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Bambole e sangue

Titolo originale: Private Parts
  • 1972
  • R
  • 1h 27min
VALUTAZIONE IMDb
6,4/10
1997
LA TUA VALUTAZIONE
Bambole e sangue (1972)
Official Trailer
Riproduci trailer2: 43
1 video
22 foto
ComedyHorrorMysteryThriller

Aggiungi una trama nella tua linguaYoung Cheryl moves into her estranged aunt Martha's rundown King Edward Hotel. One of its offbeat residents, disturbed photographer George, takes special interest in her. Cheryl begins suspe... Leggi tuttoYoung Cheryl moves into her estranged aunt Martha's rundown King Edward Hotel. One of its offbeat residents, disturbed photographer George, takes special interest in her. Cheryl begins suspecting that a resident was murdered.Young Cheryl moves into her estranged aunt Martha's rundown King Edward Hotel. One of its offbeat residents, disturbed photographer George, takes special interest in her. Cheryl begins suspecting that a resident was murdered.

  • Regia
    • Paul Bartel
  • Sceneggiatura
    • Philip Kearney
    • Les Rendelstein
    • Paul Bartel
  • Star
    • Ayn Ruymen
    • Lucille Benson
    • John Ventantonio
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    1997
    LA TUA VALUTAZIONE
    • Regia
      • Paul Bartel
    • Sceneggiatura
      • Philip Kearney
      • Les Rendelstein
      • Paul Bartel
    • Star
      • Ayn Ruymen
      • Lucille Benson
      • John Ventantonio
    • 43Recensioni degli utenti
    • 30Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Private Parts
    Trailer 2:43
    Private Parts

    Foto22

    Visualizza poster
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    + 16
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    Interpreti principali14

    Modifica
    Ayn Ruymen
    Ayn Ruymen
    • Cheryl Stratton
    Lucille Benson
    Lucille Benson
    • Aunt Martha Atwood
    John Ventantonio
    John Ventantonio
    • George Atwood
    Laurie Main
    Laurie Main
    • Reverend Moon
    Stanley Livingston
    Stanley Livingston
    • Jeff
    Charles Woolf
    • Jeff's Dad
    Ann Gibbs
    Ann Gibbs
    • Judy Adams
    Len Travis
    • Mike
    Dorothy Neumann
    Dorothy Neumann
    • Mrs. Quigley
    Gene Simms
    • First Policeman
    John Lupton
    John Lupton
    • Second Policeman
    Patrick Strong
    • Artie
    Paul Bartel
    Paul Bartel
    • Man in Park
    • (non citato nei titoli originali)
    John Dennis
    John Dennis
    • Man talking to George in park
    • (non citato nei titoli originali)
    • Regia
      • Paul Bartel
    • Sceneggiatura
      • Philip Kearney
      • Les Rendelstein
      • Paul Bartel
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti43

    6,41.9K
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    Recensioni in evidenza

    runamokprods

    My favorite Paul Bartel film

    Both an unsettling horror film, and a very dark comedy, this is my favorite Paul Bartel film.

    Avoiding the sometimes too overt self-congratulatory humor of "Eating Raoul", this story of a "nice" young girl who comes to stay at her aunt"s creepy hotel, only to be surrounded by all sorts of disturbingly depraved types frequently leaves you both laughing and cringing (in a good way) at the same time.

    Only the less than stellar (in fact sometimes near porn film level) acting keeps this from being a classic of disquieting, semi-surreal cinema.

    But there are scenes and images that stick with me, and Bartel creates a lot of atmosphere with his use of music, compositions, and light.
    lazarillo

    NOT the Howard Stern movie--this is actually pretty good

    This movie begins with the protagonist, a teenage girl (Ayn Ruymen) being kicked out by her roommate after she spies on said roommate and her boyfriend having sex (this is perhaps a little strange since the protagonist is quite the babe while her roommate is kind of a beast even by non-Hollywood standards). Fortunately, she has an aunt nearby who operates one of those old fashion LA hotels and who gives her a room and job. Naturally, the hotel is chock-full of weirdos, and one of the weirdest is a reclusive, voyeuristic photographer with whom the aunt seems to have some strange relationship. Things start to turn around for the girl. She meets a nice guy, and also becomes romantically involved with the strange but handsome photographer. Unfortunately, though several bloody murders occur in the hotel and her former roommate, who comes looking for her, meets a sticky fate. And someone seems to be stalking the protagonist herself.

    Many times in the past I've heard some loutish guy say of a pretty girl that he'd like to "drink her bathwater". Well, the stalker here does a lot more than that (I couldn't really spoil it if I wanted to, but it also involves a blow-up doll and blood-filled syringe). This is Paul Bartel's first film. It was made before "Death Race 2000" or "Eating Rauol", but it holds it's own pretty well against those. It has a great creepy locale (I'd love to stay in one of these old LA hotels if there were still any around that haven't been turned into vastly overpriced B and B for tourists), and it has an effective horror/black comic atmosphere. The mystery here isn't all that surprising, but it sure is deliciously weird. Ayn Ruymen and the women who plays her aunt are both pretty good. Ruymen was very cute, and while I personally am much too cultured and refined to make crude comments about drinking her bathwater, I sure did enjoy seeing her in it.

    Also don't confuse this with the later Howard Stern movie of the same name. This is less famous, but actually a lot better.
    BaronBl00d

    "Call Me Aunt Martha..Everybody Does"

    A teenaged girl out to discover womanhood early takes refuge from home and friends in her aunt's dilapidated, poverty row hotel. The hotel houses a bizarre assortment of characters including a photographer wearing nothing but black leather and never saying much, a drunk who leaves bottles out in the hallway, a reverend who has tons of homo-erotic art and photographs pasted on his walls, a handicapped woman constantly crying for her Alice to return, and, of course, Aunt Martha, the proprietor. Aunt Martha is a heavy-set woman who preaches about the way things used to be and how her hotel is a place for respectable people not tramps and the like. Lucille Benson plays Martha and does an incredible job with what is really a difficult role. Martha is a complex character of old-fashioned values being fused with strong sexual repression. She is in many ways a man trapped in a woman's body. Think about that when you finish the film. Benson has a grand presence on screen and such a distinctive voice. The rest of the acting is generally good as well. Stanley Livingston(Chip from My Three Sons) has a small role. Director Paul Bartel does a fine job capturing the perverse nature of the inhabitants of the hotel. Each seems to have some seedy perversion. The hotel sets the mood perfectly as it is grand in stature and just as filthy in reality. Bartel uses genuine horror and some really dark humour together. In one scene a boy's head is lopped off quickly. A rat is pushed down a garbage disposal. Bartel also uses some nifty lines like when an elderly woman cries for her Alice, someone says, "Alice doesn't live here anymore." A weird, quirky film whose atmosphere, direction, and a real creepy performance by Lucille Benson carry it beyond the ordinary and into the area of cult classic.
    7PredragReviews

    Artsy and Bizarre!

    "Private Parts" tells the story of the runaway teen Cheryl Stratton (Ayn Ruymen) and her stay in her aunt's shady San Francisco hotel. Cheryl's story is not one of those pleasant coming of age films knee deep in moral values or road movies that enlightens the viewer about the importance of the journey. No, director Paul Bartel, in his first feature, has something completely different in mind, as he presents an extraordinarily bizarre tale of voyeurism, sexuality, and passionate murder. The voyeuristically loaded opening credits apply camera flashes and exposed body parts, which cue the audience in the direction of the story's sexual nature. The subsequent scene presents the sexual nature of the film in a much more tangible manner, as Cheryl sneaks a look at her friend and her boyfriend. However, Cheryl finds herself caught peeping. It places her in an awkward situation, which she avoids by leaving after she has stolen her friend's money. Here "Private Parts" pays homage to "Psycho (1960)" with similarities such as having a girl with stolen money seeking room and board at a hotel. Additional parallels to "Psycho" emerge as the film unfolds; for example, there is an intriguing bathroom scene.

    This was a very odd movie, and I really enjoyed it. The story may not be all that unique, but it's told with flair, originality, and a dark, comic undertone that kept me interested throughout (the seediness and squalor of the characters quickly overshadows that of the hotel and its surroundings). The really interesting aspect for me was how, as the movie started, it just seemed a series of loosely connected events and strange details not really leading anywhere, but later on I began to realize this wasn't the case, as there was a sly subtly in the hinting of the material in terms of the various relationships and past occurrences with the hotel and its residents. Bartel made a number of films, some of them not so great, but when he's working with material that suits him, as is the case here, wonderfully tacky things ensue.

    Overall rating: 7 out of 10.
    EyeAskance

    Bewildering, ingenious sexual madness

    A runaway bad-girl touches ground at an urban hellhole...a residence hotel owned and operated by her kindly, but captious and set-in-her-ways Aunt Martha. The tenants of the hotel are a curious bunch, among them a senile old bat, a gay transvestite priest, and a handsome, mysterious photographer with a secret that's darker than pitch. An unidentified psychotic killer is active among them, as well...before long, Aunt Martha's hotel has several unexpected vacancies.

    A steady momentum of shocks and a vague, peculiar climax help to make PRIVATE PARTS something rather special. Splendidly perverse creative gusto which could only have escaped from the bizarre mind of the sorely missed Paul Bartel...this is a very unusual picture, infused with brooding atmosphere and deftly appointed in every aspect of its poverty-line production.

    8/10

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Cheryl (Ayn Ruymen) yells "Alice doesn't live here anymore!," two years before, when the completely unrelated movie Alice non abita più qui (1974) was released.
    • Blooper
      Immediately after Whitey the rat dies, its dead body is totally stiff. It would take a few hours for rigor mortis to set in for a rat, not immediately as is shown.
    • Citazioni

      Cheryl Stratton: Alice doesn't live here anymore!

    • Connessioni
      Featured in Celluloid Bloodbath: More Prevues from Hell (2012)

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    Dettagli

    Modifica
    • Data di uscita
      • settembre 1972 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Private Parts
    • Luoghi delle riprese
      • King Edward Hotel - 121 E. 5th St, Los Angeles, California, Stati Uniti(hotel)
    • Aziende produttrici
      • Metro-Goldwyn-Mayer (MGM)
      • Penelope Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 27 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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