L'esibizionista

An extremely down-to-earth, well made and acted "Rodeo" Western. No gussied up stars needed here as all cast members were regular people telling a real life story about a rodeo hustler and his entourage in the 60's and 70's West. But hats off particularly to Slim Pickens for giving what I think was his signature performance, especially given the fact that he had been a rodeo clown in real life. His role went far beyond the mere clown role as he deeply dealt with all the "ups and downs" of the hard-nosed rodeo life and the psychological devastation that so frequently surrounds such a life style. He and Mr. Coburn teamed up extremely well as partners, not only on the circuit itself, but also in the real world outside the corral. Also, check out Anne Archer as Coburn's Native American love interest in the latter part of the movie. Must have been one of her first roles.

Not as flashy, perhaps, as "Junior Bonner", but equally heart rendering and impacting in its portrayal. Thanks to the Encore Western Channel for showing this true grit of an under-rated movie from time to time.

I was living in Sri Lanka when I saw The Honkers (in 1975, three years after its release). Great rodeo movie. Pity it's not available on DVD or VHS. It had the same real-people feel as Sam Peckinpah's Junior Bonner (a movie I saw six times when it first came out). I remember Steve Ihnat's performance in Madigan and Fuzz. Too bad he passed away so young.

James Coburn stars in and dominates The Honkers the story of a veteran rodeo cowboy who really ought to settle down with his wife Lois Nettleton and son Teddy Eccles. But Coburn likes the life too much especially the partying and those rodeo bunnies. Something about those bowlegged cowboys gets to them I guess.

So Coburn makes one of his many pit stops at his home and he and Nettleton have their usual argument about that final divorce decree he won' t sign so she can marry steady and reliable Richard Anderson who has a used car dealership. But there's a nearby rodeo so he and best friend Slim Pickens who is a rodeo clown are off to it.

The Honkers takes an honored place beside such rodeo films as The Lusty Men and Junior Bonner. Steve Ihnat really captures the ambiance and feel of the rodeo as an American institution.

Before he went into films Slim Pickens was a rodeo clown and this is the only film he actually gets to play one. Like his buddy Coburn this is the life he knows though he's not the party animal that Coburn is. I guess someone has to be the designated driver and it seems to have fallen to Slim to be that for Coburn in all situations. Being a clown requires the same kind of reflexes it does when riding a bull or a bucking horse. Slim too has slowed up a might.

Anne Archer makes her film debut as a rodeo bunny whose father is a big oil millionaire. As a kind of Indian rodeo hippie, Archer makes a fine debut in The Honkers.

I did like the ending which was most vague and you have to decide for yourself what the future holds for Coburn. This one is really worth checking out.

This is one of those movies that was never publicized and therefore was missed when it originally played in the theaters.

I came across it while switching TV channels and was immediately engrossed in this story of an aging rodeo bum whose recklessness and lack of responsibility hurt everyone around him. I've often wanted to see the movie again but couldn't even remember its name, and have never seen it in the rental stores.

James Coburn and Slim Pickens were excellent in their roles, and the rodeo footage was first rate. While being an action movie and having a western setting and theme it could be enjoyed by anyone regardless of their taste in films.

I saw the Honkers in the early 70s and loved it and remembered it. I also saw both JW.COOP & JUNIOR BONNER - both excellent. The reason I had to catch Honkers was that Mr.Inhat deeply impressed me in Madigan as Barney - an enduring psycho performance - which I can still quote verbatum. I also made a note of him in Hour of The Gun. I felt grim when he died (just after the Cannes screening?) But rest assured he, and the film, are recalled fondly. .