Improvvisamente, un uomo nella notte

A prequel to Henry James's ¨The turn of the screw¨ wherein a worker named Peter Quint (Marlon Brando) trysts with the governess Miss Jessel (Stephanie Beacham)of two malicious children named Miles and his younger sister Flora (Harvey and Chris Ellis) who are in her care and located at Bly manor.

Yet another special version of the Henry James classic with drama, tension, sexual games and splendid exteriors. Good performance from Marlon Brando as sadist Irish gardener and Stephanie Beacham as the young, too-impressionable governess and submitted to masochist relations with Quint, whom she thinks is corrupting the innocent kids . Furthermore the watchful and voyeurs children possessed by evil who think which lovers unite in death , they are finely played by Ellis and Harvey. And the housekeeper performed by Thora Hird who believes Peter Quint influence on the young children was thought to be malevolent. The film packs evocative photography in a good restoring by Robert Paynter and sensational musical score by Jerry Fielding. The picture is acceptably directed by Michael Winner. He had important commercial success in the mid-70 with his fetish actor, Charles Bronson , achieving various box-office hits, as ¨Deathwish I and II, furthermore ¨The mechanics¨ and ¨The stone killer¨.

Other adaptations about ¨Henry James' The turn of the screw¨ are the followings : Turn of the Screw (1974) by Dan Curtis with Lynn Redgrave; (1989) by Graeme Clifford with Amy Irving and David Hemmings; (1992) by Rutsy Lemorande with Patsy Kensit, Julian Sands and Stephane Audran; (1999) by Ben Bolt with Jodhi May, Pam Ferris and Colin Firth. And of course the classic and best version ,the incredibly eerie rendition titled ¨The innocents (61)¨ by Jack Clayton with Deborah Kerr, Pamela Franklin and Martin Stephens where the protagonist begins to see the specters of Miss Jessel and Peter Quint .

Another film where Brando attempts an irish accent with comical results - thats about the only horrific thing in this film probably the most overrated actor of all time.

Although the sets and cinematography are scrupulously suggestive of the early 20th century in the United Kingdom and the performances quite good, The Nightcomers never quite gels as a Gothic horror classic. Maybe we see a bit too much of ourselves and don't like to think of the implications of what we're watching.

The children of a wealthy British family are left orphaned by the deaths of their parents in a motor car crash. A cousin who is the closest relation to the father Harry Andrews is at the estate to tidy up affairs, but has no desire to stay there or act as a parent to these two. Never mind, they are amply provided for with cook and governess who are Thora Hird and Stephanie Beacham. The father had a valet played by Marlon Brando and since there is clearly no need for one now he's relegated to the gardener's duties.

Brando's delightful Irish gardener Quint bonds with the kids. He's full of blarney and charm, but that cheerful exterior hides a rather complex and sadistic being. The kids catch him and Beacham in some kind of bondage game as Brando initiates Beacham into the finer points sadomasochistic sex. Both children take careful notes. The kids are played by Christopher Ellis and Verna Harvey.

In the end what happens sets the stage for Henry James's classic Gothic horror tale The Turn Of The Screw. That was brought to the screen ten years earlier as The Innocents which starred Deborah Kerr as the new governess for the kids. According to The Nightcomers, The Innocents would be the last thing anyone would have entitled that film.

Fine performances, wonderful sets and cinematography, yet the film just lacks a spark to consider it a classic. Marlon Brando's fans will want to see it though.

Made at a time when Brando was doing very little on film (and when he did, could do no right, if one examines the reviews and box office returns of his films during this period), this prequel to "The Innocents" (which was based on Henry James' "The Turn of the Screw") has little going for it, but may still provide some interest to fans of his. Brando plays a valet whose employer and wife have died in India. The couple's two children come to live at their parents' estate and Brando stays on as a gardener/handyman. Also in residence is a persnickety maid (Hyrd) and a refined nanny/schoolteacher (Beacham.) These five form an uneasy existence with each other as the children hang on the earthy and repugnant Brando's every word and Brando repeatedly seduces Beacham with increasing sadomasochism. Hyrd tries to keep everyone in check to no avail. Finally, the machinations and misunderstandings culminate in a burst of violence, just in time for the story to peter out and set up for the beginning of the original. Brando is an acquired taste here. It's one of his performances in which it's the audience's duty (burden?) to figure out what he is doing and what he is saying. He's messy, flabby, often unintelligible and, naturally, self-indulgent. Nonetheless, fans of his may lap it up with relish. Beacham does a nice enough job, but can't hope to win any scenes up against the ACTING of Brando. The children (scarcely heard of again after this) are the typical bratty, snotty, unattractive, impossible kids that have been seen in countless British movies. The most interesting performance in the film is actually that of Hyrd. She brings a lot of variety and detail to her role of the housekeeper. Andrews pops up briefly and effectively as the children's' disinterested uncle. The film is stacked with unappetizing and repulsive scenes such as a frog being killed, a turtle being mistreated, chicken feathers being ripped out by hand and then, of course, the "arty" S&M sex scenes between Brando and Beacham. These tasteless (and rather boring) sequences don't illuminate the characters or entertain the audience and so are pretty pointless. There's a grain of interest in the material, but the sloppy direction and awkward script don't help keep it going. Stay awake for Beacham's hilarious final screen moment and for Brando's as well. Fortunately, for him, "The Godfather" was just around the corner.

For the inscrutable yet precocious personalities of Miles and Flora evident in the 1961 film 'The Innocents'. As well, the ghosts of that movie are fleshed out nicely in this prequel. Quint is a morally repugnant character, sadistic and controlling, but he's also darkly magnetic as the corrupter of the lovely young governess who submits to (and even embraces) his perverted ideas of sexuality. Together they are fated to become the imprisoned souls that haunt the estate. Together they have inflicted unknowable damage to the psyches of the children.

Brando is very good in the role of Quint. He gives the character a credibility and powerfulness that one would expect from a personality who will ultimately refuse to leave, even after his bizarre death. Few actors would be convincing enough to portray such a reprehensible protagonist and still be vaguely, mysteriously likable. That Brando can deliver this affect with legitimacy is not surprising, genius that he is. Another who might have been very interesting to watch in this role is Dirk Bogarde.

The director's visual styling of the film is it's most unfavorable aspect and prevents it from being excellent. In any case, this unusual little entry has always been a tad underrated. I suspect that now that Marlon has passed on an overdue re-assessment is likely.