' minds.

      The first night there, Kris himself wakes up to find his long-dead love Hari (Natalya Bondarchuk) by his side. The other two crew mates, scientists Dr. Snaut (Jüri Järvet) and Dr. Sartorius (Anatoli Solonitsyn) puncture any misconceptions that Kris may have by clarifying that "she" is not real, and invite Kris to try looking at a blood sample, which clearly is not human ("she" does "bleed" when hurt, but the "blood" can be easily wiped away). The scientists in fact want to experiment on sending an annihilation sacrificial pulse of radiation to the ocean below, and imply, it seems, an interest in using Hari for that purpose.

      The film is unlike anything that I have seen before, and begs many philosophic questions about the nature of reality and existence, the meaning of love, time and timelessness, and much more. The sterile and very unnatural milieu of the spaceship, as well as the melancholic and minimalistic music and sound effects, make one despair for being in nature, and reflect on the early lakeside scenes. The ending (no spoilers here!) leaves room for interpretation and even understanding of just what happened. Hauntingly amazing.
      9OttoVonB

      "Nobody loves poetry like a Russian!"

      This line from Dr Zhivago says all you have to know about Tarkovsky. He was a thinker and a poet. An artist who's work was at once smart, engaging and aesthetically beautiful! Solaris is a world that materialized thoughts and absorbs creatures into its own consciousness. "Solaris" is an allegory on man's place in the universe, the twisted concept of reality, the meaning of love, grief and - ultimately - life. Psychiatrist Kris Kelvin goes to the station orbiting the planet-entity to assess whether the madness of it's occupants means all exploration should be discontinued. What he finds there are all the demons he has brought with him. You the viewer shall experience the same thing, for Solaris is an inviting and questioning but never manipulative film. What you'll get out of it depends on what you bring with you.

      Solaris is often accused of being slow. This is a common misinterpretation: Solaris makes you anxious, and willingly so. Too many segments are like mirrors that invite your mind to venture off into many uncomfortable a place (the traffic scene comes to mind: an allegory for the space voyage but also for fading life and powerlessness). Solaris also makes you fear, with a sense that something isn't quite right and as with the best horror films, what you dread often isn't even on screen. Solaris makes you heart ache on several occasions as well. It makes you miss loved ones and it makes you feel homesick. every additional minute that separates you from the gorgeous opening shots of nature makes you long for Earth.

      Solaris is many things but above all it is simply more than entertainment: it is a voyage for the senses, like a favorite song that binds countless disconnected feelings and thoughts. It is a poem.

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      Trama

      Modifica

      Lo sapevi?

      Modifica
      • Quiz
        This was the most widely seen of Andrei Tarkovsky's films outside of the Soviet Union. However, Tarkovsky himself reportedly considered it the least favorite of the films he directed. Not being a fan of the science fiction genre (which he criticized for its "comic book trappings and vulgar commercialism"), he was nevertheless persuaded to propose this adaptation of the eponymous and popular sci-fi novel 'Solaris' to appease the Soviet censors. However, he considered the film an artistic failure because of its need for technological dialogue and special effects, which prevented it from transcending its genre; something he believed his movie Stalker (1979) did better.
      • Blooper
        At the moment when the station attains zero gravity, the candlestick passes floating in the air, with the flames burning the same as in earth. Actually, with zero gravity, the fire doesn't go upward, candle flames would rather be spherical and very weak (blue).
      • Citazioni

        Dr. Snaut: Science? Nonsense! In this situation mediocrity and genius are equally useless! I must tell you that we really have no desire to conquer any cosmos. We want to extend the Earth up to its borders. We don't know what to do with other worlds. We don't need other worlds. We need a mirror. We struggle to make contact, but we'll never achieve it. We are in a ridiculous predicament of man pursuing a goal that he fears and that he really does not need. Man needs man!

      • Versioni alternative
        The Region-4 DVD was released by Shock as part of its Distinction Series and runs at 2 hours and 49 minutes, with some noticeable cut scenes throughout the films. This 2-disc set doesn't contain any deleted/alternate scenes.
      • Connessioni
        Edited into Spisok korabley (2008)
      • Colonne sonore
        The Little Organ Book: Ich Ruf Zu Dir, Herr Jesu Christ - BWV 639
        Composed by Johann Sebastian Bach (as I. S. Bakh)

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      Domande frequenti26

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      • Who is the midget in Sartorius' room?
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      • Who composed the main theme of this film, and what is the name of the piece?

      Dettagli

      Modifica
      • Data di uscita
        • 10 maggio 1974 (Italia)
      • Paese di origine
        • Unione Sovietica
      • Sito ufficiale
        • TVP VOD
      • Lingue
        • Russo
        • Tedesco
      • Celebre anche come
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      • Luoghi delle riprese
        • Akasaka, Minato, Giappone(Berton's car scenes)
      • Aziende produttrici
        • Mosfilm
        • Chetvyortoe Tvorcheskoe Obedinenie
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      Botteghino

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      • Budget
        • 1.000.000 RUR (previsto)
      • Lordo Stati Uniti e Canada
        • 22.168 USD
      • Fine settimana di apertura Stati Uniti e Canada
        • 11.537 USD
        • 15 set 2002
      • Lordo in tutto il mondo
        • 230.989 USD
      Vedi le informazioni dettagliate del botteghino su IMDbPro

      Specifiche tecniche

      Modifica
      • Tempo di esecuzione
        • 2h 47min(167 min)
      • Colore
        • Color
        • Black and White
      • Mix di suoni
        • Mono
      • Proporzioni
        • 2.35 : 1

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