L'effetto dei raggi gamma sui fiori di Matilde

This film has the same wonderfully subtle direction as "The Heart Is A Lonely Hunter," "Diary Of A Mad Housewife" and "Goodbye Columbus." The lost 60s/70s style for dialogue films with immediately profound social messages is probably best exampled in "EGROMMM" -- Newman's daughter (Nell Potts) plays the stoic, life-dampened child who refuses to let her drunken slob of a mother destroy her brilliance.. at least for now. We're just slightly distant observers in this style of filmmaking. You won't get under anyone's skin or into anyone's head. But you may have grown up in similar circumstances, god forbid. An excellent film about the subtleties of abuse without coming across preachy in the slightest. Deeply moving.

I have only seen this film once, at the Tyneside Cinema, an early arts house independent cinema in the UK. I saw the film in the year of its release. I still treasure memories of Joanne Woodward's performance as the tragi-comic loudmouth of a mother, who is desperate to do things right, but also has little time for the opinions of others. I would dearly love to see it again, but on the few occasions that I have enquired, I have been greeted by bewildered expressions from folk who plainly think that I am having them on when I mention the title. Perhaps this is an apt result, given the way that the star of the film played such an alienated role that fans of the film should now find themselves being looked at in a somewhat dubious way! To those who have not seen it, grab this powerful performance with both hands. It truly is a gem, with a fine range of emotions, and a cast that works fully together. Thank you for giving me the chance to write this.

Effect of Gamma Rays on Man-in-the-Moon Marigolds, The (1972)

*** 1/2 (out of 4)

It's a shame the silly sounding title will probably make most people overlook this film because it's an incredibly strong character study that deserves more attention. Joanne Woodward plays Beatrice, a widow trying to race two girls (Nell Potts, Roberta Wallach) in a world she feels is falling apart due to stupid people. What Beatrice doesn't realize is that the majority of problems in her life are due to herself and she can't seem to realize the damage that she's doing to her daughters. I must admit that I was shocked to see that Woodward didn't even got an Oscar-nomination for her performance here, which will go down in my book as one of the biggest injustices of all-time. Many people has called this performance one of the actresses greatest and many, including her husband and director of this film Paul Newman, have called it the greatest of her career. I'd probably go even further than that and call it one of the greatest performances by an actress that you're ever going to see. The amount of rage, passion and at times evilness within this performance is something truly amazing to watch and it's just breathtaking sitting back and watching Woodward work. She said that this was one of her most difficult roles because of having to play someone so depressing, bitter and angry but she perfectly nails all of it. I think calling this character crazy would be an easy way out because there's just so much to her and so much development that goes on. Just take a look at a sequence where she's trying to gather money for a tea-shop invention that she's came up with. Just watch the way she grows more and more frantic as the money trail starts to go away. Another terrific sequence again shows the character in a different way. There's a scene where the mother learns that her oldest daughter had done a skit about her at school for laughs. Again, just watch the way Woodward brilliantly plays it. The supporting performances are also very good with Newman and Woodward's real-life daughter Nell doing a nice job with the role of the youngest sister. Roberta Wallach, Eli's daughter, is also extremely strong in her bit as the one who suffers the most humiliation from the mother. I also thought Newman's direction was superb and it's easy to tell in the film's that he directed that he believed the acting was the most important thing to any movie. He doesn't throw any real style into the film and instead he just turns the camera on and let's the actors bring the film to life. THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS is a very silly title but the film is a real gem with one of the greatest performances you're likely to see.

The old saw "there are no guarantees in life" is given a sad example in this film, wherein we find Joanne Woodward, widowed mother of two, slipping through the cracks of her own life with her daughters in tow. Through a bleary haze of booze-soaked self-defeat, she commands change in her life but is unwilling(and/or possibly unable)to grab the reins. Woodward's performance is sterling...unrestrained, though not at all hammy. Her character is initially entirely unlikable, though in the end, she has found a place in the pity-corner of our hearts...she is a fragile and vulnerable soul who has tragically broken into many virulent and dejected pieces.

For people who enjoy strong character studies, THE EFFECT OF GAMMA RAYS is a dexterously directed must-see mini-classic. Understand, though, that it is quite emotionally daunting, and may touch a bit too close to home for certain viewers...a stark and brutally honest portraiture of human wreckage and its many damaging effects. Beneath the downcast surface, however, lies a glint of optimism in the form of the younger daughter's quiet perseverance...although she suffers, she has a strong constitution and will likely overcome her emotionally malnourished upbringing.

Stellar cinema. 8.5/10

Paul Newman again surprises (along with "Rachel, Rachel") as Joanne Woodward is presented in the unglamorous role of Beatrice Hunsdorfer, a bitter widow living on the fringe in an anonymous Connecticut suburb.

Nell Potts and Roberta Wallach in diametrically opposed roles, Ruth, the epileptic popular daughter, and Mathilda, the science-project sensitive daughter who relates to her pet rabbit.

While some is a bit overdone it is no stretch to imagine a bored housewife trying to make ends meet; Woodward is sympathetic and annoying at the same time. A brilliant performance.

This film was made in 1972 and it would truly amazing to see real character portrayals in film again. Today we have to visit the theater for such affecting performances. Well worth more than one viewing. 9/10.