Brain Control - Alterazioni progressive

A bit talky, but certainly well acted and thought provoking.

Walken, looking all of 19, does his usual standout performance in this ethical drama. While not without it's drawbacks - the pace is a bit slow at times and the score is annoying, the questions raised about the ethics used by both the well-meaning Doctor and the frightening military will certainly cause future reflection.

soldiers with facial hair? With a name like "The Mind Snatchers", I naturally assumed this was a film about space aliens abducting and scrambling the brains of folks. However, the film has absolutely nothing to do with this but is instead a slightly paranoid but thought-provoking film about psychiatric ethics.

The film begins with a VERY obnoxious and angry soldier, Pvt. Reese (Christopher Walken) bullying and mistreating everyone. He's soon arrested by the military police and incarcerated for psychiatric tests to determine what his issues are. They diagnose him with a personality disorder (no duh!) and schizophrenia--and, without his permission, they ship him off to a very strange hospital where there appear to be only three patients. One is SERIOUSLY disturbed and a total mess. Another (Ronny Cox) is a sex offender. And, the third is Reese. What is this all about? No one tells Reese and he's left to wonder. And, through the course of the film, it becomes more and more apparent that the military is planning on doing some sort of insidious mind-control experiment on them!

Despite a low budget and that the film is inexplicably set in Germany (I think this was due to funding), the movie has a very compelling script and has a lot of interesting things to say about abuses within psychiatry where, it seems, the end does justify the means. A very good and unusual film to say the least--and an interesting early Walken role. Well worth seeing, though I doubt if the average person would enjoy this. Me, with my background in psychology, I loved it and thought it brought up some very interesting concerns.

I wish they had cut a lot more of this dialogue. I've been imagining this on a stage in a theater and it would be wonderful. With all of this talking, they would create a world and it would have ups and downs and it would work.

That doesn't translate to film. You don't have to create a world or an atmosphere. The camera can photograph a huge empty room in a mental hospital and you don't have to tell us what it feels like. The starkness of the setting is already pretty overwhelming. They are trapped. This is horrifying.

I grew up in the 70s so I'm familiar with this weird weak neurotic snarky tone that everyone has. It was a pretty awful time to live. People were not nice. Negativity was coolness, and everybody just wanted to drop out and let go of everything.

I was really not liking Christopher Walken in the first few minutes but I relaxed and decided to go with it. And here he is an absolutely wonderful actor doing the best with this material. And a lot of his works that we all know about now as an actor show up here. It might be worth watching just to see Christopher walken.

Interesting but hardly original drama with sci-fi leanings – though not quite the "horror"/"chiller" described by the ads! – involving the brain-washing of violence-prone subjects by the system (which must have seemed particularly trenchant at the time of the Vietnam war).

At this juncture, however, the movie feels quite dated – if reasonably intelligent and compelling nonetheless. Being also relentlessly talky (not surprising, given its stage origins) and low-key in nature, there's a conspicuous lack of cinematic inventiveness – which doesn't really allow for a sensible comparison with Stanley Kubrick's stylized treatment of the same theme in A CLOCKWORK ORANGE (1971)! Still, it has some undeniably powerful moments – and the small cast is impressive: Christopher Walken (relatively inexperienced for this type of demanding role, but quite good in his Method approach to it); Joss Ackland (as the requisite mad scientist); Ralph Meeker (as the equally inevitable, and callous, military overseer); and Ronny Cox (as a fellow inmate of Walken's who, after much soul-searching, willingly submits to the dehumanizing experiment).

Incidentally, the play was filmed under its original title – THE HAPPINESS CAGE – but this got changed (in case it was mistaken for an ode to hippiedom) first to the sci-fi friendly and, in retrospect, more appropriate THE MIND SNATCHERS and eventually to the horror-oriented (and, consequently, wholly misleading) THE DEMON WITHIN!

THE MIND SNATCHERS is about mind control, a government conspiracy, and an experiment gone wrong. In spite of these intriguing elements, this movie is painfully slow. This makes it feel days long instead of its actual 90 minute running time.

Watching it, it's clear that this would have made an excellent short film or anthology film segment. As it stands, it has a brain-scorching-ly padded midsection sandwiched between a decent beginning and a perfectly downbeat finale.

On the upside, Christopher Walken plays his character, Reese, with his soon-to-be signature, unforced quirkiness. In retrospect, it seems obvious that his future would include roles in THE DEER HUNTER and THE DEAD ZONE.

Unfortunately, he's the only bright spot in this movie. That is, unless you count a young Ronny Cox as Reese's unhinged hillbilly roommate...