Il patriarca invecchiando di un'organizzazione criminale trasferisce il controllo del suo impero clandestino al suo figlio riluttante.Il patriarca invecchiando di un'organizzazione criminale trasferisce il controllo del suo impero clandestino al suo figlio riluttante.Il patriarca invecchiando di un'organizzazione criminale trasferisce il controllo del suo impero clandestino al suo figlio riluttante.
- Regia
- Sceneggiatura
- Star
- Vincitore di 3 Oscar
- 31 vittorie e 31 candidature totali
Richard S. Castellano
- Clemenza
- (as Richard Castellano)
Riepilogo
Reviewers say 'The Godfather' is acclaimed for its intricate narrative, deep character exploration, and universal themes of power, family, and loyalty. The film's deliberate pacing, iconic performances by Marlon Brando and Al Pacino, and its significant influence on the gangster genre are often lauded. Critics also praise the cinematography, memorable score by Nino Rota, and its cultural impact. However, some reviewers find it overrated, slow-moving, or morally ambiguous, reflecting a spectrum of opinions.
Recensioni in evidenza
A masterclass in film making, is The Godfather a contender for the best film of all time? I'd argue the case that it is, this is the ultimate gangster movie.
Before you panic at the thought of a film being almost three hours long, you needn't, you won't even notice the time, it flies by.
Production values are incredible, it looks sublime the whole way through, it's so well produced, at roughly fifty years old it puts many new films to shame.
Brandon, Pacino and Castellano, just a few of the Incredible performances, I could add a whole lot more.
If you're considering buying a hard copy, I would recommend it on blu ray, it is sharper than the dvd, there is a difference.
This film has had a huge influence down the years, it is still, and will forever be, one of the greatest, 10/10.
Before you panic at the thought of a film being almost three hours long, you needn't, you won't even notice the time, it flies by.
Production values are incredible, it looks sublime the whole way through, it's so well produced, at roughly fifty years old it puts many new films to shame.
Brandon, Pacino and Castellano, just a few of the Incredible performances, I could add a whole lot more.
If you're considering buying a hard copy, I would recommend it on blu ray, it is sharper than the dvd, there is a difference.
This film has had a huge influence down the years, it is still, and will forever be, one of the greatest, 10/10.
THE GODFATHER is quite simply a masterful piece of film-making, an epic in the truest sense of the word and by far the finest gangster film ever shot. Made with finesse, style to spare and a director who elicits pitch-perfect performances from a talented cast, this is movie-making as it should be.
Yes, it's a very long film and yes, some sections are quite slow. Nevertheless, none of the film is any less than riveting. The story - of a father/son takeover in one of New York's major Italian Mafia families - is fairly straight forward, and yet Francis Ford Coppola turns it into something else so much more; a meditation on the human condition, perhaps.
Certainly this is a film that explores the darker side of humanity. Jealousy, betrayal, anger and revenge are all key themes here, and the film is inevitably punctuated by moments of graphic and shocking violence. And I'm glad Coppola chooses not to shy away from the said violence, which makes it all the more gritty and realistic when it does happen.
Marlon Brando takes the showrunner role here, the patriarch who's past his prime, but it's easy to spot the real star of the piece: Al Pacino, who burns up the screen with sheer ferocity. Robert Duvall is easy to miss in a quieter part, but watch out for James Caan whose volatile Sonny is one of the film's most engaging characters. Altogether this is a splendid and unforgettable piece of film-making, which inevitably spawned sequels and a whole gamut of similar gangster fare, but THE GODFATHER towers head and shoulders above them all.
Yes, it's a very long film and yes, some sections are quite slow. Nevertheless, none of the film is any less than riveting. The story - of a father/son takeover in one of New York's major Italian Mafia families - is fairly straight forward, and yet Francis Ford Coppola turns it into something else so much more; a meditation on the human condition, perhaps.
Certainly this is a film that explores the darker side of humanity. Jealousy, betrayal, anger and revenge are all key themes here, and the film is inevitably punctuated by moments of graphic and shocking violence. And I'm glad Coppola chooses not to shy away from the said violence, which makes it all the more gritty and realistic when it does happen.
Marlon Brando takes the showrunner role here, the patriarch who's past his prime, but it's easy to spot the real star of the piece: Al Pacino, who burns up the screen with sheer ferocity. Robert Duvall is easy to miss in a quieter part, but watch out for James Caan whose volatile Sonny is one of the film's most engaging characters. Altogether this is a splendid and unforgettable piece of film-making, which inevitably spawned sequels and a whole gamut of similar gangster fare, but THE GODFATHER towers head and shoulders above them all.
Up until today, I haven't bothered to review "The Godfather". After all, everyone pretty much knows it's one of the greatest films ever made. It's #2 on IMDb's Top 100. It won the Best Picture Oscar. And, there are nearly 1600 reviews on IMDb. So what's one more review?! Well, after completing 14,000 reviews (because I am nuts), I guess it's time I got around to reviewing a film I should have reviewed a long time ago. So, here goes....the film is perfect and only a dope wouldn't watch it. Unfortunately, IMDb requires me to say more to meet it's 10 line minimum for reviews. So, I'll point out that you do NOT need to like gangster films to enjoy this film. Yes, it's violent and nasty in spots--but it's also brilliantly written and produced from start to finish and deserves the accolades it's received.
My advice is that instead of just watching "The Godfather" and "The Godfather: Part II", see the combined version they created for television--with additional scenes that made it a very rich experience.
My advice is that instead of just watching "The Godfather" and "The Godfather: Part II", see the combined version they created for television--with additional scenes that made it a very rich experience.
100U
One of the best films of all time, an absolute masterpiece. The Godfather is arguably the best gangster drama as well as setting the standard for cinema.
I love this movie and all of the GF movies. I see something new every time I have seen it (countless, truly). The story of tragedy and (little) comedy that exists in this film is easily understood by people all over the world. This film has been called an American story however I have met others who have seen this movie in other languages and they seem to have the same love and appreciation for it that I do. I love the characters and all of the different personalities that they represent not just in families but in society itself. It seems like the entire cast is part of every other movie that I love as well. The sounds, music, color and light in the film are just as much a part of the film as the people. This could be attributed to the method in which it was filmed. At many parts of the film I can still find myself feeling the emotions conveyed in the film. I never tire of appreciating this film. I thank God that FFC is an American treasure. We are fortunate to have him.
The Coolest Movie Cats
The Coolest Movie Cats
Sometimes cats in movies talk. Other times, they don’t have to say a word, and yet they steal the show. We’ve rounded up some of our favorite on-screen felines.
Lo sapevi?
- QuizFrancis Ford Coppola held improvisational rehearsal sessions that simply consisted of the main cast sitting down in character for a family meal. The actors and actresses couldn't break character, which Coppola saw as a way for the cast to organically establish the family roles seen in the final film.
- BlooperDuring Sonny and Carlo's fight, one of Sonny's "movie" punches is shot from the wrong angle and clearly misses, but still produces the sound of an impact.
- Citazioni
[to Rocco who has killed Paulie in the car]
Peter Clemenza: Leave the gun. Take the cannoli.
- Curiosità sui creditiIn the end credits, Marlon Brando's name is the only one that is not accompanied by the character name that he plays (e.g. "as Vito Corleone").
- Versioni alternativeIn 1972, Paramount was owned by Gulf & Western, so that company's name appears on the opening Paramount logo. When the film was re-released in 1997, Paramount was owned by Viacom, which placed its named on the re-release Paramount logo, and all subsequent video releases.
- ConnessioniEdited into La saga del Padrino (1977)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El padrino
- Luoghi delle riprese
- Forza d'Agrò, Messina, Sicily, Italia(as Corleone village)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 136.381.073 USD
- Fine settimana di apertura Stati Uniti e Canada
- 302.393 USD
- 19 mar 1972
- Lordo in tutto il mondo
- 250.926.380 USD
- Tempo di esecuzione
- 2h 55min(175 min)
- Mix di suoni
- Mono(original release)
- Dolby Digital
- Proporzioni
- 1.85 : 1
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