VALUTAZIONE IMDb
7,5/10
6351
LA TUA VALUTAZIONE
Il regno del tormentato Ludovico, re di Baviera, dal 1864 al 1886.Il regno del tormentato Ludovico, re di Baviera, dal 1864 al 1886.Il regno del tormentato Ludovico, re di Baviera, dal 1864 al 1886.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 8 vittorie e 7 candidature totali
John Moulder-Brown
- Prince Otto
- (as John Moulder Brown)
Sonia Petrovna
- Sophie von Wittelstein
- (as Sonia Petrova)
Volker Bohnet
- Joseph Kainz
- (as Folker Bohnet)
Recensioni in evidenza
First released in 1972,with a running time of three hours,the movie was a colossal flop and it was sold by auction.It was the eighties before it was re-released as TV series,with a lot of added scenes :the running time was nearing four hours and the restored scenes gave the movie more substance.Now the film is often broadcast as a whole but its length and its very slow pace might repel some people.
It should not be missed though;it is one of Visconti's peaks,and probably the most underrated .In "la caduta dei degli"(1969),history was on the stage ,with the rise of the Nazis:the hero,Martin,(also played by Helmut Berger),was some kind of puppet in the hands of his mother and the Hitlerians.In "Ludwig",he stands alone,it's really the story of a solitary man,trying to establish a lasting relationship with one human being:first, Sophie,Sissy's sister :but it was not to succeed because he treated her like a Wagnerian heroin,or a Sissy ersatz .Sissy (Elisabeth,Empress of Austria)was not fooled:"do you want me to be your impossible love? " she says;of course she knew Ludwig was an invert.Wagner made use of Ludwig because he helped his career,but there was no friendship from him.Ludwig had to content himself with his (male) lovers he used to pick up everywhere around.
As the movie progresses,Ludwig is more and more alone,and his megalomania knows no bound.He makes up for his sad destiny with his extravagant castles,but politically he was still aware.He first refused to raise troops during the 1870 war and reluctantly did because of the Prussian' s pression;that might be the reason why,when you come to Bavaria today,the people there do not accept the fact Ludwig ended his life as an insane.
Helmut Berger was to make another movie with Visconti(gruppo di famiglia in un interno,1975),then his career quickly waned after Visconti's death;it was really too bad,because he had shown he could be an impressive actor.Romy Schneider portrayed Sissy for the fourth time(after the famous mushy trilogy "Sissi" "Sissi die junge Kaiserin" "Sissi ,Schicksal einer Kaiserin",which Schneider hated,),but this time in a historically accurate way.She acted as though she had got a score to settle with this character.(hear her lines about her husband and her family:it's a far cry from the Ernst Marischka's trilogy)
It should not be missed though;it is one of Visconti's peaks,and probably the most underrated .In "la caduta dei degli"(1969),history was on the stage ,with the rise of the Nazis:the hero,Martin,(also played by Helmut Berger),was some kind of puppet in the hands of his mother and the Hitlerians.In "Ludwig",he stands alone,it's really the story of a solitary man,trying to establish a lasting relationship with one human being:first, Sophie,Sissy's sister :but it was not to succeed because he treated her like a Wagnerian heroin,or a Sissy ersatz .Sissy (Elisabeth,Empress of Austria)was not fooled:"do you want me to be your impossible love? " she says;of course she knew Ludwig was an invert.Wagner made use of Ludwig because he helped his career,but there was no friendship from him.Ludwig had to content himself with his (male) lovers he used to pick up everywhere around.
As the movie progresses,Ludwig is more and more alone,and his megalomania knows no bound.He makes up for his sad destiny with his extravagant castles,but politically he was still aware.He first refused to raise troops during the 1870 war and reluctantly did because of the Prussian' s pression;that might be the reason why,when you come to Bavaria today,the people there do not accept the fact Ludwig ended his life as an insane.
Helmut Berger was to make another movie with Visconti(gruppo di famiglia in un interno,1975),then his career quickly waned after Visconti's death;it was really too bad,because he had shown he could be an impressive actor.Romy Schneider portrayed Sissy for the fourth time(after the famous mushy trilogy "Sissi" "Sissi die junge Kaiserin" "Sissi ,Schicksal einer Kaiserin",which Schneider hated,),but this time in a historically accurate way.She acted as though she had got a score to settle with this character.(hear her lines about her husband and her family:it's a far cry from the Ernst Marischka's trilogy)
10wobelix
Luchino Visconti's masterpiece - beautifully restored to the full 4 hours+ length on dvd in Germany - is breathtaking due to the Maestro's imprints alone. We see lush castle's, gold glitter, men in black or silver talking morals, and persons fighting their destiny ... and loose. Ludwig has something extra though: never seen the 110% Englishman Trevor Howard better as the very German Richard Wagner. And words will never be enough for yet another brilliant role of Romy Schneider, portraying Elisabeth rather than her renowned Sissy here.
The sheer brilliance of Visconti comes to light with the performance of Helmut Berger. Quite known as an actor in both Italy and the German speaking territories, he really goes above and beyond in his role as King Ludwig, the boy destined to drown in himself as a man.
Please do not miss this superb film, even though the bilingual (Italian-German) DVD of Kinowelt/Arthaus silly enough doesn't give any English subtitles.
The sheer brilliance of Visconti comes to light with the performance of Helmut Berger. Quite known as an actor in both Italy and the German speaking territories, he really goes above and beyond in his role as King Ludwig, the boy destined to drown in himself as a man.
Please do not miss this superb film, even though the bilingual (Italian-German) DVD of Kinowelt/Arthaus silly enough doesn't give any English subtitles.
10Quibble
I have not seen the highly edited 180 minute version of Ludwig, available in the US. However, I am lucky enough to have seen the full 4 hour and 7 minute version available on DVD in Germany. Alas, there are no English subtitles or soundtracks, but my mother is fluent in German and so I was able to get a line by line translation!
And my GOD, was it worth it. Although I felt it was a little slow in places, I was utterly drawn in to Ludwig's world as the film progressed. I can't speak for the US video version, but the full cut is divided into 5 parts. As each part comes and goes, we are steadily immersed into the world of Ludwig II (Helmut Berger in compelling form once more, as he was in Visconti's The Damned [1969]). Ludwig has often been dismissed as "mad", but this film really lets you identify and understand the tormented man's life. One cannot help being on the verge of tears in sympathy towards the end of Part IV, when Ludwig is hiding in his absurdly decadent and expensive castle and Elisabeth (Romy Schnieder) tries to visit him. Wagner's Tristan und Isolde blazes on the soundtrack and he cannot bear to be seen by her in his state. He cries out her name repeatedly and sinks down on the ground. Some people have criticised Berger for being too melodramatic (Helmut 'Ham'-Berger one review once said), but he is perfect in this role. Not only does he strongly resemble the original Ludwig, but his acting is spot-on for capturing Ludwig's romantic and highly emotional personality.
This film deals with many themes that Visconti continually returned to in his career. It was made after his planned film based on Proust's epic masterpiece 'In Search of Lost Time' fell through (and what wouldn't I give for Visconti to have made that film!!) and might be seen to contain similar themes. There is decadence, decay, decline, homosexuality, and music. Not only is this film a fine study of historical events (the 'wars of Unification' in 1866 and 1870-1), but also of art and music (Ludwig's relationship with Wagner and the influence of Wagnerian art on his life), and of Ludwig's own highly-strung personality.
In short, this is yet another Visconti masterpiece. It's a CRIME that no-one has given this film a DVD release in its restored (or even any other) form in the US or the UK. The film was also filmed in English, but no English soundtrack is available on the German DVD, or subtitles. Again, this is another example of Visconti's work being overlooked and ignored - the sound quality is also not what it could be (the sound quality on the German track being DIABOLICAL, as opposed to the good Italian track). This film TRULY deserves a proper DVD release - music, direction, acting, and script are superb and this film deserves a far wider audience than it is allowed to receive. At least the German DVD is in the correct aspect ratio (2.35 : 1) as this film deserves to be seen in it's full glory (sets - most the real locations - and costumes are utterly stunning). I urge anyone who reads this to see Ludwig - even if one must resort to a horribly cut VHS version (how can you loose a whole HOUR from this film?!!). This is another Visconti masterpiece and cries out for a better and more widely available DVD release.
And my GOD, was it worth it. Although I felt it was a little slow in places, I was utterly drawn in to Ludwig's world as the film progressed. I can't speak for the US video version, but the full cut is divided into 5 parts. As each part comes and goes, we are steadily immersed into the world of Ludwig II (Helmut Berger in compelling form once more, as he was in Visconti's The Damned [1969]). Ludwig has often been dismissed as "mad", but this film really lets you identify and understand the tormented man's life. One cannot help being on the verge of tears in sympathy towards the end of Part IV, when Ludwig is hiding in his absurdly decadent and expensive castle and Elisabeth (Romy Schnieder) tries to visit him. Wagner's Tristan und Isolde blazes on the soundtrack and he cannot bear to be seen by her in his state. He cries out her name repeatedly and sinks down on the ground. Some people have criticised Berger for being too melodramatic (Helmut 'Ham'-Berger one review once said), but he is perfect in this role. Not only does he strongly resemble the original Ludwig, but his acting is spot-on for capturing Ludwig's romantic and highly emotional personality.
This film deals with many themes that Visconti continually returned to in his career. It was made after his planned film based on Proust's epic masterpiece 'In Search of Lost Time' fell through (and what wouldn't I give for Visconti to have made that film!!) and might be seen to contain similar themes. There is decadence, decay, decline, homosexuality, and music. Not only is this film a fine study of historical events (the 'wars of Unification' in 1866 and 1870-1), but also of art and music (Ludwig's relationship with Wagner and the influence of Wagnerian art on his life), and of Ludwig's own highly-strung personality.
In short, this is yet another Visconti masterpiece. It's a CRIME that no-one has given this film a DVD release in its restored (or even any other) form in the US or the UK. The film was also filmed in English, but no English soundtrack is available on the German DVD, or subtitles. Again, this is another example of Visconti's work being overlooked and ignored - the sound quality is also not what it could be (the sound quality on the German track being DIABOLICAL, as opposed to the good Italian track). This film TRULY deserves a proper DVD release - music, direction, acting, and script are superb and this film deserves a far wider audience than it is allowed to receive. At least the German DVD is in the correct aspect ratio (2.35 : 1) as this film deserves to be seen in it's full glory (sets - most the real locations - and costumes are utterly stunning). I urge anyone who reads this to see Ludwig - even if one must resort to a horribly cut VHS version (how can you loose a whole HOUR from this film?!!). This is another Visconti masterpiece and cries out for a better and more widely available DVD release.
I loved it. The historical story is phenomenal of course, but its treatment by Visconti is not banal either. I just saw the restored version (I am speaking of the 4-hours long version in Italian (subtitled in English) in a movie theater recently on a big screen, and that kind of total immersion in the world of "mad" king Ludwig gives you empathy with this notoriously elusive character, as bizarre as his behavior might have appeared to his contemporaries, and a sensual feel for the era. I am still swooning over the lush art direction, astounding costumes, plethora of decorative details - and it certainly does not hurt that the film crew used the real Bavarian locations of Ludwig's life. Gorgeous Romy Schneider's as Empress Elizabeth of Austria steals the screen from Helmut Berger on her few appearances, but , oh boy, all the actors do a great job, and by the end of movie, this entire cast of strong and weak characters becomes as familiar to the viewer as... your own family.
As a deeply interest on European's history, I'd already knew about this mad king of the Bavaria a long time ago, Ludwig just came at my hands this years and was too long, then I had decided spent the last friday night watching this restored Visconti's masterpiece, what a great movie indeed, but the cut off version stayed lame and was a flop at release time, assembled again it's was the closest that they could get as early Visconti's concept, the king Ludwig was presented as a lunatic man for arts, sponsored the financial excesses of Richard Wagner, and drained the already rundown Bavaria's treasury on those useless Castles which he dares to build in exchange of the penury of his people, also Visconti alludes the decaying process of a King who wasn't linked with reality at all, he living in a parallel world as screened, plus Visconti was visionary when cast Helmut Berger whose had an extremely sameness with the real Ludwig, what a lucky, just mourns a small appearance of Sissi (Romy Schneider) on the plot for obvious reasons, furthermore exposes the odd Ludwig's weakness as his shy behavior and how he handles with your latent homosexuality as well, the history as a whole teach us that the ordinary statesmen rarely go down in history, instead those mad rulers that through their wacky minds were often recalled, aside be too long more than four hours the picture doesn't tired me, due so valuable asset to understand the German merger and how it really did happens, it gave me priceless clues for whom Germany deserves his unification, apart the Ludwig the mad the movie brings to light the German's history!!
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 9
Resume:
First watch: 2020 / How many: 1 / Source: DVD / Rating: 9
Lo sapevi?
- QuizRomy Schneider only agreed to reprise the trademark role of her youth as Empress Elisabeth of Austria if the role would avoid all the usual clichés associated with the character and she would be allowed to portray Elisabeth as the cynical and disillusioned woman Elisabeth was known to be historically, though she did concede to put famous diamond decorations in her hair for one short scene.
- BlooperCount von Dürckheim-Montmartin was 16 years old when the German War of 1866 happened. In the movie he is portrayed as a man in his 40s.
- Citazioni
Elisabeth of Austria: What do you want anyway? To go down in history with the help of Richard Wagner? Like my mother-in-law with her ridiculous painters? If your Richard Wagner is really so great then he doesn't need you. Your pathetic friendship only gives you the illusion to have done something creative. Just like I give you the illusion of love. You don't want to be left alone. You want me to become your unrivalled love. To confirm yourself. You need help I can't give you.
- Curiosità sui creditiIn the first closing credits every main actor is shown with separate credit. The last one is the one of Romy Schneider, which sets it apart, due to the frame around her name.
- Versioni alternativeComplete original European version runs 236 minutes; shortened to 173 minutes for US release.
- ConnessioniEdited into Wagner: Episodio #1.10 (1983)
- Colonne sonoreLa Périchole
Written by Jacques Offenbach
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Ludwig: The Mad King of Bavaria
- Luoghi delle riprese
- Nymphenburg Palace, Monaco, Baviera, Germania(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 3h 58min(238 min)
- Mix di suoni
- Proporzioni
- 2.35 : 1
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