Lewis Medlock ed i suoi amici decidono di navigare in canoa lungo il fiume Cahulawassee in Georgia, ma la loro gita si trasformerà presto in un incubo.Lewis Medlock ed i suoi amici decidono di navigare in canoa lungo il fiume Cahulawassee in Georgia, ma la loro gita si trasformerà presto in un incubo.Lewis Medlock ed i suoi amici decidono di navigare in canoa lungo il fiume Cahulawassee in Georgia, ma la loro gita si trasformerà presto in un incubo.
- Candidato a 3 Oscar
- 2 vittorie e 14 candidature totali
Recensioni in evidenza
True masterpiece genuinely done; very dark adventurous story about a group of men that are stuck in a situation after some creepy guys do some awful things and things spiral more from there! The sound editing & cinematography alone make this a wonderful experience along with a great cast!
I thoroughly enjoyed this menacing adventure; I'm sure it was difficult to make too. Movies aren't made like this anymore, so it's definitely nice to see this gem.
I thoroughly enjoyed this menacing adventure; I'm sure it was difficult to make too. Movies aren't made like this anymore, so it's definitely nice to see this gem.
John Boorman's "Deliverance" concerns four suburban Atlanta dwellers who take a ride down the swift waters of the Cahulawassee
The river is about to disappear for a dam construction and the flooding of the last untamed stretches of land
The four friends emphasize different characters: a virile sports enthusiast who has never been insured in his life since there is no specific risk in it (Burt Reynolds); a passionate family man and a guitar player (Ronny Cox); an overweight bachelor insurance salesman (Ned Beatty); and a quiet, thoughtful married man with a son who loves to smoke his pipe (Jon Voight).
What follows is the men's nightmarish explorations against the hostile violence of nature It is also an ideal code of moral principle about civilized men falling prey to the dark laws of the wilderness
Superbly shot, this thrilling adult adventure certainly contains some genuinely gripping scenes
The four friends emphasize different characters: a virile sports enthusiast who has never been insured in his life since there is no specific risk in it (Burt Reynolds); a passionate family man and a guitar player (Ronny Cox); an overweight bachelor insurance salesman (Ned Beatty); and a quiet, thoughtful married man with a son who loves to smoke his pipe (Jon Voight).
What follows is the men's nightmarish explorations against the hostile violence of nature It is also an ideal code of moral principle about civilized men falling prey to the dark laws of the wilderness
Superbly shot, this thrilling adult adventure certainly contains some genuinely gripping scenes
You plan a trip, along a river, in two canoes, a tricky navigation, but you'll get through, Lewis knows about these things, how the world revolves and spins, what could possibly go wrong, enjoy the view. Part way down you're separated and you moor, you and Bobby meet two locals and endure, an assault that makes one jig, as Bobby squeals like a split pig, it leaves you outraged, full of disgust and rancour. The situation takes a turn because of Lewis, as he saves you from the gorge that's now an abyss, you escape and speed down river, this adventure's not delivered, these are times, you will not fondly reminisce.
As good as it was all those years ago, and perhaps even better as it's aged, with four great performances, that to this day, would leave you contemplative when adventuring in certain under explored parts of the country.
As good as it was all those years ago, and perhaps even better as it's aged, with four great performances, that to this day, would leave you contemplative when adventuring in certain under explored parts of the country.
"Deliverance" is based on a novel by American author James Dickey, of the same title. Four men who are friends plan a weekend in the outdoors from their families and jobs in the city. The setting is in Georgia, and they are going to canoe one of the roughest rivers to get to and to ride.
Only this adventure turns into a psychological nightmare. It's a griping ride down a fast and narrow river gorge. But the rapids and falls aren't the worst dangers. This is a story and film that one won't forget years after watching it. It's not for everyone. Even some who enjoy intrigue and mystery may find "Deliverance" unsettling.
It's definitely not for children, teens included. People who can readily distinguish reality from fiction and can easily move on beyond the latter, would be those most likely to appreciate this movie.
Only this adventure turns into a psychological nightmare. It's a griping ride down a fast and narrow river gorge. But the rapids and falls aren't the worst dangers. This is a story and film that one won't forget years after watching it. It's not for everyone. Even some who enjoy intrigue and mystery may find "Deliverance" unsettling.
It's definitely not for children, teens included. People who can readily distinguish reality from fiction and can easily move on beyond the latter, would be those most likely to appreciate this movie.
I hadn't seen this movie in at least 20 years, but in the last few, it had started to itch away at my mind. I thought it terrific when I first saw it, but had I missed something even so? Was it more than just a disturbing adventure movie, in which city people run afoul of backwoodsmen?
So as soon as I saw the DVD, I bought it, even though it was obviously another Warner Bros. rush-it-out, never-mind-the-extras job.
The movie isn't as good as I remembered -- it's better. Those who are looking for a RIVER WILD thriller, or a SOUTHERN COMFORT (a DELIVERANCE imitation) suspense movie, are already looking in the wrong place. This movie is about what goes on inside people much more than it is about what goes on >around< them.
I've seen comments here suggesting that Ned Beatty doesn't show enough reaction after being brutally raped. Huh? He's stunned for ten minutes, then tries to attack Bill McKinney's >corpse<. He's still rattled the last time we see him in the movie, when he tells Jon Voight that they won't be seeing each other for a while. (Which clearly means forever.) Beatty's life has been changed; he'll never get over it.
So has Voight's, but in a different way. For the first time, I noticed that >three< people get into the tow truck when Reynolds hires those brothers to drive their cars to the canoeist's destination. Sure, that's logical -- there are three vehicles to drive initially, after all. But why does Boorman take pains to avoid showing us the face of the third person in the tow truck, but does show him fingering the gun in the rear window of the truck?
Could it be because this guy turns up later? Is he Bill McKinney's character? Or the Toothless guy? Or the guy Voight kills? Which of course raises the most important questions in the movie: WAS Ronny Cox shot? And if he was, was the guy Voight kills the one who shot him? (And was Voight's victim the Toothless guy?) On an initial viewing of the movie, all this seems pretty obvious: yes, Cox is shot; yes, Voight kills the right person, the Toothless guy.
But then what about the man we later learn has gone hunting but who hasn't returned? Why is Voight so shocked when he looks into the mouth of his victim? Boorman and Dickey give great weight to the scene in which Voight fails to kill a deer. (Even if he had, it would have been a foolish, wasteful act.) The interplay between Voight and Reynolds is also very interesting; Voight clearly admires Reynolds on some levels, while finding him disgusting on others.
Dickey is primarily a poet, secondarily a novelist; it's not hard to believe that he intended all four men to represent different aspects of the human condition. DELIVERANCE is one of the most intricately ambiguous movies of its type ever made; it cannot be pulled apart into easily-understood sections, and where our sympathies should lie is never obvious. Even the sheriff, played by Dickey himself, has darker shadings that are partly inexplicable. And there is that shot of the removal of the graves; it's not in there by chance or for local color.
On the surface, DELIVERANCE seems to be an exciting, disturbing adventure -- and it is that. But just like the secrets the lake conceals, there's a great deal more beneath the surface of DELIVERANCE.
So as soon as I saw the DVD, I bought it, even though it was obviously another Warner Bros. rush-it-out, never-mind-the-extras job.
The movie isn't as good as I remembered -- it's better. Those who are looking for a RIVER WILD thriller, or a SOUTHERN COMFORT (a DELIVERANCE imitation) suspense movie, are already looking in the wrong place. This movie is about what goes on inside people much more than it is about what goes on >around< them.
I've seen comments here suggesting that Ned Beatty doesn't show enough reaction after being brutally raped. Huh? He's stunned for ten minutes, then tries to attack Bill McKinney's >corpse<. He's still rattled the last time we see him in the movie, when he tells Jon Voight that they won't be seeing each other for a while. (Which clearly means forever.) Beatty's life has been changed; he'll never get over it.
So has Voight's, but in a different way. For the first time, I noticed that >three< people get into the tow truck when Reynolds hires those brothers to drive their cars to the canoeist's destination. Sure, that's logical -- there are three vehicles to drive initially, after all. But why does Boorman take pains to avoid showing us the face of the third person in the tow truck, but does show him fingering the gun in the rear window of the truck?
Could it be because this guy turns up later? Is he Bill McKinney's character? Or the Toothless guy? Or the guy Voight kills? Which of course raises the most important questions in the movie: WAS Ronny Cox shot? And if he was, was the guy Voight kills the one who shot him? (And was Voight's victim the Toothless guy?) On an initial viewing of the movie, all this seems pretty obvious: yes, Cox is shot; yes, Voight kills the right person, the Toothless guy.
But then what about the man we later learn has gone hunting but who hasn't returned? Why is Voight so shocked when he looks into the mouth of his victim? Boorman and Dickey give great weight to the scene in which Voight fails to kill a deer. (Even if he had, it would have been a foolish, wasteful act.) The interplay between Voight and Reynolds is also very interesting; Voight clearly admires Reynolds on some levels, while finding him disgusting on others.
Dickey is primarily a poet, secondarily a novelist; it's not hard to believe that he intended all four men to represent different aspects of the human condition. DELIVERANCE is one of the most intricately ambiguous movies of its type ever made; it cannot be pulled apart into easily-understood sections, and where our sympathies should lie is never obvious. Even the sheriff, played by Dickey himself, has darker shadings that are partly inexplicable. And there is that shot of the removal of the graves; it's not in there by chance or for local color.
On the surface, DELIVERANCE seems to be an exciting, disturbing adventure -- and it is that. But just like the secrets the lake conceals, there's a great deal more beneath the surface of DELIVERANCE.
Lo sapevi?
- QuizWhile filming the white water canoeing scene, Ned Beatty was thrown overboard and was sucked under by a whirlpool. A production assistant dove in to save him, but he didn't surface for thirty seconds. Sir John Boorman asked Beatty, "How did you feel?," and Beatty responded, "I thought I was going to drown, and the first thought was, how will John finish the film without me? And my second thought was, I bet the bastard will find a way!"
- BlooperWhen the cedar strip canoe breaks in half ((01:02:35), it breaks cleanly, indicating it was previously cut. It would have split, splintered and hinged together by the canvas skin.
- Curiosità sui creditiThe end credits only show the cast and a notice of where the location of the film was shot and the special thanks, which rolls over a shot of Ed and his wife laying down trying to sleep. It also shows the shot of the lake where the hand ascended up out of the water and the final credit reads 'Distributed by WARNER BROS'
- Versioni alternativeThe original UK cinema version suffered minor BBFC cuts, including the removal of two lines of dialogue said by the toothless man when threatening Ed after the rape scene, "He got a real pretty mouth, ain't he?" and "You got to do some praying for me, boy, you better pray real good." Also, the death of the mountain man where he is seen struggling with the arrow through his chest was reduced. All later video releases were uncut.
- ConnessioniEdited into La classe américaine (1993)
- Colonne sonoreDuelling Banjos
Written by Arthur Smith (uncredited)
Arranged and played by Eric Weissberg, Steve Mandell
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Amarga pesadilla
- Luoghi delle riprese
- Chattooga River, Georgia, Stati Uniti(Cahulawassee River)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo in tutto il mondo
- 4550 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Proporzioni
- 2.35 : 1
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