The Pig Keeper's Daughter

Youngsters fumbling and frolicking in a farmyard setting with natural light and an OK element of humour give this movie a great start BUT the trading sex for perfume scene with the exceptionally plain and ugly breasted pig keeper's wife almost drops this one right in the sh**. That it recovers is due to a return to outside shooting and fun and games with the daughter culminating in a fine outdoor bath scene and splendid end. These Novak produced films of the seventies seem to have been shot with full penetrative sex and then angled and edited to reduce impact to acceptable levels. Certainly the couples seem keen enough and odd glimpses indicate reasonable levels of excitement!

One of my fellow reviewers around here concluded his user-comment by stating "You can find something better to do with this part of your life". Well, no argument there, you can indeed … But then of course, you'd miss out on one of the most joyful, undemanding and shamelessly entertaining American sex-comedies of the 70's. "The Pigkeeper's Daughter" offers a series of silly sex clips connected through an ultra-thin storyline. High up in hillbilly country, the voluptuous wife of pig keeper Swiner worries about the future of their daughter Moonbeam. The girl's already 19 years old and, God forbid, she hasn't found a husband yet! Local boys, like 'stud'' Jasper, frequently pass by to take advantage of willing Moonbeam's luscious body, but they clearly don't have the intention to marry her. Parallel with the steamy adventures on the pig farm, we follow the journey of a traveling salesman. He sings a song about how easy it is to rip off country folks, but it is in fact he who constantly gets fooled. He loses all his money and dignity to a 15-year-old hitchhiker, the pig keeper's wife and eventually Moonbeam herself. "The Pig Keeper's Daughter" is fairly reminiscent to a Russ Meyer movie, but with even less of a plot. All the female cast members have at least a DD-cup size and they're rather open-minded (that is quite an understatement) about their sexualities. The men, on the other hand, are filthier than the pigs wandering around the farm and merely just looking for someone to feast their lusts on. All ladies go full frontal, naturally, but also get prepared to see a lot of hairy and unappealing naked male flesh. Hey, just be glad that the pig keeper, Mr. Swines, keeps his beer-stained shirt and trousers on at all times. The yokel dialogs and accents are extremely amusing, some of the gags are incredibly tasteless and misfit (for example, the salesman encountering a tied up guy) and therefore all the more hilarious and the women's casting clearly just happened based on their chest measurements. What's there to complain about?

The Pig Keeper's Daughter (1972) is a wild ride back to the golden age of 70s sex comedies. This film is unapologetic, shameless, and undeniably entertaining. With a thin storyline connecting a series of raunchy encounters, it's a wonder how this film ever made it past the barnyard!

Director Bethel Buckalew delivers a treat for fans of soft-core pornography and comedy alike. The film follows Moonbeam, the pig keeper's daughter, who loves sex and gets herself into all sorts of trouble because of it. Along with her cousin, who she convinces to lose her virginity, they embark on a series of voluptuous and erotic adventures that will keep you both laughing and blushing.

While the plot is virtually non-existent, the extended softcore segments are sure to please those looking for a bit of fun. With some impressive cinematography, including wide-angle shots and great close-ups, this film offers a unique and intriguing take on the sex comedy. However, be prepared for some less-than-glamorous moments, including a brief shot of Jasper's feces-covered posterior-a true test of any viewer's dedication to the craft.

The Pig Keeper's Daughter is a cheesy, erotic, and humorous adventure that, despite its lack of a compelling narrative, will keep you entertained. It's a film that, although not a masterpiece, certainly delivers on its promise of a good time.

So, if you're looking for a laugh, some raunchy fun, and an insight into the golden age of sex comedies, then this film is worth a watch. Just be prepared for a whole lot of oink oink!

This movie follows the basic porn movie formula of just using plot to get to the next sex scene. In this case, this is one of Novak's several "Hee Haw" influenced country sex romps.

This was just before hardcore porn was seen in movie theatres so there were definate limits as to what would be shown. No erections, certainly no visible penetration, no visible oral sex, no open crotch shots. But barring all that, this film shows just about everything else, really pushing the line of softcore. Everything is simulated but I think this would be a movie that cable companies would balk at showing.

I am very much attracted to movies like this, they turn me on to see them. In thinking about why, I have decided that part of it is the lure of the forbidden, knowing the conditions these movies were originally shown in. They were considered to be "dirty movies" and there were stigmas attached to admitting you watched films like this. Another reason is the natural bodies, the less-than-perfect looks of the women. These are women you are far more likely to meet on a daily basis than siliconed porn stars. That certainly helps the fantasy along. Part of it too is the ineptness and general sleaziness of productions like this. They were made for the quick buck with no concern for anything beside an hour and a half of stimulation of the male sexual center in the brain. It is unapologetic in it's purpose. Yes, the acting is horrible, but once they remove their tops you know exactly why they were hired and all is forgiven until they have to speak again. It's like the girl from the neighbourhood who "puts out", you tolerate her personality and quirks because you know at the end of the evening that odds are you will get lucky.

Terry Gibson as daughter Moonbeam is adequate to her role, requiring her to mainly lay around near a pig sty and be a recepticle for the men who come by. Her breasts are wonders. Peggy Church as Patty plays the virgin who eventually gives it up to Jasper as long as he promises to just "tap it around her maidenhood". She has very unusual conical shaped breasts that are interesting to look at. It all plays like a locker rroom joke brought to life and is just as absurd. Gina Palucci plays Mrs. Molly Swiner, Moonbeam's mother and she is plain to look at and seems to think that lolling your tongue around your mouth almost constantly is the height of sexiness, but her body more than makes up for anything else.

Yes, it's a guilty pleasure recommendation. You know what you are getting into here if you decide to see this.

What is an adolescent girl that lives on a pig farm to do? Why have some sort of sexual liason with every man she encounters of course! She is not the only one busy with liasons - there are the girl that lives on the farm nearby, some annoying salesman that wants to mount anything he comes across(including a man tied and mugged), a fifteen year-old(looking like twenty-five year-old) hitchhiker, and, of course, the wife of the pigkeeper and mother of Moonbeam, the voluptuous pigkeeper's daughter. This film is really nothing more than a string of sex scenes strung together with little purpose, rhyme, or reason. The plot is so threadbare that it comes apart to nothing shortly into the film, only to be tried and saved in the last minute of the film. If you are looking for comedy, forget it as nothing is very funny. The opening number is intriguing but the music played throughout each "liason" is exactly the same and begins to get on your nerves quickly. The women are fine figures of pulchritude, bursting out of what garments they do wear(only to shed them very quickly). None of them, however, is a beautiful woman with a beautiful face, but rather a plain woman with a beautiful bust. It's not all bad. The scenes, however, are not particularly erotic and I found myself fast-forwarding through much of the film. In truth, the film is nothing more than pornographic slop dressed up in Southern, hillbilly setting.