Passi di danza su una lama di rasoio

A photographer named Kitty (Nieves Navarro) observes a brutal murder through a telescope. When she goes to the police, they're dismissive of her claim. Soon, a black-gloved maniac begins stalking and slashing those who may have witnessed his grisly deed.

TORMENTOR (aka: DEATH CARRIES A CANE) is a fairly typical giallo with the expected madman, murders, red herrings, and copious nudity. However, it's quite enjoyable, and they did attempt to add a novel aspect to the killer's persona, as evidenced by the title...

The seemingly ill-fated Susan Scott (Nieves Navarro), once again, is the sole witness to a gruesome, shadow-slaked slaying, and the prototypically black-hatted hate monger's motivations prove more oblique than usual! I have always found the vivacious Susan Scott to be one of the most sympathetic protagonists, and, quite frequently, hoped that the said black-gloved lunatic would just leave her be! This crepuscular, enjoyably grungy Giallo features juicy jugular jackanapes, a great number of pleasingly familiar Gialli faces, with handsome Robert Hoffman's innate ambivalence being put to handsome use! Death Carries a Cane is considerably livelier than its moniker may suggest, while the formula text lacks the invention of Gastaldi, this gritty Italian/Spanish co-production is a sexified, murky, mean-spirited mayhem machine! Highlights include the moody score, slinky Susan Scott's crackerjack Scream Queening, and the satisfyingly meaty throat gorings!!!!!

"Death Carries a Cane" does a pretty good job in misleading and misdirecting you. So you never know who the killer is until the ending. But the motive given for the killer doesn't make any sense. With much more effort that could have made this movie into a classic. Also some scenes did not make sense at all. Like there were scenes cut out that have to give a logical explanation for what they are doing in the scene. This giallo might be a tad sleazy for some but in a healthy way. Because the women in this move are pretty attractive. Especially Nieves Navarro (or Susan Scott). There is something about this woman that screams sophistication. All the more hilarious later on when she is being made fun of towards the end. Overall not the most impressive giallo still a good one for a rainy Sunday.

One of the better Italian slasher flicks of it's time.

Interesting use of color and editing. The story is rather typical but it moves about quickly enough. If you enjoy the earlier Argento flicks, Bava or even Fulci's "Don't torture a ducking" you should enjoy this.

While waiting for the arrival of her boyfriend at an observation point, Kitty (Susan Scott) a keen photographer peers through a tourist telescope and manages to catch sight of the brutal murder of a woman through the window of a nearby house. She is unable to get a good view of the killer's face though and when her boyfriend Alberto Morosini(Robert Hoffman) arrives out of breath and limping, she tells Alberto of her ordeal. Alberto drives her to the police, who tell her they have no news of any killings locally. In the following days even the newspapers have no account of any murder, the police don't seem to have interest until they finally discover the body of the victim and then when some of the witnesses who seen the killer flee, are brutally slain, the police devoid of any leads and led by Inspector Merughi call in the limping Alberto as they believe the killer is a cripple with a cane, Alberto's name is released to the press and soon even Kitty begins to suspect Alberto.

It has to be said that Death Carries a Cane is low on thrills, but it does contain some violent murders and a nice gimmick for the killer, in that he uses his cane to hold down his victim before slashing their throats with a razor blade and in grand Giallo tradition the killer is replete with Black Hat/Gloves/Coat, the killers motive however is not revealed until the finale and we the viewer are not given much of a clue as who his identity and we only ever seen his hand or his frame in silhouette. The film itself lacks any kind of visual style, the colourless film stock is grainy which gives the impression of drabness, the locations for the most part are uninspired. There's also a back story of impotent composer Marco(Simon Andreu)and his ambitious reporter girlfriend and the seeming connection to the murderer of a girls ballet school, but even Giallo regulars Scott, Hoffman and Andreu fail to liven it up and Scott's obligatory nude scene seems like the fulfilment of a contractual obligation and less to do with the plot. Roberto Pregadio's score is generic and fails to liven up even the few moments of suspense, having said that it still held my interest and contained some nice kills but nothing spectacular. For Giallo completists only.