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E tutto in biglietti di piccolo taglio

Titolo originale: Fuzz
  • 1972
  • PG
  • 1h 32min
VALUTAZIONE IMDb
5,5/10
2444
LA TUA VALUTAZIONE
Raquel Welch, Burt Reynolds, and Yul Brynner in E tutto in biglietti di piccolo taglio (1972)
Police in Boston search for a mad bomber trying to extort money from the city.
Riproduci trailer3: 00
1 video
68 foto
ActionComedyCrimeDramaMysteryThriller

Aggiungi una trama nella tua linguaDetectives at a rundown police precinct in Boston scramble to catch a bomber who's targeting local politicians while trying to extort money from the city.Detectives at a rundown police precinct in Boston scramble to catch a bomber who's targeting local politicians while trying to extort money from the city.Detectives at a rundown police precinct in Boston scramble to catch a bomber who's targeting local politicians while trying to extort money from the city.

  • Regia
    • Richard A. Colla
  • Sceneggiatura
    • Evan Hunter
  • Star
    • Burt Reynolds
    • Raquel Welch
    • Jack Weston
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,5/10
    2444
    LA TUA VALUTAZIONE
    • Regia
      • Richard A. Colla
    • Sceneggiatura
      • Evan Hunter
    • Star
      • Burt Reynolds
      • Raquel Welch
      • Jack Weston
    • 42Recensioni degli utenti
    • 30Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Trailer
    Trailer 3:00
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    Foto68

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    Interpreti principali62

    Modifica
    Burt Reynolds
    Burt Reynolds
    • Det. Steve Carella
    Raquel Welch
    Raquel Welch
    • Det. Eileen McHenry
    Jack Weston
    Jack Weston
    • Det. Meyer Meyer
    Tom Skerritt
    Tom Skerritt
    • Det. Bert Kling
    James McEachin
    James McEachin
    • Det. Arthur Brown
    Steve Ihnat
    Steve Ihnat
    • Det. Andy Parker
    Dan Frazer
    Dan Frazer
    • Lt. Byrnes
    Bert Remsen
    Bert Remsen
    • Sgt. Murchison
    Stewart Moss
    Stewart Moss
    • Det. Hal Willis
    H. Benny Markowitz
    • Patrolman Levine
    James Victor
    James Victor
    • Patrolman Gomez
    Royce D. Applegate
    Royce D. Applegate
    • Patrolman Cramer
    • (as Roy Applegate)
    Tom Lawrence
    Tom Lawrence
    • Patrolman Crosby
    Norman Burton
    Norman Burton
    • Police Commissioner Nelson
    Vince Howard
    Vince Howard
    • Patrolman Marshall
    Jake Lexa
    • Patrolman Miscolo
    Britt Leach
    Britt Leach
    • Detective
    Brian Doyle-Murray
    Brian Doyle-Murray
    • Detective
    • (as Brian Doyle Murray)
    • Regia
      • Richard A. Colla
    • Sceneggiatura
      • Evan Hunter
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti42

    5,52.4K
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    Recensioni in evidenza

    9DVDZombie

    Well acted, humorous and well worth watching.

    After reading several bad reviews of this film I was almost afraid to watch it. I hate wasting my time on bad movies, but I decided based on the cast to give it a go and I'm glad I did. The movie is not a fast paced comedy by any stretch of the imagination. It is instead, like many movies from it's time, a slow moving style of film along the lines of The Big Fix. It keeps your interest because the characters are interesting. It makes you laugh at times and actually has a little suspense mixed into a story that seems disjointed at first, but ties together so well in the end it makes the whole movie work.

    The plot centers partially around a bombers scheme to blackmail the city of Boston, but more so around the police precinct he chooses to contact with his threats. We see a group of officers trying to get through their daily routine as they work on several cases at once. Focusing on the bomber but still trying to deal with a myriad of other problems that present themselves as they try to solve other crimes. It presents itself as more of a "day in the life" type movie rather than a film with one main focus. It's well acted, well told and is a good movie for those times when you really want to just relax and get into a story. Sure it has a few weak spots as with most movies but it is certainly worth putting on and I'm very glad I had the chance to see it.

    In short, if your looking for Starskey & Hutch 2005, this isn't it. If your looking for a slow paced intelligent movie, don't let bad reviews chase you away and give this film a shot.
    6thinker1691

    " If you count on the inefficiency of the police, this could very well work "

    If one goes to the movies a lot, it is often a bit more interesting when one has read the original work first. Ed McBain was also known as mystery writer Evan Hunter when he wrote the first of many stories surrounding his famous 87th Precinct. The series centered mostly around the reoccurring characters in his Police Station. This compilation series became the basis for the Hollywood movie called " Fuzz. " In the film, Burt Reynolds plays Det. Steve Carella, Jack Weston is Det. Meyer Meyer while Tom Skerritt plays Det. Bert Kling. With the arrival of newcomer Det. Eileen McHenry (Raquel Welch) the precinct sets out to solve a trio of baffling crimes. Formost in their sights is the mad bomber (Yul Brynner) out to extort millions from high city officials by threatening to kill them if they don't pay up. Although there is a serious attempt to convey real police drama concerning juvenile assaults, multiple arson and serial rape, the comic atmosphere and jovial levity, renders all efforts moot. Interestingly, the drama was attempted, but the end result proved more humorous than serious, rendering the movie a silly exercise with no solid resolutions. The surprising appearances of Albert Popwell as Lewis and Yul Brenner as a heavy, meant it was not a total loss. ***
    3jbartelone

    Fuzz Can't Decide to Be Serious or Comical. Very Weak Movie

    I was expecting a decent police drama out of the movie "Fuzz." With the talents of Burt Reynolds, Yul Brynner, and Raquel Welsh, viewers would anticipate a memorable picture. But considering the acting talent involved, the film is a near disaster with several plot-holes and mood changes in scenes and story lines that confuse, alienate, and annoy the viewer.

    To the best that I can make out (as I was half-asleep waiting for anything to happen in this picture) Yul Brynner plays a deaf man who has orchestrated the assassination of several high ranking political officials and other selected targets. Bert Reynolds and Jack Weston are the cops who dress up as Nuns. ("NUNS?") to try to stop them, against a backdrop of a discombobulated police station and staff that makes Barney Fife look like an organized lawman! What a mess! There is absolutely no continuity to this film or plot development. You would think that some of the random shooting events would place an element of dramatic suspense, giving the viewers some reason to see this picture. However, in the next scene it's a comedy, than in the following scene it turns serious again. Fuzz is a perfect example of a movie that is only removed from being a 1, because I have given an extra point to the recognition of the actors, and another point for perhaps two good scenes that I liked in the whole movie. However, that's it. Fuzz in my judgment scores a VERY GENEROUS 3.

    If the script would have stuck to ONE quality serious element, with concern about a strong issue from the cast, Fuzz could have been a passable police film. However, with too much going on at once, a weak and extremely confusing script, and a picture who's writers look like they crammed material from at least three different movies into this one, Fuzz is extremely fuzzy and never comes into focus.
    rwint

    A Train Wreck of the Worst Kind

    Bryner (whose fun) plays a assassin who threatens to kill all the city leaders one by one. It's up to some 'zany' characters at a crazy police station to stop him.

    Attempt at bringing the irreverent, anti-establishment, comedy-drama of M*A*S*H to the police squad, is a complete disaster. The 'wacky' humor is both empty and annoying. Throwing in some strained sentiment and jarring action makes it even more baseless.

    The actors seem to be just walking through their roles and the direction has no energy or vision. The pacing is disjointed without any rhythm or logic. Just about every shot is dark and shadowy. Like it was filmed on a camera with a very bad exposure.

    The police station just never seems real. The precinct on BARNEY MILLER is more believable. Also having Reynolds and Weston dress as nuns just to catch the bad guy is a perfect example of forced humor.

    The lowest point involves a unnecessary story thread where Welch goes after a prostitute killer. The final confrontation scene between her and the killer is a complete and pathetic rip off of the similar scene in KLUTE (complete with those chiming piano chords). This alone solidifies it as one of the biggest bombs of all time. If that's not enough you also have Dinah Shore singing "I'll be Seeing You" over the closing credits.

    The whole thing is just excruciating. Does feature a young up and coming Tom Skerrit. Also has Charles Martin Smith as a punk who sets street bums on fire.
    7udar55

    Nicely done cop comedy-thriller

    This is billed as a Burt Reynold's vehicle but he is actually part of a great cast in this Ed McBain 87th Precinct comedy-thriller. The police in Boston are searching for an extortionist dubbed "The Deaf Man" who is demanding cash or he kills a high ranking city official. Reynolds along with Tom Skeritt and Jack Weston are the cops on the case. The film really has a great ensemble feel and, I hope, accurately predicts the goings on inside a police station. Raquel Welch co-stars as a female detective out to snag a rapist. Yul Brynner, who must have been having lots of fun at this point in his career, is "The Deaf Man." His screen time is minimal but he does a good job. Familiar faces pop up in nearly every other scene with guys like Charles Tyner, Albert Popwell, Tamara Dobson and a very young Charles Martin Smith in small roles. The film's only major problem is that it neatly wraps up everything in the end. Seriously, every crime the cops are investigating is solved in one scene that relies heavily on convenience.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Burt Reynolds almost suffered serious burns to his face while doing his own stunt during a scene in which he is set on fire. Out-of-control flames whipped up his asbestos-lined coat sleeve, around his neck, and along the back of his head. This cut made it into the movie.
    • Blooper
      Don Gordon as an armed robber loads six cartridges into his .38 revolver and sticks it in his belt. When they get to the liquor store the gun he pulls out of his belt is a semiautomatic 9mm Walther P-38 pistol. When he kicks in the door he has the .38 revolver in his hand.

      Three men, all armed with six-shot .38 revolvers, then get into a fast and furious gun fight in which about 30 shots are fired.
    • Citazioni

      Detective: What do you mean they're putting garbage in your car?

      Man with Garbage: Every morning garbage in the front seat. You know, coffee grounds, potato peels and moldy fruit. It just gets such a mess when it gets on the floor and, you know, walking around with it slipping on your heels. It's disgusting; old chewed up bones like they had a dog or something. And one day it looked as though somebody had blown their nose in pieces of old toilet paper and wet cigarette butts and things like that. It's really disgusting, and you can't find that in your car seat every morning and live through it. My stomach turns and I really threw up several times, but not in the front seat of the car.

    • Curiosità sui crediti
      Evan Hunter wrote the "87th Precinct" novels under the nom de plume Ed McBain. For this film, he is credited with the screenplay under his own name, but as McBain for "based on the novel by."
    • Connessioni
      Featured in Inside 'Live and Let Die' (1999)
    • Colonne sonore
      I'll Be Seeing You
      By Sammy Fain (uncredited) and Irving Kahal (uncredited)

      Sung by Dinah Shore

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    Dettagli

    Modifica
    • Data di uscita
      • 12 ottobre 1972 (Regno Unito)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
      • Lingua dei segni americana
    • Celebre anche come
      • Fuzz
    • Luoghi delle riprese
      • Los Angeles, California, Stati Uniti(police station interiors)
    • Aziende produttrici
      • Filmways
      • Martin Ransohoff Productions
      • Filmways Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 566.628 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 32 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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