VALUTAZIONE IMDb
5,6/10
6217
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.
Nobutake Saitô
- Henchman
- (as Noritake Saito)
Kenpachirô Satsuma
- Gaigan
- (as Kengo Nakayama)
Recensioni in evidenza
Right, well I hadn't really expected all that much from "Chikyû kogeki meirei: Gojira tai Gaigan" (aka "Godzilla vs Gigan") given the fact that the movie was from 1972. But still, I sat down to watch it with my 9 year old son as we are having a run through all "Godzilla" movies.
Turns out that the 1972 "Godzilla vs Gigan" was actually surprisingly nice. The storyline was adequate. After all, it is a "Godzilla" movie we are talking about here.
But what made it work so nicely was the sheer amount of destruction throughout the course of the movie and the excessive amount of kaiju fighting - which exceeded the contents of many other "Godzilla" movies. And you actually got to see the kaijus bleeding in this 1972 movie. But the destruction of buildings and such was just phenomenal. Sure, it was toy buildings and miniature scales, but still, it worked out so nicely. Especially because they had put so much effort into the miniature scale models that it was just amazing.
Man, I do love it when Godzilla gets frustrated and starts going into hyper-mode. That is just hilarious.
Two things about this movie wasn't overly impressive. First and foremost, the appearance of Godzilla. He looked atrocious in this movie, and it was a bitter pill to swallow. And then the fact that they reused footage from another "Godzilla" movie for the King Ghidorah vs. Anguirus fight. That was just a horrible thing to do, and it was definitely a slap in the face with a dead, cold fish for us that have sat through the majority of the "Godzilla" movies.
But all in all, the 1972 "Godzilla vs Gigan" was definitely a nice surprise and quite worth the effort of sitting through. I am rating it a solid six out of ten stars.
Turns out that the 1972 "Godzilla vs Gigan" was actually surprisingly nice. The storyline was adequate. After all, it is a "Godzilla" movie we are talking about here.
But what made it work so nicely was the sheer amount of destruction throughout the course of the movie and the excessive amount of kaiju fighting - which exceeded the contents of many other "Godzilla" movies. And you actually got to see the kaijus bleeding in this 1972 movie. But the destruction of buildings and such was just phenomenal. Sure, it was toy buildings and miniature scales, but still, it worked out so nicely. Especially because they had put so much effort into the miniature scale models that it was just amazing.
Man, I do love it when Godzilla gets frustrated and starts going into hyper-mode. That is just hilarious.
Two things about this movie wasn't overly impressive. First and foremost, the appearance of Godzilla. He looked atrocious in this movie, and it was a bitter pill to swallow. And then the fact that they reused footage from another "Godzilla" movie for the King Ghidorah vs. Anguirus fight. That was just a horrible thing to do, and it was definitely a slap in the face with a dead, cold fish for us that have sat through the majority of the "Godzilla" movies.
But all in all, the 1972 "Godzilla vs Gigan" was definitely a nice surprise and quite worth the effort of sitting through. I am rating it a solid six out of ten stars.
5vkn
Second only to Godzilla vs Hedorah in terms of weirdness, this Goji flick sees a bunch of aliens trying to conquer the earth using a children's theme park as their base. No, seriously. The bizarre theme of the film also shows in several other ways. The human characters are a bit of an oddball crew. No brave explorers, psychics or secret agents this time. Just a budding manga artist (who comes up with monsters and plots so daft not even Toho could take him seriously), his karate champion girlfriend, a funky hippy and some others. The aliens are their usual ludicrous and badly-dressed selves (they wear orange two-pieces with pink shirts underneath. Heaven help us) and their whole earth conquest plan is utterly ridiculous, of course. Something about an answering machine that can summon two monsters from space, probably. Thing is, all the silliness seems right in place this time, as the whole movie doesn't take itself seriously.
Other good points include Anguillas being quite active, music by good ol' Akira Ifukube, and new baddie Gigan, who really is rather groovy.
But for all that, there's plenty to dislike as well. Godzilla himself looks terribly messy in this film. Small bits of rubber are litterally falling off him during the fight. The rubber suit was in pretty poor state, apparently. It ends up looking as if Goji's suffering from kaiju-dandruff of some kind. Then there's the disappointing use of stock footage a go-go, which looks very lazy in some scenes. The scene where Anguillas pops up at Sagami bay and then blatantly -runs away- from the puny millitary without even smashing up one single thing is really shameful (and is probably the reason why Anguillas is often regarded as a bit of a wuss). Finally, the only really serious flaw is that the big battle at the end has a poor structure. Godzilla takes a huge beating for about fifteen whole minutes, then somehow decides that enough is enough and begins to kick back with some help from Anguillas (who did fairly little so far). But just then, after a few good smacks, the two nasty monsters just turn tail and run away. Booh. It's doubly disappointing when you consider that a battle between four monsters, Godzilla and Anguillas on one side, and Gigan and Ghidora on the other, could have been so much more, especially with such cool-looking nasties.
So that leaves a bad aftertaste, but this is still an interestingly strange and silly kaiju movie that should please die-hards of the genre, or people looking for something hilariously odd. Worth watching once, just for it being so loveably off-the-wall, but you can find lots better if you want quality kaiju action.
The pinnacle of freakiness has to be the scenes where Godzilla and Anguillas -talk- to each other. Not only do we hear some utterly ludicrous distorted voices, but both kaiju are also pretty poor conversationalists (especially Anguillas). Wonder what they talk about when there aren't any big, nasty aliens around?
Other good points include Anguillas being quite active, music by good ol' Akira Ifukube, and new baddie Gigan, who really is rather groovy.
But for all that, there's plenty to dislike as well. Godzilla himself looks terribly messy in this film. Small bits of rubber are litterally falling off him during the fight. The rubber suit was in pretty poor state, apparently. It ends up looking as if Goji's suffering from kaiju-dandruff of some kind. Then there's the disappointing use of stock footage a go-go, which looks very lazy in some scenes. The scene where Anguillas pops up at Sagami bay and then blatantly -runs away- from the puny millitary without even smashing up one single thing is really shameful (and is probably the reason why Anguillas is often regarded as a bit of a wuss). Finally, the only really serious flaw is that the big battle at the end has a poor structure. Godzilla takes a huge beating for about fifteen whole minutes, then somehow decides that enough is enough and begins to kick back with some help from Anguillas (who did fairly little so far). But just then, after a few good smacks, the two nasty monsters just turn tail and run away. Booh. It's doubly disappointing when you consider that a battle between four monsters, Godzilla and Anguillas on one side, and Gigan and Ghidora on the other, could have been so much more, especially with such cool-looking nasties.
So that leaves a bad aftertaste, but this is still an interestingly strange and silly kaiju movie that should please die-hards of the genre, or people looking for something hilariously odd. Worth watching once, just for it being so loveably off-the-wall, but you can find lots better if you want quality kaiju action.
The pinnacle of freakiness has to be the scenes where Godzilla and Anguillas -talk- to each other. Not only do we hear some utterly ludicrous distorted voices, but both kaiju are also pretty poor conversationalists (especially Anguillas). Wonder what they talk about when there aren't any big, nasty aliens around?
Godzilla Vs. Gigan has no right to a good review. It makes heavy use of stock footage, has a plot that just barely hangs together, and arguably features the most ridiculous looking kaiju aside from Minya...and yet I love it! The plot, if you can call it that, involves a group of Japanese twentysomethings who stumble upon an alien invasion plot involving-gasp!-a children's amusement park. They unwittingly summon Godzilla after playing an eight track tape, leading to a battle between the Big G, Anguirus, and their old enemy King Ghidorah, along with the grotesque Gigan.
The film suffers from a number of issues, perhaps the most glaring of which is the extensive use of stock footage. At times, Toho did not even bother to match up the footage, with the scenes switching suddenly from day to night and back again. The film also has an anti-technology message, introduced in the last half hour, even more ham-handed than the environmental themes of Godzilla vs. the Smog Monster. The characters never even bother to change their clothes, despite the film taking place over the better part of a week.
Nevertheless, Godzilla vs. Gigan retains a fond place in my memory. It features a good twenty to thirty minutes of sustained kaiju destruction. Furthermore, Gigan, despite its ridiculous appearance, is a surprisingly menacing villain, being the only monster to make Godzilla bleed. In the end, it's a dumb but fun movie.
The film suffers from a number of issues, perhaps the most glaring of which is the extensive use of stock footage. At times, Toho did not even bother to match up the footage, with the scenes switching suddenly from day to night and back again. The film also has an anti-technology message, introduced in the last half hour, even more ham-handed than the environmental themes of Godzilla vs. the Smog Monster. The characters never even bother to change their clothes, despite the film taking place over the better part of a week.
Nevertheless, Godzilla vs. Gigan retains a fond place in my memory. It features a good twenty to thirty minutes of sustained kaiju destruction. Furthermore, Gigan, despite its ridiculous appearance, is a surprisingly menacing villain, being the only monster to make Godzilla bleed. In the end, it's a dumb but fun movie.
Struggling manga artist Gengo (Hiroshi Ishikawa) whose children's stories involving homework and stern mother monsters are consistently rejected by editors takes a job with the company designing the new monster theme park World Children's Land. When Gengo finds an audio tape dropped by a young woman named Machiko (Tomoko Umeda), he stumbles into a conspiracy that suggests World Children's Land may be a front for more insidious purposes involving the monsters of Monster Island.
After the divisive reception to Godzilla vs. Hedorah (it's hard to know how well it did financially due to scarcity of sources on that point) producer Tomoyuki Tanaka sought to bring the Godzilla series back where he felt it needed to be. With Godzilla still seen very much as cheap kiddie fare at the time, Tanaka devised a premise he felt would entice people back while also being cost effective by brining back fan favorite King Ghidorah who would fight Godzilla along a new monster. Supposedly made for $1.2 million the film was allegedly better attended than Godzilla vs. Hedorah and made $20 million when factoring in foreign exports. Godzilla vs. Gigan is less ambitious than its predecessor and is visibly fighting against its kiddified status and budget, but assuming you can forgive the slow buildup and indulgence of stock footage it can be reasonably entertaining.
As with the previous few Godzilla movies, the human characters are more here out of obligation than for providing anything interesting and while there aren't any prominent child characters here that same feeling of childishness that many later Showa entries have seen is here in spirit. Gengo's bumbling and stupidly on the nose monster drawings based on "what kids hate" to an absurdly literal degree isn't as charming as it thinks it is, and the supporting cast aren't much more developed aside from being "hippie-ish" archetypes who are very Scooby-Doo like in their presence here. Given producer Tomoyuki Tanaka's hatred for Godzilla vs. Hedorah it's rather ironic that he not only recycles footage from that film, but also parts of the message as it is somewhat glanced over when the big "reveal" comes which is disguised with the subtlety of Snidely Whiplash or Dick Dastardly.
So how is the monster action at least? Half-good and half-assed. Starting off with the half-assed portion: the series continues its gratuitous use of stock footage with action scenes for Ghidorah lifted wholesale from Destroy All Monsters and Ghidorah, The Three-Headed Monster most prominently, and the movie does little to disguise it aside from cheaply applying a day-for night filter on it. It's pretty clear that the Ghidorah effects they have now aren't as mobile and dynamic as the early ones with the presence of older footage next to new footage exacerbating that point. With that said the climactic fight in World Children's Land that features Godzilla and Angilus/Angirus vs. Ghidorah and Gigan is pretty fun with Gigan a pretty visually interesting monster that looks like a mixture of a Cylon from Battlestar Galactica, praying mantis, and bird of prey and the fights have some pretty bloody impact scenes at points.
Godzilla vs. Gigan doesn't reach the Showa era's heyday but it doesn't exactly embarrass itself either (questionably suit quality at this point notwithstanding). Godzilla vs. Gigan is a comfortably middle of the road entry that while it has its annoying bits mostly gets those out of the way early enough that the ending is a pretty good time.
After the divisive reception to Godzilla vs. Hedorah (it's hard to know how well it did financially due to scarcity of sources on that point) producer Tomoyuki Tanaka sought to bring the Godzilla series back where he felt it needed to be. With Godzilla still seen very much as cheap kiddie fare at the time, Tanaka devised a premise he felt would entice people back while also being cost effective by brining back fan favorite King Ghidorah who would fight Godzilla along a new monster. Supposedly made for $1.2 million the film was allegedly better attended than Godzilla vs. Hedorah and made $20 million when factoring in foreign exports. Godzilla vs. Gigan is less ambitious than its predecessor and is visibly fighting against its kiddified status and budget, but assuming you can forgive the slow buildup and indulgence of stock footage it can be reasonably entertaining.
As with the previous few Godzilla movies, the human characters are more here out of obligation than for providing anything interesting and while there aren't any prominent child characters here that same feeling of childishness that many later Showa entries have seen is here in spirit. Gengo's bumbling and stupidly on the nose monster drawings based on "what kids hate" to an absurdly literal degree isn't as charming as it thinks it is, and the supporting cast aren't much more developed aside from being "hippie-ish" archetypes who are very Scooby-Doo like in their presence here. Given producer Tomoyuki Tanaka's hatred for Godzilla vs. Hedorah it's rather ironic that he not only recycles footage from that film, but also parts of the message as it is somewhat glanced over when the big "reveal" comes which is disguised with the subtlety of Snidely Whiplash or Dick Dastardly.
So how is the monster action at least? Half-good and half-assed. Starting off with the half-assed portion: the series continues its gratuitous use of stock footage with action scenes for Ghidorah lifted wholesale from Destroy All Monsters and Ghidorah, The Three-Headed Monster most prominently, and the movie does little to disguise it aside from cheaply applying a day-for night filter on it. It's pretty clear that the Ghidorah effects they have now aren't as mobile and dynamic as the early ones with the presence of older footage next to new footage exacerbating that point. With that said the climactic fight in World Children's Land that features Godzilla and Angilus/Angirus vs. Ghidorah and Gigan is pretty fun with Gigan a pretty visually interesting monster that looks like a mixture of a Cylon from Battlestar Galactica, praying mantis, and bird of prey and the fights have some pretty bloody impact scenes at points.
Godzilla vs. Gigan doesn't reach the Showa era's heyday but it doesn't exactly embarrass itself either (questionably suit quality at this point notwithstanding). Godzilla vs. Gigan is a comfortably middle of the road entry that while it has its annoying bits mostly gets those out of the way early enough that the ending is a pretty good time.
The film does seem to drag quite a bit. It's not a bad movie, and Gigan is one of my favorite Godzilla monsters. He has a great design, and we even have him teaming up with Ghidorah, one of the monsters who (supposedly died in Destroy All Monsters but is somehow back) is one of the most popular and powerful Godzilla monsters. The creatures don't seem to appear though until almost halfway through the film, and even then, most of the destruction you see doesn't actually show that it's the monsters causing it. Some scenes do quite well, but not all of them. I also feel like they got kinda lazy with the designs for the alien invaders who control Gigan, it's like they just picked a roach out and said "oh yeah, there's a good alien". Toho could have done better than that I think. Overall the film concept is AMAZING but they didn't jump into it very well, a lot of crap goes on that is just unnecessary.
Lo sapevi?
- QuizDespite the film being made for young children as part of Toho's Champion Festival, it is the first in which Godzilla visibly bleeds. Prior to his passing, original special effect director Eiji Tsuburaya deliberately kept blood and gore to a minimum. However the 1970s saw an increase in violence depicted in children's media in Japan. Special effects director Teruyoshi Nakano and the rest of the effects crew were actually inspired to make the fights bloodier because they received fan requests from children who asked why didn't the monsters bleed, so the crew obliged to appease them.
- BlooperDue to stock footage from earlier movies being used, the appearances of Godzilla, Ghidorah, and Anguirus keep changing.
- Curiosità sui creditiIn the opening credits of the Japanese version, colorful lasers shoot from different directions, and pop up into strips within which each credit appears in white text. In the English versions, only the sound FX of the lasers are heard (standard text credits were used).
- Versioni alternativeFor the scenes of Godzilla and Angilas talking to each other, word balloons are used in the Japanese version, but Toho's international English version (used for Cinema Shares' edited US print titled "Godzilla on Monster Island"), uses actual English dialogue.
- ConnessioniEdited from Rodan il mostro alato (1956)
- Colonne sonoreGojira Mâchi
("Godzilla March")
Music by Kunio Miyauchi
Lyrics by Shin'ichi Sekizawa and Jun Fukuda
Performed by Susumu Ishikawa & The Toho Kids' Chorus Group
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By what name was Godzilla contro i giganti (1972) officially released in India in English?
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