La dama rossa uccide sette volte

This interesting Giallo boosts a typical but still thrilling plot and a really sadistic killer that obviously likes to hunt his victims down before murdering them in gory ways.

Directed by Emilio P. Miraglia who, one year earlier, also made the very interesting "La Notte che Evelyn Usci della Tomba" (see also my comment on that one), the film starts off a little slow, but all in all, no time is wasted with unnecessary sub plots or sequences.

This film is a German-Italian coproduction, but it was released in Germany on video only in a version trimmed by 15 minutes of plot under the stupid title "Horror House". At least the murder scenes, which will satisfy every gorehound, are fully intact, and the viewer still gets the killer's motive at the end. But the Italian version containing all the footage is still the one to look for, of course.

A convincing Giallo with obligatory twists and red herrings, "La Dama Rossa Uccide Sette Volte" is highly recommended to Giallo fans and slightly superior to Miraglia's above mentioned other thriller.

In THE RED QUEEN KILLS SEVEN TIMES, a family curse puts everyone at risk every one hundred years, when the titular entity apparently goes on a killing spree. This is to avenge the Queen's own untimely demise at the hand of her sister. At least, that's how the legend goes.

Now, the Wildenbruck family -some of whom have dark secrets to hide- has gathered for the reading of their patriarch's will. Very quickly, people are stalked and killed by a laughing, red-cloaked maniac. Has the Red Queen returned once more to seek her vengeance? As the murders continue, Kitty Wildenbruck (Barbara Bouchet) grows increasingly concerned, and for good reason.

TRQK7x is a masterful giallo with a lot of gothic horror overtones. Co-stars the magnificent Sybil Danning as Lulu Palm...

When I saw the elaborate DVD box for this and the dreadful Red Queen figurine, I felt certain I was in for a big disappointment, but surprise, surprise, I loved it. Convoluted nonsense of course and unforgivable that such a complicated denouement should be rushed to the point of barely being able to read the subtitles, let alone take in the ridiculous explanation. These quibbles apart, however, the film is a dream. Fabulous ladies in fabulous outfits in wonderful settings and the whole thing constantly on the move and accompanied by a wonderful Bruno Nicolai score. He may not be Morricone but in these lighter pieces he might as well be so. Really enjoyable with lots of colour, plenty of sexiness, some gory kills and minimal police interference. Super.

The Red Queen Kills Seven Times is a vintage 1970's thriller about a family curse, in which there are 7 murders every 100 years, committed by one of two sisters, who picks off 6 victims and the eventually kills the other sister. Which is a bit of a convoluted legend. But anyway, Barbara Bouchet plays Kitty, the leading lady in peril, who feels that her missing and deranged sister is replaying out the legend and killing multiple people, so she soon fears that she will become the 7th victim.

The whole movie is a bit of a jumble of plot and events, as people close to or somehow linked to Kitty start to die horribly. The movie does look good, thanks to the lovely actresses who appear in it, and there are some great shots of the "Red Queen" killer (in a long red cape, black hair and white face) dashing about the place. There's also a fairly spectacular castle setting with suitable creepy rooms and dungeons. The explanation is almost impossible to piece together, but at least it's something you couldn't really figure out!

The prologue is also important as it shows how Kitty (as a child) first learned about the legend, and we get to hear the improbable story, as well as see a ridiculously gory painting which the family have deemed suitable to be hung in full view on a wall! Sadly, what doesn't work is the English dub, which is dreadful and it especially hampers this prologue, because the only thing worse than bad dubbing is bad dubbing of children, and here it's excruciating. There is a fair bit of gore, but the blood looks like tomato soup and there are no really good effects to be seen. However it's all energetic and well paced, and there is a lot of topless female nudity to keep the male audience members entertained. Worth a look.

"The Red Queen Kills Seven Times" follows two sisters who are faced with apparent repercussions of a family curse after the death of their aristocrat grandfather. The legend has it that every hundred years, two sisters in the family bloodline will fight, resulting in the murder of one. After the prophecy comes true, a madwoman in a red cloak begins a killing spree in one of the sisters' lives, stalking the ancestral castle and mercilessly taking lives.

The second and last effort of Emilio Miraglia after the brilliant Gothic "The Night Evelyn Came Out of the Grave," "The Red Queen Kills Seven Times" is a rather similar effort, but with slight modifications in both plot and tone. Where "Evelyn" treaded supernatural Gothic territory, "Red Queen" is a bit more of a heavy-handed giallo that is shamelessly over-plotted and also far more violent. Evoking the kind of giallos that Argento or Bava made in the 1970s, the film really takes its time working up elaborate murders and a faceless killer.

Tonally, it is slightly different from Miraglia's preceding film in that it was shot exclusively in Germany, and very much has a Bavarian aesthetic, featuring a German-European castle setting, rolling forests, and small mountain villages as backdrops. It is an atmospheric film, and in Miraglia's fashion, is oriented toward the Gothic.

As I mentioned, the film is a bit zany in terms of plot, and throws curveball after curveball without pause, so it is a film that demands its audience's attention in order to make sense of what is happening on screen. Barbara Bouchet and Marina Malfatti (returning from Miraglia's previous film) have the lead roles, and are both very good. The finale is fantastically elaborate and the final reveal is thematically quite dark; there is an especially memorable scene set in a flooding underground chamber that really deserves some respect.

Overall, "The Red Queen Kills Seven Times" is a solid effort, and does a fantastic job at juggling elements of the giallo with that of the Gothic thriller. It is a far less supernaturally-oriented film than Miraglia's "Evelyn," and it is also more extensively plotted. The unabashed twists and turns do become a bit redundant and exhausting along the way, but the finale is a nice payoff to an otherwise atmospheric thriller. The killer's red cloak (perhaps a foresight for "Don't Look Now"?) and menacing cackle are also not to be dismissed. 7/10.