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8,6/10
11.077
LA TUA VALUTAZIONE
Una registrazione delle esibizioni della band nel 1973 in un antico anfiteatro romano. Brani come Echoes, Careful With That Axe Eugene e altri, con interviste alla band.Una registrazione delle esibizioni della band nel 1973 in un antico anfiteatro romano. Brani come Echoes, Careful With That Axe Eugene e altri, con interviste alla band.Una registrazione delle esibizioni della band nel 1973 in un antico anfiteatro romano. Brani come Echoes, Careful With That Axe Eugene e altri, con interviste alla band.
David Gilmour
- Self (guitar, vocals)
- (as Pink Floyd)
Roger Waters
- Self (bass, vocals, percussion)
- (as Pink Floyd)
Richard Wright
- Self (keyboards, vocals)
- (as Pink Floyd)
Nick Mason
- Self (drums)
- (as Pink Floyd)
Pink Floyd
- Themselves
- (non citato nei titoli originali)
Recensioni in evidenza
I absolutely love the Pink Floyd, but have been let down by Floyd-related things in the past, so I was quite wary of this movie. It managed to win me over, however, and now it's one of my favourites.
It was absolutely hysterical to see Mason go absolutely wild and smash his drums so hard that one of his sticks was flung off into the distance. It was amazing, how fast he managed to recover with a spare. Makes you wonder if he has some sort of quick release drum stick gadget hidden somewhere in his pants.
All in all, a fantastic piece. I highly recommend it!
It was absolutely hysterical to see Mason go absolutely wild and smash his drums so hard that one of his sticks was flung off into the distance. It was amazing, how fast he managed to recover with a spare. Makes you wonder if he has some sort of quick release drum stick gadget hidden somewhere in his pants.
All in all, a fantastic piece. I highly recommend it!
It really should be no surprise that Pink Floyd of all bands could put together such a fantastic live performance. PULSE is one of the best live sets I have ever seen, but for the longest time Live at Pompeii eluded my attention. The first twelve minutes and the last twelve minutes of the movie are devoted to the best version of "Echoes" that I have ever heard. Other songs included in the set are "One of These Days", "A Saucerful of Secrets", and "Set the Controls for the Heart of the Sun". Depending on which version you watch, you will also get a glimpse of the band working in the studio on tracks for Dark Side of the Moon.
The cinematography of the movie has already been complimented upon by numerous reviewers, but it is definitely worth complimenting again, because it is so good. The actual interviews with band members vary in quality. Most interviews with Roger Waters involve him just messing with the interviewer. Mason and Gilmour are alright, but the best interview of the film is probably with the most under-appreciated member of the band, keyboardist Richard Wright. I watched this movie under the impression that is was only live set, and instead became an interesting mixture of live performances of music video quality intertwined with interviews and just filming the band hanging out in the studio. It almost seems like a documentary, and it works refreshingly well.
If I had to give the highlights of the performances, I would say that "Echoes" is a very obvious choice and is by far the highlight of the set. A not so obvious second in my opinion is "Careful With That Axe Eugene". This song manages to be so menacing yet subtle that I just can't help but like it. In both cases I find these performances superior to the studio recordings. The main detractor of this film is that "Echoes" is broken up into two parts. With a song so psychedelic and epic, it is such a shame it was cut in half. If the movie ended with the song in its entirety, it would have been almost perfect.
The cinematography of the movie has already been complimented upon by numerous reviewers, but it is definitely worth complimenting again, because it is so good. The actual interviews with band members vary in quality. Most interviews with Roger Waters involve him just messing with the interviewer. Mason and Gilmour are alright, but the best interview of the film is probably with the most under-appreciated member of the band, keyboardist Richard Wright. I watched this movie under the impression that is was only live set, and instead became an interesting mixture of live performances of music video quality intertwined with interviews and just filming the band hanging out in the studio. It almost seems like a documentary, and it works refreshingly well.
If I had to give the highlights of the performances, I would say that "Echoes" is a very obvious choice and is by far the highlight of the set. A not so obvious second in my opinion is "Careful With That Axe Eugene". This song manages to be so menacing yet subtle that I just can't help but like it. In both cases I find these performances superior to the studio recordings. The main detractor of this film is that "Echoes" is broken up into two parts. With a song so psychedelic and epic, it is such a shame it was cut in half. If the movie ended with the song in its entirety, it would have been almost perfect.
10genesisj
Unfortunately this is the only film of them for future generations to see, but fortunately it is good enough to do them justice. This was filmed without an audience which is fitting as their "audience" didn't discover them until Dark Side of the Moon. The songs they perform are an excellent window into their genius. Sadly even today you won't hear these songs on classic rock stations because they are too long & you can't dance to them. My son was a post DSotM fan, but when he heard their earlier works he found a whole new band. The songs in this film will stand the test of time, I am sure. If they had made more performance films I would be in heaven. I will only have the memories of seeing them live.
10jenrpeep
This film is nothing short of "must see" documentary history. I'll never be able to fully express how moving it is to see the young men of Pink Floyd during uninhibited moments of creativity, eating and chatting together, rehearsing, having philosophical discussions about the fate of rock-n-roll music and the shaking off of their drug-oriented image, and even arguing now and then.
Beyond how intriguing the band and it's members are, the film itself is so well directed and beautifully shot. The sound is excellent. Incredibly artistic film montages add to, rather than detract from the music. I have never seen a better portrayal of live music. The sheer musicianship of these men is mind boggling. Each is highlighted at different points in the film and it is clear that they have immense skill and talent.
Pink Floyd was so ahead of its time and will never seem out of style. And this film, although shot in 1972, is as fresh as a daisy. There are some incomparable moments, making this truly the best rock documentary I have ever seen. David Gilmour looks very handsome, by the way, and will always be my favorite guitar god. **swoon**
Beyond how intriguing the band and it's members are, the film itself is so well directed and beautifully shot. The sound is excellent. Incredibly artistic film montages add to, rather than detract from the music. I have never seen a better portrayal of live music. The sheer musicianship of these men is mind boggling. Each is highlighted at different points in the film and it is clear that they have immense skill and talent.
Pink Floyd was so ahead of its time and will never seem out of style. And this film, although shot in 1972, is as fresh as a daisy. There are some incomparable moments, making this truly the best rock documentary I have ever seen. David Gilmour looks very handsome, by the way, and will always be my favorite guitar god. **swoon**
I just bought this movie today ay Best Buy, having rented it about five years ago. I am just astounded at the quality of the cinematography. If this this was just a movie it should have won an Academy Award for cinematography. But it is a documentary about one of the greatest bands of all time. Pink Floyd are the Beatles of the 1970's. This movie shows Pink Floyd at their best and happiest, in the early 70's. There is alos footage of the recording of the best album since Sergeant Pepper's Lonely Hearts Club Band, Dark Side of the Moon. This band is so meticulous, and so conscious of what they put out. Their talent is so enormous, I would recommend this video to anyone. The musician-ship is so good by all members of the band, David Gilmour, Roger Waters, Nick Mason and Richard Wright. It is so great to see them perform live and to be so young and talented. I was impressed especially by Richard Wright and Nick Mason. They are so good in this movie. So are Roger Waters and David Gilmour. David Gilmour's guitar playing moves me to tears. He is so good. Roger Waters songwriting is just so excellent. I wish that all four would get back together again and tour. Thank you Pink Floyd.
Lo sapevi?
- QuizOnly the songs "Echoes pt. 1 and 2", "A Saucerful of Secrets" and "One of These Days" were actually filmed in Pompeii. The songs "Careful With That Axe Eugene", "Set the Controls For the Heart of the Sun", and "Mademoiselle Nobs" were actually filmed in a studio in Paris, where extra shooting took place for the blue-screen shots in the Pompeii performances. This explains the extra lighting rig and disappearance of Richard Wright's beard in the Paris-shot songs.
- BlooperIn both parts of the song "Echoes", Nick Mason's sunglasses disappear and reappear a couple of times, indicating that the performance in Pompeii was filmed in sections rather than just one take. Or that there were two takes of the song and footage was used from both.
- Citazioni
Roger Waters: I like to think that oysters transcend national barriers.
- Versioni alternativeThe film was re-released in 1974 after the breakthrough success of their 1973 album "The Dark Side of the Moon". Additional interviews and footage of the group working at Abbey Road Studios during the "Dark Sides" sessions were added, along with studio performances of "On The Run", "Us And Them" and "Brian Damage". This version ran for 80 minutes.
- ConnessioniFeatured in The Abbey Road Story (1998)
- Colonne sonoreEchoes Part 1
Written by Roger Waters (uncredited), Richard Wright (uncredited), Nick Mason (uncredited) and David Gilmour (uncredited)
Performed by Pink Floyd
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.620.076 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.620.076 USD
- 27 apr 2025
- Lordo in tutto il mondo
- 6.497.252 USD
- Tempo di esecuzione
- 1h 32min(92 min)
- Colore
- Mix di suoni
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