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Brilliant film about two men (Oscar nominees Laurence Olivier and Michael Caine) who meet at Olivier's house and go over an elaborate scheme to keep Olivier's fortune when his wife (about to divorce him to be with Caine) leaves him by staging a robbery performed by Caine. The strangeness does not stop there though as the two men each have personal motives and the twists and turns become dizzying as the movie progresses. Laurence Olivier is truly magnificent here, as he almost always was. Michael Caine, only 39 at the time, holds his own and that is far from an easy thing to do in a production like this. Joseph L. Mankiewicz's brilliant direction makes a film that could have been very dull into a stunning cinematic experience that stands tall against other films from the 1970s and all other decades for that matter. 5 stars out of 5.

When Britain does it right....no one can come close to it! This was just such a movie. A filmed version of Anthony Shaffer's own wonderful stage play, the brilliance needed to sustain 138 minutes attention between just two people in three or four rooms of a single house - should not be underestimated. Olivier is in his element as the upper crust land-owner who invites Alfie-esque hairdresser Caine to his mansion, simply to acknowledge his wife's infidelity with him and to inform Caine that he is messing with the wrong guy.

The dialog driven plot is probably beyond the grasp of most younger viewers, but is a veritable revelation for those seeking to be entertained on a grand scale. As important a player as anyone else, the house itself and its many wondrous artifacts are simply stunning. How the tables are turned and the roles reversed? Without doubt, one of the greatest films ever made.

As for Alex Cawthorne's stunning performance as Inspector Doppler, what can I say? Its almost as is he wasn't there!

My parents saw "Sleuth" on Broadway, during its original run, just a year or so before this film was released. Watching the movie I can see how it would make a good play, but by the same token, it is not a translation that feels slow, or wordy, or unsuited to the screen. The adaptation is excellent, without "opening up" the play too much. If you're a fan of mysteries, you'll be intrigued by the performances and the script. Joseph Mankiewicz's direction isn't terribly flashy, but subtle and well-done.

Laurence Olivier stars as Andrew Wyke, a famous mystery novel writer. Milo Tindle (Michael Cane), comes to visit him one weekend; asking for Andrew's wife's hand in marriage. But things aren't as simple as they first appear. Andrew wants something in return from Milo. And then again, maybe he doesn't.

The film unfolds slowly and patiently; you almost feel like the film's sentient and realizes how juicy its secrets are, holding on to them for as long as possible. There are numerous twists and surprises in the film; and even if you see one or two coming (as I did), don't expect to get it all right until it's over. It's best not to know at all what is going to happen, so I'll leave you with no more clues.

I enjoyed nearly every moment after the initial meeting between Milo and Andrew. Once Cane and Olivier really get going in their scenes, the film never looks back. They are exceptional in their performances, and deservedly earned nominations for Best Actor Oscars.

So who wins? Does anyone win? Is it a game with a winner at all? Oh just go rent it already!

A very entertaining "thriller" about a wealthy mystery novelist named Andrew Wyke (Olivier), who invites Milo Tindle (Caine) - working-class owner of a chain of hair salons - to his sixteenth-century mansion to discuss Milo's affair with Wyke's wife. Instead of being angry, he seems to be delighted and proposes an ingenious robbery scheme that will benefit both men. Soon, the two men find themselves locked in an ingenious and devious duel, but who gets the last laugh on whom?

With the right ingredients film-making can seem so easy. The cast consists of just two actors, Laurence Olivier and Michael Caine, but with these heavyweights, it's hard to go wrong. Playwright Anthony Shaffer (FRENZY, THE WICKER MAN) wrote a brilliantly ingenious script with crackling dialog, and veteran director Joseph L. Mankiewicz (A LETTER TO THREE WIVES, ALL ABOUT EVE), who knows all the cinematic tricks and has an uncanny aye for detail, manages to avoid this "play" from becoming static in any way. It was to be his last film, and what a grand way to say goodbye to cinema. A real treat from start to finish. Highly recommended!

Camera Obscura --- 10/10

Sleuth is based on an outstanding stage play by Anthony Shaffer. Sometimes, a work which succeeded on the stage doesn't transfer well to the big screen. Movies like Equus and Dangerous Corner - which were a delight in theatres - lose their power under the close scrutiny of a film camera. Sleuth is not a failure. It retains its stagebound plot, characters and dialogue, but somehow manages to be totally engrossing as well.

Part of the joy is due to Laurence Olivier and Michael Caine. The two giants of Britsh acting don't chew the scenery in an attempt to out-shine each other; they complement each other quite brilliantly and turn in two of the finest screen performances you could ever aspire to see. Olivier plays elderly author Andrew Wyke, an obscenely wealthy, well-educated and devious man. Caine is Milo Tindle, a charming, ever-polite young hairdresser. Milo visits Andrew to ask for his blessing in marrying his estranged wife. Although Andrew seems fairly open to the idea of giving away his wife (after all, they despise each other) he still feels stung by her exit, so he engineers a cruel game to humiliate Milo. But who is playing a trick on who?

The dialogue is terrific, but it needed terrific actors to get the best out of it. Caine and Oloivier do a fine job. Ken Adams' set design turns Olivier's gorgeous palatial house into a dazzling mansion of madness. The tinkly music by John Addison creates a playful yet ever-so-slightly uncomfortable mood. Joseph L. Mankiewicz directs perfectly, getting maximum suspense from his staging of scenes and thoughtful choice of camera angles. The twists are superbly disguised, especially the awesome "shock" climax which will blow you away. See Sleuth - it's one of the best!