Il terrore viene dalla pioggia

British horror icons Peter Cushing and Christopher Lee co-star in this fascinating bit of Victorian pseudo-scientific nonsense which will have you entertained until the very last scene. The bad news is that they share very little on screen time, in fact there isn't all that much Lee content at all. But that is my only gripe about this terrific horror thriller. If you want to see the two REALLY co-star go to their many Hammer classics or the brilliant 'Horror Express' from around the same period as this. Cushing plays a familiar role, Hildern, a scientist with good intentions who meddles with something he shouldn't have. He shares a home with his adult daughter, the sweet and innocent Penelope. She believes that her mother died many years before not realizing the truth, that she was a fun loving floozie who flipped out and spent many years in an asylum, run by Cushing's ambitious half-brother James (Lee). Hildern returns from an expedition from New Guinea with a mysterious skeleton of a giant creature which he believes predates man. On his arrival home he is greeted with the news that his insane wife has finally died. He still hides this knowledge from his daughter, fearing for her own mental well being. Hildern and his assistant experiment on the skeleton and he believes that it can unlock the secret of evil, which he theorizes can be innoculated against. When a hysterical Penelope finally stumbles across the truth about her mother, Hildern, with the best of intentions, tries the experimental anti-evil vaccine on her. This proves to have disastrous results, and matters are further complicated when James, who both envies and resents his more respected brother, gets wind of what is going on and plans to steal the skeleton for his own research. If you take all the "science" in this movie with a pinch of salt you'll find it to be one of the most enjoyable horror movies Cushing and Lee were ever involved in. A most underrated movie, highly recommended to all fans of late 60s/early 70s British horror.

In the late 19th century, scientist Emmanuel Hildern (Peter Cushing) returns home to London with a prehistoric skeleton that he acquired in Papua New Guinea. While cleaning the skeleton, he learns that water triggers a horrific reaction - reanimation. He slices off the finger, now covered in flesh, and preserves it for later experiments.

While having breakfast with his daughter, Penelope (the breathtaking Lorna Heilbron), Emmanuel reads a letter informing him of his wife's death. Unbeknowst to Penelope, her mother has been in an insane asylum since she was a little girl. Fearful that his wife's mental illness may be hereditary, Emmanuel has sheltered his daughter at their estate with only the servants to keep her company. She's not allowed outside, except for short walks within the gated premises.

Emmanuel travels to the institution where his wife died. He meets up with his half-brother, James (Christopher Lee), who happens to be the insane asylum's director and a competing scientist. Emmanuel was always the favorite of the two siblings, the one destined to achieve greatness, so it's with great pleasure that James tells him that he is in the running for the prestigious Richter Award. In addition, he will no longer fund Emmanuel's transcontinental trips.

I'm not familiar with most horror predating 1980. I rate this somewhere between 60%-70% (about a 6.5/10). I've never watched a movie, horror or other genre, with so much anticipation and dread for what may come. The climax is truly a frightening one. The suspense is nail-biting! Lee and Cushing are great but it's the beautiful Heilbron who steals the show. I want to watch more films she stars in.

I recommend this to horror fans who want to explore the classics. No gore, torture, or loud music cues to instill a false sense of fear. I liked it!

A scientific, Peter Cushing, decides he can cure evil by injecting with a serum derived from the blood of an ancient corpse that he got from a discovery in Papua New Guinea . As Cushing has at his lab the remains of a giant prehistoric to administer an anti-evil serum with perhaps incredible results . As when the body is exposed to water, flesh returns to the bones with horrible consequences. Meanwhile, Cushing has a skeleton in the cupboard, as his insane wife is interned at a mental institute run by the stiff mad doctor Christopher Lee.

Some truly eerie and chilling moments will get you flesh creeping. As a palentologist bag of bones from a Papua New Guinea giant, which develops new flesh when water drops on him , unleashing a string of distresses and terror when he is brought to life, adding an inevitable and surprising final denouement. Well paced film including a complicated storyline , never flashy , its true secret lies in the peculiar style, knitting together with considerable skill . It has enough flair play to keep us pondering its latent inconveniences and absurdities. Stars two great myths of terror cinema, Peter Cushing who gives his customary cultured acting looks even better in an interesting screenplay and, of course, Christopher Lee , though the latter has a secondary performance as an Asylum director. And Lona Heilbron is nice as the repressive daughter to whom Cushing administers an anti-evil serum with amazing consequences . Support cast is acceptable such as the regular Duncan Lamont as a Police Inspector, George Benson, Kenneth J Warren and brief cameo by Michael Ripper, as usual .

Well financed by Michael Redbourn and Tigon production that very much attempts to return in style and class to the early Hammer movies .The motion picture was professionally directed by Freddie Francis. He was a Horror expert making a lot of titles, such as The doctor and the devils, The ghoul, Legend of the werewolf, Dark Tower, Craze, Tales that witness madness, Tales from the crypt, The vampire happening, Dracula has rising from the grave, They came from beyond space, Torture garden, Dr Terror's house of horrors, The skull, The evil of Frankenstein , Hysteria, Day of the Triffids, The brain, and Paranoic. Besides, he was a prestigious cameraman , such as The straight story , Princess Caraboo, Cape fear, Glory, Her alibi, Dune, The elephant man, The innocents , The French lieutenant's woman , Brenda Starr , Saturday night and Sunday morning, Room at the top, The battle of the sexes, Time without pity, among others. Rating : acceptable and passable 6/10.

Scientist Peter Cushing digs up an ancient skeleton that's pure evil or something. When you pour water on the bones, flesh grows. So don't do that. Anyway, this is all weird and interesting enough but then there's a huge chunk of the movie dealing with Cushing's daughter who he is overprotective of because he doesn't want her to turn out like her mom, who died in an asylum. This stuff is a lot less fun. Christopher Lee plays Cushing's brother. He runs the asylum and he's got a subplot about an escaped inmate. All of these plot threads eventually meet but I can't say they do so satisfactorily.

It's a decent British horror movie with two top stars and a good director in Freddie Francis. The problem is it's got too much going on and it devotes more time to the uninteresting stuff than the skeleton business. Now, the ending is cute and perhaps lines the meandering plot up a bit but it doesn't fix everything. You're still left feeling like you didn't get as much of the "creeping flesh" aspect of the movie as you might have expected.

I want to start off by saying that I thoroughly enjoy most of Freddie Francis' films, especially those he made with Hammer. But...I was expecting so much more from THE CREEPING FLESH. With the recent passing of Christopher Lee (RIP), I wanted to go back and re-watch his films that I loved and also to find some that I hadn't previously viewed. So I stumbled upon THE CREEPING FLESH and immediately sought it out. Maybe my expectations were too high going in, but I was a bit let down. As I said, I really like Freddie Francis. I also love Christopher Lee and Peter Cushing. So it was a no-brainer that I would like this film. And I did like it...just not as much as I thought I would going in to it.

The Victorian age set pieces were fantastic. The subject matter of the story (though not scientifically accurate) was interesting. The acting was great. The atmosphere was pretty good. It was the lack of the horror element that I was expecting and it just didn't seem to show up until the final 15 minutes or so of the film. When it did show up it was great. I just wish the movie would have used it sooner.

I also disagree with the many people who feel THE CREEPING FLESH is Freddie Francis' best film. TORTURE GARDEN, TALES FROM THE CRYPT, LEGEND OF THE WEREWOLF and maybe even THE DAY OF THE TRIFFIDS and THE SKULL were all better in my opinion. I especially loved LEGEND OF THE WEREWOLF...but I am partial to werewolves.

All in all, THE CREEPING FLESH is a good movie worth watching, especially if you are a Christopher Lee or Peter Cushing fan (or a fan of Hammer films even though this is not a Hammer production). It's a good, solid 6 out of 10.