Night of Terror

With your bad low reviews. This movie was not that bad and y'all know it. If you acting like it's a 1 u haven't seen movies like This or scale is outta wack

Could have been better but, then again, it's was a TV movie.

Two young women in present-day Los Angeles are menaced by syndicate hit-men after one of their couriers, a guy on the take, apparently hid a package or a safe-deposit box key in the ladies' apartment. Surprisingly engrossing TV-movie with a taut direction by Jean (Jeannot) Szwarc, solid cinematography by television mainstay Howard Schwartz, and colorful performances by Martin Balsam as a detective, Agnes Moorehead as a physical therapist and Chuck Connors as the head bruiser for the mob. Only Donna Mills disappoints in the central role (she's blandly incredulous throughout, with a whiny voice). Teleplay by Cliff Gould shamelessly apes "Wait Until Dark" in its final stretch, however the plot is satisfyingly worked through. Schwartz's work won him the Emmy, most likely for his handling of an escape sequence by car in an underground parking lot; art director William L. Campbell was also Emmy-nominated.

In NIGHT OF TERROR, Linda Daniel (Donna Mills) and her friend Celeste (Catherine Burns) are giving their usual, children's art class in Linda's apartment. Outside her door, a scuffle draws Linda's attention, causing her to witness a man being brutalized and killed in the hallway for something he supposedly has.

Believing she's been given whatever it is, a group of mob-types, led by Brian Dipaulo (Chuck Connors), begin following and terrorizing Linda and Celeste. These guys mean business! While fleeing from Dipaulo, the women are involved in a tragic automobile accident, resulting in Linda's lengthy hospitalization. With Celeste gone, and Linda's legs out of commission, she fears she'll have to face the relentless, maniacal Dipaulo on her own.

Enter Captain Caleb Sark (Martin Balsam), who agrees to help Linda. Taken to an undisclosed location, Linda and Sark hunker down. Meanwhile, Dipaulo and his fellow thugs close in.

Tense and perfectly-paced, this made-for-TV suspense thriller is a great example of the care put into these 1970's productions. Mills and Balsam are fantastic, as is Connors in his eeevil role.

EXTRA CREDIT FOR: Agnes Moorehead as Linda's strict physical therapist, Bronsky. Highly recommended...

This is a 1972 ABC movie of the week and whilst not startlingly original is fairly diverting. Most interesting for the excellent performance of Eddie Egan as an ex-cop, when, of course, he was the ex-cop that inspired The French Connection, in which he also had a small part. Similarly convincing is the ever menacing Chuck Connors as chief bad man who spends the whole film trying to get at the heroine, played by Donna MIlls. Donna is excellent here in a difficult role, mostly performed in a wheelchair, and yes we do get a sequence of her travelling up one of those sinister little one man internal lifts. She would later perform equally effectively with Clint Eastwood in Play Misty For Me.