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IMDbPro

Rivelazioni di un maniaco sessuale al capo della squadra mobile

  • 1972
  • VM18
  • 1h 41min
VALUTAZIONE IMDb
6,0/10
1287
LA TUA VALUTAZIONE
Rivelazioni di un maniaco sessuale al capo della squadra mobile (1972)
Slasher HorrorThriller psicologicoCrimineDrammaMisteroOrroreThriller

Aggiungi una trama nella tua linguaA serial killer is on the loose. His victims are unfaithful wives and he always leaves compromising photographs at the crime scene.A serial killer is on the loose. His victims are unfaithful wives and he always leaves compromising photographs at the crime scene.A serial killer is on the loose. His victims are unfaithful wives and he always leaves compromising photographs at the crime scene.

  • Regia
    • Roberto Bianchi Montero
  • Sceneggiatura
    • Luigi Angelo
    • Italo Fasan
    • Roberto Bianchi Montero
  • Star
    • Farley Granger
    • Sylva Koscina
    • Silvano Tranquilli
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    1287
    LA TUA VALUTAZIONE
    • Regia
      • Roberto Bianchi Montero
    • Sceneggiatura
      • Luigi Angelo
      • Italo Fasan
      • Roberto Bianchi Montero
    • Star
      • Farley Granger
      • Sylva Koscina
      • Silvano Tranquilli
    • 29Recensioni degli utenti
    • 32Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto82

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    Interpreti principali28

    Modifica
    Farley Granger
    Farley Granger
    • Inspector Capuana
    Sylva Koscina
    Sylva Koscina
    • Barbara Capuana
    Silvano Tranquilli
    Silvano Tranquilli
    • Paolo Santangeli
    Annabella Incontrera
    Annabella Incontrera
    • Franca Santangeli
    Chris Avram
    Chris Avram
    • Professor Casali
    Sandro Pizzochero
    • Roberto
    • (as Sandro Pizzorro)
    Krista Nell
    • Renata
    Angela Covello
    Angela Covello
    • Bettina Santangeli
    Fabrizio Moresco
    Fabrizio Moresco
    • Piero
    Andrea Scotti
    • Gianni
    Irene Pollmer
    • Giannina
    Luciano Rossi
    Luciano Rossi
    • Gastone
    Ivano Staccioli
    • The Liar
    Nino Foti
    Jessica Dublin
    Jessica Dublin
    • Rossella
    Paul Oxon
    • Mauro
    Philippe Hersent
    • The Questor
    Nieves Navarro
    Nieves Navarro
    • Lilly
    • (as Susan Scott)
    • Regia
      • Roberto Bianchi Montero
    • Sceneggiatura
      • Luigi Angelo
      • Italo Fasan
      • Roberto Bianchi Montero
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti29

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    Recensioni in evidenza

    6Bezenby

    So Sweet, So Dead, So Booby

    Someone is the classic giallo uniform (hat, gloves, raincoat, stocking over the face) is murdering the adulterous wives of the upper classes and leaving pictures of their crimes at the scene. Try not to focus on the men in this situation getting off without punishment - just go with the flow.

    A moustachioed Farley Granger is on the case, which quickly becomes a serial killer case when another unfaithful woman is stalked, in slow motion, on a beach, then slashed to death. Farley finds pictures scattered about that crime scene too, although the offending male always has his face scored out. Who could be putting paid to the pampered people of the pompous populace?

    So everyone that's rich is knocking boots with each other, we find out as all the surviving ladies have a naked massage thing going on. Silvano Trinquili is having it off with his neighbour, whose husband is crippled, and when she's murdered, her husband stupidly falls down a flight of stairs and dies, which may be the most pointless random death in a giallo I've watched to date.

    Oh, and there's the obvious red herring. Played of course by Luciano Rossi, this red herring is the guy who prepares the corpses - he loves running his hands over them and speaking to them and tells the policeman that they are at the most beautiful in this state. I think the character's name was Reddo Herringi.

    Although it is packed full of naked women, the plot kind of plods along bumping off people here and there. The ending is a cracker however - one of those out of nowhere endings you get in Italian cinema (see Black Turin for another one I didn't see coming). This is one of those gialli that you'll get to once you've watched the more interesting ones.
    7christopher-underwood

    nasty knifings

    I'm not sure I've ever seen this and had got a blu-ray of Code Red from the US and was pleased that I got it. It is not brilliant but rather good and the dead girls are very naked for their killings. And rather nasty knifings they are, the killer is certainly in the classic style with black coat, big hat and of course black leather gloves. Roberto Bianchi Montero made many different films but I think this was his only giallo and was 65 at the time. Farley Granger is impressive and the girls lovely especially Sylva Koschina and I always love to see Nieves Navarro (Susan Scott). It was an interesting idea that the naughty girls get it and the end is really good as we get to see Farley looking on!
    7acidburn-10

    More creativity could have elevated this to classic Giallo status

    'So Sweet So Dead' is an ultra-sleazy giallo flick directed by Roberto Bianchi Montero with a simple yet effective plot, good pacing, a lot of kills and tons of nudity. All the elements that you would expect from a decent giallo movie. But what holds this back from being a great genre entry is the lack of creativity within several elements of the kills and story, but it's still an enjoyable time.

    The plot follows Inspector Capuana (Farley Granger) who is assigned to investigate the case of a serial killer who is murdering unfaithful wives and leaves compromising photographs of the women with their lovers at the crime scene.

    I have heard good things about this and while I was certainly entertained throughout (mostly), it just feels like its missing that something special that could have really elevated this to classic status. Of the genre. The lead performance by Farley Granger was very uneven which is a shame as he's normally great in classics such as (Rope & Strangers On A Train), but here he just seems embarrassed to be here and feels very much phoned in. Not saying that this was bad or anything in-fact there was a lot to enjoy here such as the decent visuals with some nicely stylish shots, a good amount of tension and an awesome looking killer that will delight any fans of the genre.

    Overall 'So Sweet So Dead' is good enough with a solid mystery, but the movie does lose its way in several areas and could have done with a bit more imagination and a stronger lead male performance.
    7andrabem

    the knife and the flesh

    One of the things I like in the gialli is their mixture of sex and crime - you can have your thrills and watch at the same time beautiful women with scanty or no dress at all being pursued and killed - their eyes bulge in terror, they scream, their beautiful arms try to defend themselves and finally they lie still .... so sweet... so dead! Very politically incorrect, I know! But we can't deny that we all have our darker side - personally, in real life, I don't like violence, but in my imagination many things can happen - I can even fly!

    Other attractive thing in the gialli is their sense of improvisation - as they are made mainly on a low budget, many times, friends and relatives are called to act in minor roles, or to work in the crew. This is why "So sweet, so dead" (Rivelazioni di un....) transmits a feeling of spontaneity. Scenes like a party in a house, friends playing volleyball etc. feel natural. There are also some comic touches added here and there and Luciano Rossi gives us his usual dose of weird humor. Women are getting undressed most of the time, and some, as soon as they undress, get killed. I think you already know the plot: A serial killer is murdering all the unfaithful wives in a well-to-do circle.

    The final scene is somewhat shocking! It seems to condone the killer's feelings, if not his actions. If you take the film seriously, you won't like it. Take the film as it is, with its fast and active camera work, lots of female flesh and thrills, and you can't go wrong.

    Accuse the film of misogynistic or of whatever you want. Explain me just one thing: Why is it that beautiful women from all over the world went to Italy to get barbarically killed in the gialli? Just answer me that. Enjoy!
    lazarillo

    Not good, but somewhat misunderstood, giallo

    The rap on this giallo is that it is especially moralistic and misogynistic; however,I found the first charge to be untrue and the other greatly exaggerated. A crazed killer is murdering unfaithful wives and leaving photographic evidence of their dalliances next to the bodies. This certainly SEEMS pretty moralistic. But the betrayed husbands don't come off any more sympathetically than the wives. Many knew about their wives' infidelities and/or were playing around themselves (one husband of a murder victim is himself having an affair with another murder victim). Moreover, the killer doesn't turn out to be motivated by vengeance. He is killing these women because he can get away with it, because their high society husbands will thwart the investigation of the beleaguered inspector(Farley Granger) at every turn lest they themselves be publicly exposed as cuckolds! This kind of deep cynicism is typical of later period gialli and Italian poliziani films, but there's nothing especially moralistic about it. Viewed in this way, even the final actions of the detective, which are certainly appalling and take away the only remaining likable and sympathetic character in the movie, are clearly more a final act of despairing cynicism than of righteous anger.

    As for the misogyny charge, the raison d'etre of this movie seems to be to show a lot of attractive European actresses (Silva Koscina, Femi Benussi, Annabella Incontrerra, Nieves Navarro, Krista Nell) in various states of undress, and the filmmakers don't seem to care too much whether these women are alive, dead, or dying at the time. The movie lacks the flair, the garish delerium, and the stylized violence of better gialli, but it's not really all that different in it's attitude toward women--they're a decorative canvas for a painting of depravity and brutality. But just because the painting isn't very good doesn't make this film any more or less morally reprehensible than other gialli. In fact, the only really sympathetic character in the whole movie is the college-age daughter (Angela Covello) of one of the murder victims, who hilariously admonishes her boyfriend's "bourgeois politics" while he fumbles with the buttons on her blouse. The incompetent filmmakers, however, inexplicably drop this potential heroine halfway through. An appealing female protagonist would have done a lot to mitigate the lingering misogyny, but here this movie once again suffers from its own incompetence.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      A re-edited version released in the U.S. was called "Penetration", and featured hardcore porno footage with adult-film stars Harry Reems and Tina Russell. It was advertised as a porno featuring actor Farley Granger, who was in the original film but had nothing to do with the re-edited version. Granger threatened the distributors with a major lawsuit for the unauthorized use of his name in the new version, and they subsequently withdrew the film from US distribution, but not from Europe.
    • Blooper
      How the killer managed to get all the photos of the clandestine rendezvouses of all of his many victims is never explained.
    • Citazioni

      Inspector Capuana: Homosexual?

    • Versioni alternative
      The Slasher was edited into Penetration in 1976 and Farley Granger's role was changed into a porno movie watcher.
    • Connessioni
      References La coda dello scorpione (1971)

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    Dettagli

    Modifica
    • Data di uscita
      • 11 agosto 1972 (Italia)
    • Paese di origine
      • Italia
    • Lingua
      • Italiano
    • Celebre anche come
      • La morte viene dal buio
    • Luoghi delle riprese
      • Italia
    • Azienda produttrice
      • Produzioni Cinematografiche Romane (P.C.R.)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 41min(101 min)
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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