L'ultimo buscadero

How much you enjoy the film overall depends on your interest or affection for the rodeo but there are some really fine performances. McQueen is excellent, a bruised thoughtful performance, but Robert Preston and Ida Lupino really take acting honors as his parents. The scene between them on the stairs is an example of what great actors can do to make characters live on the screen. Something that helps sell the story is that the two of them really look like they could be Steve's parents. Junior's a rambler who is happy to go his own way but finds the modern world getting in the way. A subtle drama of the kind that is rarely made today.

This is one of my favorite films from one of my favorite directors, and starring one of my favorite actors. I saw a lot of parallels to my own life in this film and the road I have chosen for my own life. The simple fact that JR Bonner lives for "the ride" is really what this film is all about. He continues to ride even though he's past his prime, and still acknowledges his father amidst the division he finds upon his return home. His disenchantment with changing times is very evident here, as this part is pure Peckinpah, who lived and thrived in the western genre for most of his filmography. This theme of what the west has become and what it is becoming has been a theme of inspiration for Sam Peckinpah's films throughout his barely twenty year career as a director. The Father/Son relationship between Junior and Ace strikes a chord with me, especially during the cow milking scene when the Bonners lose, and Ace says "We could've won it", and Junior says "We did Ace". It is profound, and gets me to thinking of my own Father, whose Footsteps I walk in and took after even in my Mother's disapproval.

Junior's sole mission in this film is simply to ride "Sunshine", the bull no man ever rode, and his failure to do so continually haunts him, even as he rides the bull and finally succeeds by staying on the bull for the 8 seconds required. His family situation is a backdrop of events leading up to this triumphant moment that motivates him to continue down the road, and follow his own destiny.

The scene between Steve McQueen and Joe Don Baker where Curly (Baker's character) slugs Junior onto the floor of the Palace Bar is a key moment as well. The two are feuding brothers, one becomes a businessman, and destroys the Matriarch of the family's house (Ace Bonner, played wonderfully by Robert Preston). The other (McQueen) follows the path of the Father, not really being around or being there for his family, but wants to. When Curly invites Junior into the real estate business, and Junior refuses lets you know that Junior is his own man. Curly lashes back by saying "I'm working on my first million, and you're still working on 8 seconds". That lets you know who Junior Bonner is, and who he has chosen to be.

Junior has a love for his Father the rest of the family can't understand, he even gives up over half his winnings for riding Sunshine to buy his Dad a plane ticket to Australia to start a sheep farm. This film has a lot of themes in it; changing times, division of family, and dedication to something when you are no longer on top. It is a true interpretation of the life of the rodeo cowboy. It's a shame this film did not do well when it was first released, I guess it was ahead of its time like Sam Peckinpah. I totally recommend this film because it, like The Ballad of Cable Hogue was unexpected and unpredictable, like its maverick director.

I first heard of this film on a trip to Prescott for the 1973 rodeo. Three days of hard liquor, sex and wild livestock (I had sat out Woodstock in an NYC jail and had to make do) Of course the film was all the buzz but the highlight of '73 was an ill-advised visit by a chapter of Hell's Angels who didn't know the locals carried side arms. They had a most humiliating exit. The former territorial capitol, a moribund Prescott sat between the exhausted gold fields in the mountains and the ranches suffering from poor beef prices out on the high prairie. The Palace Bar was the queen of a raucous grouping of saloons on Whiskey Row. A place to rub elbows with crazed prospectors and working cowboys. The town's only nod to modernity was a Western Auto Parts store and Sears Catalog outlet...I don't think they had a McDonalds.

Today the faceless crowd savors its victory. The ranchers cried "uncle" and gave in to the developers or joined them. Whiskey Row in name only the bars have become boutiques and the Palace is a salad bar. The city groans in gridlock under the traffic of her sprawling suburbs. Street widening has obliterated the familiar or bypassed now inaccessable charms. Strip malls and the usual fast food joints line the approaches for miles and miles. A flood of California retirees have raised the costs and codes to push Jo Don Baker's trailers to rural ghettos ranging thirty and forty miles out. Phoenicians have taken the old gold camps for summer homes and condos. The once unbroken mountain views and sweep of prairie are dappled blurs of asphalt shingle, stucco and neon. A straggling herd of antelope (a protected species) are under edict of removal in one housing developement and if Junior Bonner comes back to town he better be driving an Escalade.

The film is a poignant story proven true. I haven't the heart to revisit the rodeo.

Steve McQueen is my favorite actor. Bullitt is my favorite McQueen movie, but Junior Bonner is my favorite McQueen character. McQueen, as usual (and this is what makes him great), communicates more with silence than in delivering a line. The violence of the rodeo is juxtaposed against one man's unwillingness to let go of a lifestyle that is obviously coming to an end. The open west is giving way to trailers, his parents are separating forever, and his home has become a place for strangers. Junior is aging as an athlete, and as a-no-longer- young man. Even his Cadillac is on the downward side of a once successful career. The split screens and slow motion are interesting without being intrusive. This movie is about the triumph of a man who stays true to his own values, regardless of how irrelevant his environment may soon become. One man CAN make a difference. Steve McQueen was always that one man.

Sam Peckinpah is usually stereotyped as a director who is mainly concerned with violence and confrontation. This is only part of the picture. If you look past the violence of 'The Wild Bunch' you'll see a movie concerned with old age, loyalty and changing values. 'Straw Dogs' deals with masculinity and ethics. 'Bring Me The Head Of Alfredo Garcia' contains a vivid picture of traditional Mexican culture confronted with modern America's greed and corruption. These sub-texts and themes are often overlooked because of the blood and gore.

'Junior Bonner' leaves out the gore, and what happens? Peckinpah detractors who criticise the aforementioned movies ignore it and dismiss it as "slow" and "boring"! It is anything but. 'Junior Bonner' is a thoughtful character study of an aging rodeo performer (Steve McQueen at his best) and his relationship with his estranged family (veterans Ida Lupino and Robert Preston and character actor legend Joe Don Baker - all first rate). It moves at its own pace, which will alienate the MTV-generation, but anyone with a love of good movies will be fascinated. 'Junior Bonner' may not be as widely discussed as Peckinpah's more controversial efforts, but it's just as good in its own way, and shows once again, that he was one of THE greats of American cinema. Don't overlook this one!